2 commentaires
Three excellent actresses starred in this film, but it is more radio play than cinema. "Le Jupon Rouge" is not a bad movie, but it is just a shadow of what it might have been. The story is too sketchy to really engage the viewer. The characters are not developed enough in the course of the action for us really to care about them.
The story hinges on the inner brittle fragility of an outwardly tough Holocaust survivor (Alida Valli). Her character is a political writer and activist, while Marie-Christine Barrault portrays her long-time secretary and aide.
Their story had real potential for drama and emotion. But most of the drama played out off screen, with the characters talking about what was happening, or had just happened, or had happened in the past, rather than depicting any of it happen. Most of the emotion was off camera, too, with only an episodic sampling shown on the screen.
The director, who also co-wrote and produced, needed help and advice from someone who better understood cinema. She had assembled a fine cast. She had a good eye for dark low-key settings and locations. But she did not seem to grasp that a story on the screen must be shown, not just told, and that dialog must be part of action and emotions, not merely talk about action and emotions.
"Le Jupon Rouge" is disappointing -- especially because the wonderful Marie-Christine Barrault has made so few movies (she chose family life over stardom). She starred in "Cousin Cousine," one of my favorite romantic comedies (it's better than the American version, "Cousins"), but "Cousin Cousine," too, like "Le Jupon Rouge," is not available on DVD, only VHS. She is at her most radiant in Woody Allen's "Stardust Memories;" indeed she is the main reason to watch that film.
The story hinges on the inner brittle fragility of an outwardly tough Holocaust survivor (Alida Valli). Her character is a political writer and activist, while Marie-Christine Barrault portrays her long-time secretary and aide.
Their story had real potential for drama and emotion. But most of the drama played out off screen, with the characters talking about what was happening, or had just happened, or had happened in the past, rather than depicting any of it happen. Most of the emotion was off camera, too, with only an episodic sampling shown on the screen.
The director, who also co-wrote and produced, needed help and advice from someone who better understood cinema. She had assembled a fine cast. She had a good eye for dark low-key settings and locations. But she did not seem to grasp that a story on the screen must be shown, not just told, and that dialog must be part of action and emotions, not merely talk about action and emotions.
"Le Jupon Rouge" is disappointing -- especially because the wonderful Marie-Christine Barrault has made so few movies (she chose family life over stardom). She starred in "Cousin Cousine," one of my favorite romantic comedies (it's better than the American version, "Cousins"), but "Cousin Cousine," too, like "Le Jupon Rouge," is not available on DVD, only VHS. She is at her most radiant in Woody Allen's "Stardust Memories;" indeed she is the main reason to watch that film.
Yes, this is a boring movie; but it is not meant to be an action movie. Dramatic movies do not have to have beautiful people. Movies about lesbians do NOT have to have hot naked sex all over the place. This was a movie about three women; a middle aged woman who is basically being manipulated by an older, scared woman and a younger needy one. Some might say: go for the young beautiful girl; others – the more mature interesting one. You are given the chance to follow her and try to decipher the decisions she makes. It could have been a much more interesting movie; but take it for what it is. Everyday life is not always interesting; this is just a study in real life.