Le bal des fantômes

Especially if you love horrible movies. When I first started watching it, all I could say was "I hope there's a dance sequence in it." Imagine my delight when not ONLY did the two main characters dance, but the main ghost began break dancing as well. AND on top of THAT, Sherman Hemsley sings the break dance song (not to mention the theme song). It makes me a little sad that he went broke because of this movie, but I've never liked him as an actor and he really should have known better. Not even the director would take credit for this movie (and you should check out some of the other films he directed!).

One note of warning, though, the writer seemed to really like jokes about the, um, male lower regions. For example, one of the characters discovers a book called "Groins of the Darker Species." I am not kidding. And that, to me, is the most disturbing part of the film. Other than that, find the most obscure video rental store in your town, get the movie, invite all your friends over, and laugh until you cry with Ghost Fever.

Alan Smithee strikes again. Yes, after watching "Ghost Fever" you'll see why this popular pseudonym (in placed for Lee Madden) was used. "Ghost Fever" is very corny and boisterous, but a very misguided slapstick low-budget horror comedy with little in the way laughs, but filled with constant annoyance and stupidity in the sketches. Well actually, I was somewhat amused by it. Not that I found it funny, but at least it didn't bore me. I guess that's got to count for something. Two cops, Buford and Benny are sent to a supposedly rundown southern plantation to evict the residents of the Victorian mansion. However to their surprise the occupants happen to be ghosts and they have no intention of leaving. Story-wise it's a slight, farcical and chaotic sideshow. There's not much of a story thread, as it's a one-idea joke with randomly staged set-pieces looking for nothing more than a laugh and to set-up the very next out-there, if clichéd haunted house situation to help move the film forward. But some things which do happen at the back-end, feel breezy and spontaneous with no real thought behind it but to simply to throw it out there. A vampire, zombies and a boxing match finds its way in the make up. Sherman Hemsley and Luis Avalos in the leads are comically silly in a very forced manner, but mildly agreeable. Also turning up is Myron Healey, Jennifer Rhodes and a cameo role for boxer Joe Frazier. The production looks cheap, as the special effects are gawky and filled with colourful lights to go along with the exaggeratedly decorated direction. Some moments do manage to install a bit of atmosphere. Plus you gotta love that catchy theme song.

"We dead people sure know how to live."

My review was written in November 1987 after watching the film on Charter video cassette.

"Ghost Fever" is an earnest but unsuccessful attempt to resurrect the 1940s style of comedy associated with Abbott & Costello. Heavy dose of strained ethnic humor was released on a regional basis last March and is now a home video item.

Sherman Hemsley and Luis Avalosl poetry Buford and Benny, a pair of cops sent to evict two old ladies from their ante bellum mansion. The place is haunted by a spirit of Beauregard, an evil former slave owner (film's previous title was "Benny and Buford Meet the Bigoted Ghost"), who pulls practical jokes on the hapless heroes, while they dally with the beautiful blonde great-granddaughters of Beauregard. Commenting on the action are two other ghosts. Andy, played by Myron Healey, who is Beauregard's son and Jethro, Buford's ancestor (dual role for Hemsley).

Shenanigans climax pointlessly with Benny agreeing to fight ex-champ Terrible Tucker (played by former Heavyweight champ Joe Frazier) in order to raise money to save the mansion. Predictably dumb finish has the heroes better off dead.

Though Hemsley and Avalos are adequate farceurs, the material is lame and only interesting on a poor taste level (endless dialog referring to "spooks" and a wacky scene of Hemsley reading an illustrated Victorian-era porntome entitled "Groins of the Darker Species"). Pic was directed in Mexico in 1984 by Lee Madden, but anonymous later shooting caused him to have his name removed and fictitious Alan Smithee credited.

GHOST FEVER is possibly one of the greatest bad movies ever made. MADE might be too strong of a word - regurgitated and somewhat spliced together in an editing bay is maybe more apropos. Hemsley had a lot of faith in this Ghostbusters-like rip-off and it tanked big time and messy lawsuits followed btwn Hemsley and the producers. The director, Lee Madden was so aghast at the finished product he took his name off and they slapped on the infamous Alan Smithee credit. The script is credited to three hacks and the script is truly awful. Terrible. Sucky. Not one good joke. Plenty of groin and crotch humor and a truly offensive scene where they find machines in the basement of a Southern mansion that were used on slaves. One of the machines (which of course Hemsley gets trapped in) has two large hammers coming down close to the person's groin while a device is twirled into their backside (supposedly to give them rhythm!!!) Yikes. Oddly though Hemsley seems to turn over lots of the movie to his co-star Luis Avalos and Avalos gives one of the worst "comedic" performances ever captured on film. His double takes fail, his funny faces, his "fear" of the ghosts, his physical comedy - all of it fails. Yet, because the movie is jawdroppingly incompetent, it is cruelly enjoyable. You keep getting shocked by another terrible set piece. Like when a mummy appears wearing shades a bow-tie and a top hat and proceeds to BREAK DANCE. Then Hemsley and Avalos do a dance number and then when you are begging the movie to end there is a looooong boxing scene where Avalos boxes Smokin Joe Frazier (this scene goes on and on and has not one funny moment). A true cinematic nightmare. Seek it out if you DARE!!!

I was telling a friend of mine about the time my grandfather actually picked this horrible piece of crap for us to see one night at the theater. He never picked another one again! It was that bad! Anyway, my friend then told me that her father did some of the writing for this garbage. I thought she was kidding. It turns out, she was serious. She had never actually seen it, and she said that it put a quick halt to her father's writing career. I told her not to waste her time. But, if she did actually break down and watch it, she would see within the fist minute why this ended her father's days as a writer. I mean, even for the 1980's, this crap is bad beyond description. I mean, Joe Frazier as Terrible Tucker? And why in the world would two cops care one bit about a house full of ghosts? And the movie poster? A ghost with his tongue hanging out? What is that about? Nothing about this makes any sense. Well, I told my friend that this crap not only ended her father's writing career, it ended the careers of everybody involved. Or, at least none of them ever fully recovered from being in this garbage of a movie. Let's just say that I will forever ridicule my friend for revealing to me that her father was a writer for this movie! That alone should tell just how bad this is!