Larry et Julia, respectivement frère et maîtresse de Frank, emménagent dans sa maison. Julia découvre que son amant, retenu prisonnier d'un monde sadique, peut se libérer grâce au sang des v... Tout lireLarry et Julia, respectivement frère et maîtresse de Frank, emménagent dans sa maison. Julia découvre que son amant, retenu prisonnier d'un monde sadique, peut se libérer grâce au sang des victimes qu'elle lui ramène.Larry et Julia, respectivement frère et maîtresse de Frank, emménagent dans sa maison. Julia découvre que son amant, retenu prisonnier d'un monde sadique, peut se libérer grâce au sang des victimes qu'elle lui ramène.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 6 nominations au total
- 1st Victim
- (as Antony Allen)
Avis à la une
Nearing the 90's, horror films started to go down hill. In 1991 and 1996, we got two really good thriller horrors, being "SCREAM" and "Silence of the Lambs". This film however, was the last of it's kind to give us some good late 80's slasher craze which was still born and still very fresh with horror freaks.
I won't go into the plot because I believe everyone should have seen Hellraiser by now, if not, well GO SEE IT! All I can say is that the concepts of the box is terrific. A new way to kill a slashing demon is always a terrific and creative concept and it works really well in this one. I also love the soundtrack suite which is haunting beautiful and dramatic in parts. The actors are superb and their characters are believable.
Doug Bradley as Pinhead is the best and he knows how to give us a creepy killer which cannot be stopped. I dunno why in "Revelations" they got a different actor to play him. Doug is Pinhead, end of story.
I also like the way the death scenes and plot are shown. The director takes it a little step at a time while as most directors just go full on with the violence and exploit everything. Clive actually took his time to tell the story and that's what made most of the ending sequences and starting deaths so intense. It all left us to the core suspense.
Also, the 1987 film is the only Hellraiser film I have really liked. I've also seen part 3, 4 and 6. 3 was OK, 4 was dodgy and 6 sucked. The thing about the first film was that it had a dramatic fantasy to it, while being realistic, people were dying for real. The other Hellraiser films I have seen since then haven't really had the same impact but instead really try to rehash and be as shocking, doesn't work at all!?
My verdict on this 87 classic is a 7.5/10.
P.S: I just hope they can get this right in the remake next year.
It has such a magnetic quality to it. The story is different from most horror movies. It has lore and a whole world. The acting isn't good but it has such an 80's charm. The whole thing does.
The special effects...they are all practical. It looks so good. It must have took hours to get some of them looks perfect!
I can understand now why this movie has such a large following. It is just unique and has such allure.
This is the film that started the franchise off, and not only is it by far the best of the 'Hellraiser' films it also for me, and quite a few others it seems, is one of the stronger horror films of the 80s, though not quite of all time. What is meant by being by far the best of the 'Hellraiser' films is that it is the only one to be above very good, the nine sequels were very variable (leaning towards the disappointing) and the latter films particularly are suggestive of the franchise having run its course.
'Hellraiser' is notable for being the directing debut of celebrated and extremely talented author Clive Barker. His books have always been hugely compelling, with intelligent exploring of ambitious themes, vivid attention to detail and characterisation, meticulous atmosphere and distinctive chills and sense of dread, his popularity is more than well deserved. He also adapts his source material 'The Hellbound Heart', a terrific book and even better than this already very good film, and all those qualities are lifted off the pages onto the screen. It is also notable for introducing us to Pinhead, who would justifiably become a horror icon.
By all means 'Hellraiser' is not a perfect film. The ending is schlocky and at odds with the rest of the film, which was up to then very disturbing and remarkably intelligent and the ending felt like it belonged somewhere else.
Also felt that Barker's direction did occasionally show his inexperience, namely in some unfocused and not always necessary close-ups.
Most of the time though he does a great job, capturing the spirit and atmosphere of the book with ease and the momentum is never lost. 'Hellraiser' is genuinely scary with plenty of chills, unnerving dread, nail-biting suspense and a hair-raising sense of claustrophobic tension. It is very graphic but not in a cheap way, going over the top with the shock value and not pointlessly so, traps that it could easily have fallen into and ones fallen into so many times in horror. Personally thought the Cebonites were used well, they are still terrifying and using them as catalysts rather than focusing too much on them (mentioned already very well) added to the mysteriousness, they look good too.
