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3,5/10
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MA NOTE
Une femme loup-garou s'enfuit de sa famille et tombe amoureuse d'un homme qui travaille dans le milieu du cinéma, tandis qu'un sociologue qui étudie ces créatures cherche à prouver leur exis... Tout lireUne femme loup-garou s'enfuit de sa famille et tombe amoureuse d'un homme qui travaille dans le milieu du cinéma, tandis qu'un sociologue qui étudie ces créatures cherche à prouver leur existence.Une femme loup-garou s'enfuit de sa famille et tombe amoureuse d'un homme qui travaille dans le milieu du cinéma, tandis qu'un sociologue qui étudie ces créatures cherche à prouver leur existence.
- Réalisation
- Scénario
- Casting principal
Dagmar Bláhová
- Olga Gorki
- (as Dasha Blahova)
Lee Biolos
- Donny Martin
- (as Leigh Biolos)
Jennifer Vuletic
- Goolah
- (as Jenny Vuletic)
Avis à la une
This movie is very disappointing, considering that it had real possibilities to be decent. Every time you think it might start to get good, it doesn't. Most of the acting is REALLY bad. The plot wanders aimlessly. The town where the werewolves live is called "Flow" (Wolf backwards. Real creative, guys.) Why are there 3 werewolves dressed up like nuns?? Who knows. Dame Edna (Barry Humphries) has a cameo. Imogen Annesley is the only good part of this movie, for what its worth.
The box says 'just when you thought it was safe to go down under.' That's got to be a reference to the pouch, right? That's no accident. No one slips on bananas.
This movie was difficult to watch. Confusing and directionless plot, strange characters that appear without warning or purpose no logical connection between scenes...its a mess.
I find it difficult to believe that this film ever saw the big screen. The effects were laughably bad. As far as acting...I caught a little schadenfreude off the quiet desperation of some bit players, particularly the announcer from the final scene. I guess Hollywood has its share of heartbreak.
This film was a disaster, just a disaster. That sad magic mix of bad and boring. I sat down tonight with a whole pile of Howling sequels. This was my first and it fills me with trepidation.
This movie was difficult to watch. Confusing and directionless plot, strange characters that appear without warning or purpose no logical connection between scenes...its a mess.
I find it difficult to believe that this film ever saw the big screen. The effects were laughably bad. As far as acting...I caught a little schadenfreude off the quiet desperation of some bit players, particularly the announcer from the final scene. I guess Hollywood has its share of heartbreak.
This film was a disaster, just a disaster. That sad magic mix of bad and boring. I sat down tonight with a whole pile of Howling sequels. This was my first and it fills me with trepidation.
Howling 3 is yet another horror effort, where excellent ideas and even the mood and atmosphere of a horror classic are not cultivated or nurtured throughout the film.
I was brought up in the era of "The American Werewolf in London", definitely the classic, archetypal werewolf flick. Tough competition by anyone's standards. Yet Howling 3 has just as many good ideas, just as much depth, just as much potential... but just doesn't make it.
The basis of the film resides upon some old Cine8 footage of a werewolf's capture by some natives. Grainy, snowy, short lived images, set the scene well, and could be perceived as scary. The idea of the werewolf being a type of marsupial species, a separate development of human life is interesting, and could be scary in that they have always lived amongst us. Separate werewolf societies, driven to the bleakest habitable places on the planet, but in contact with each other spiritually and genetically... yes, yes, this is definitely going somewhere.
And then three of said werewolves dress up as Nuns, and travel to the big city to retrieve their runaway teen-wolfette, and gain entry to a fancy dress party having changed into actual habit-wearing wolf people... oh perleeease!
A serious film, even a horror, can carry some comedy, but in Howling 3 the comedy is inappropriate, badly timed, and too farcical for words. The more serious horror aspects of the film being ruined by these interruptions. I remained unconvinced by any of the man-to-wolf changes, in fact, they were equally farcical, with their obvious "fur means fear" reliance.
So, a film with potential, which obviously had serious horror intent, became a farce, even a spoof, by it's own making. A real shame and a real sham all in one. Stick to "American Werewolf in London" or even "Dog Soldiers" for that fur-fear-fix!! I rated a "3"
I was brought up in the era of "The American Werewolf in London", definitely the classic, archetypal werewolf flick. Tough competition by anyone's standards. Yet Howling 3 has just as many good ideas, just as much depth, just as much potential... but just doesn't make it.