It's not just scary though. 'Hellraiser' has truly inventive storytelling stemming from a unique premise back then and seldom equalled now. It also has some abitious themes like pain and desperation that are handled intelligently, giving the film some emotional power and surprising dimension not always found in horror, it is just so wonderful to find a film with a great concept seen recently that lives up to it and exceeds it even. Just want to say this is not trying to knock the genre at all, in case it's sounding that way. 'Hellraiser' holds up well on the visual front, some eerie camera work and lighting, the effects are far from amateurish and the make-up manages to be some of the most effective of the 80s.
The script is thoughtful with Barker's prose all over it and the characters show his attention to detailed characterisation, nobody is bland or annoying. The music doesn't seem to have pleased everybody, for me it was haunting and didn't dimish the atmosphere at all. Was surprised too by how good the acting was, have seen some terrible acting in horrors recently so this was refreshing. What a staggeringly frightening performance from Doug Bradley and Clare Higgins is particularly good of the rest of the cast.
Summing, very good with many great elements. 8/10 Bethany Cox
But even that story is being somewhat pushed to the background and it focuses more on a family, of which the wife falls madly for the the no good brother of her soon to be husband. The brother however messed with the cube and got stuck in Pinhead's hell of pain. He however managed to escape it but only in a skeleton form. He needs blood to slowly regain his body and asks the wife to kill for him. This is were most of the movie its 'horror' comes from.
The movie doesn't get its horror aspects from its normal usual scare- or gross out moments. It's more a movie that works on its atmosphere and story development. Perhaps it's also due to the restrained budget, that simply forced the film-makers to be creative with the things they had at hand. The movie is no big Hollywood production and as a matter of fact it actually is an UK movie, that still got obviously aimed toward the American market as well though, in terms of its overall style.
And even though the movie was low-budget, the movie certainly did not look that way. Also its effects such as its make-up and the effects used for the more gory parts of the movie are really great looking. The make-up of course helped to make Pinhead an horror icon-figure, though in this movie he isn't even called by the name Pinhead, which was only a name that got developed later for marketing purposes.
The movie also features a great musical score by Christopher Young, that fits the movie really well. It's one of his more memorable works.
A real original horror movie, that has grown into being a classic already.
8/10
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The core of the story of the "Hellraiser" franchise revolves around a mysterious artifact - an intricate puzzle box - which is said to be able to grant people what they desire the most. But it comes with a price, a terrible, terrible price. And it is guarded by the vile Cenobites.
The warped mind of Clive Barker really came up with something wonderfully morbid and disturbing when "Hellraiser" was first unleashed upon the world. Especially the Cenobites, they are grotesque but interesting at the same time.
In the first movie Larry and his wife Julia moves into Larry's old family house. The very same house where his brother Frank tried to unlock the puzzle box and was sent to Hell. An accident causes Larry's blood to be spilled on the floor, bringing back Frank from the dead. But in his flayed and fleshless state of being, Frank needs the blood and flesh of the living in order to regenerate his own body. But no one escapes Hell that easily.
For a 1987 movie, I will say that the effects still hold their own today, having withstood the test of time. Especially the rebirth of Frank and his transformation back to fully human. And the Cenobites, lets not forget the Cenobites; they were just amazing.
With this now classic horror movie the World saw the likes of Doug Bradley like never before and he instantly became a horror legend, just as Pinhead became a horror icon.
I grew up with these horror movies along with other horror franchises, and I love them even today and make frequent visits back to them. If you are not familiar with "Hellraiser", shame on you. Then I would strongly recommend that you sit down and watch it, perhaps even do a movie marathon of the series.
Le saviez-vous
- AnecdotesDuring an interview Doug Bradley described hell as a prison; the Cenobites are the prison guards, Pinhead is the prison warden, the puzzle box is the key to the prison cell, and the demons are the escaped inmates.
- Gaffes(at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible.
- Citations
Kirsty Cotton: [Kirsty, in tears] Who are you?
Lead Cenobite: Explorers, in the further regions of experience. Demons to some, angels to others.
- Versions alternativesThe UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue.
- ConnexionsEdited into Hellraiser II : Les Écorchés (1988)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hellraiser : Le Pacte
- Lieux de tournage
- 187 Dollis Hill Lane, Dollis Hill, Brent, Londres, Angleterre, Royaume-Uni(55 Lodovico Street)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 14 564 027 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 453 232 $US
- 20 sept. 1987
- Montant brut mondial
- 14 579 541 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1