The basis of the film resides upon some old Cine8 footage of a werewolf's capture by some natives. Grainy, snowy, short lived images, set the scene well, and could be perceived as scary. The idea of the werewolf being a type of marsupial species, a separate development of human life is interesting, and could be scary in that they have always lived amongst us. Separate werewolf societies, driven to the bleakest habitable places on the planet, but in contact with each other spiritually and genetically... yes, yes, this is definitely going somewhere.
And then three of said werewolves dress up as Nuns, and travel to the big city to retrieve their runaway teen-wolfette, and gain entry to a fancy dress party having changed into actual habit-wearing wolf people... oh perleeease!
A serious film, even a horror, can carry some comedy, but in Howling 3 the comedy is inappropriate, badly timed, and too farcical for words. The more serious horror aspects of the film being ruined by these interruptions. I remained unconvinced by any of the man-to-wolf changes, in fact, they were equally farcical, with their obvious "fur means fear" reliance.
So, a film with potential, which obviously had serious horror intent, became a farce, even a spoof, by it's own making. A real shame and a real sham all in one. Stick to "American Werewolf in London" or even "Dog Soldiers" for that fur-fear-fix!! I rated a "3"
After the complete failure of a sequel that "Howling II" was, Philippe Mora returned for yet another installment, trying a different (more spoofy) approach this time....but it didn't work out much better. Most of the blame must go not to the direction, but to the awful, disconnected script, which makes the film feel thrown-together almost at random. The werewolf effects are mostly pathetic, though those involving Imogen Annesley's newborn "baby" somehow manage to be good (and disgusting). Obviously this film was also intended to be a spoof, but it could have used more subtlety: we know that that director is meant to be an Alfred Hitchcock - lookalike, we don't need to hear him talk about Janet Leigh and the shower scene in "Psycho", we know that "flow" is "wolf" spelled backwards, we don't need to see it reflected on a mirror, etc. Perhaps the only two good things about "Howling III" are two of its actors: Annesley (definitely the cutest werewolf I've ever seen) and Barry Otto, who gives an honest performance as the compassionate scientist. (*1/2)
Howling III: The Marsupials (Quickie Review) This film revolves around a group of werewolves of some sort that live in Australia and are marsupials with a backdrop where a film crew is making a really awful werewolf film. Almost as bad as this one.
The effects are sub-standard at best and poor when compared to the original, far superior, Howling. Mediocre acting carry along one of the film world's first bastard PG-13 sequels in a previously R-rated franchise. As we all know, the Robocop, Alien, and Predator franchises are just a few following instances of such creative destruction. The writing is fantastically weak and cliché at times with the movie rounding out with an ending that just screams that the writer was just in a hurry to finish up his monstrosity.
Recommended to: Not really anybody, werewolf fans may hate this as much as they tend to have hated Wolf due to it varying wildly from werewolf norms. The Marsupials could've been a good idea, but they went about it all wrong. 3/10 www.ResidentHazard.com
The effects are sub-standard at best and poor when compared to the original, far superior, Howling. Mediocre acting carry along one of the film world's first bastard PG-13 sequels in a previously R-rated franchise. As we all know, the Robocop, Alien, and Predator franchises are just a few following instances of such creative destruction. The writing is fantastically weak and cliché at times with the movie rounding out with an ending that just screams that the writer was just in a hurry to finish up his monstrosity.
Recommended to: Not really anybody, werewolf fans may hate this as much as they tend to have hated Wolf due to it varying wildly from werewolf norms. The Marsupials could've been a good idea, but they went about it all wrong. 3/10 www.ResidentHazard.com
Le saviez-vous
- AnecdotesDespite the title and the fact that it claims to be "based on the books The Howling I, II, and III by Gary Brandner", the film is actually unrelated to any of Brandner's novels other than being a story about werewolves.
- GaffesIn this movie werewolves apparently die when they are shot. However, silver bullets are needed in the previous Howling movies. This could be because in this film they are technically were-thylacines rather than werewolves.
- Crédits fousInstead of 'The End' film closes with 'Adios Amigos'
- ConnexionsFeatured in Death in Brunswick (1990)
- Bandes originalesWipe Your Tears Away
Performed by Vitamin Z
Written by Barradale Lockwood
Produced by Vitamin Z
Recording courtesy of Phonogram Ltd. and Geffen Records
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