Des enfants sont cachés sous un grenier par leur mère et leur grand-mère conspiratrices.Des enfants sont cachés sous un grenier par leur mère et leur grand-mère conspiratrices.Des enfants sont cachés sous un grenier par leur mère et leur grand-mère conspiratrices.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Cory
- (as Ben Ganger)
- Narrator
- (voix)
- (as Clare C. Peck)
- Window Washing Maid
- (non crédité)
- Wedding Guest
- (non crédité)
- Wedding Guest
- (non crédité)
Avis à la une
Bloom's adaptation of Andrews' popular novel of the same name illicitly exudes gothic aesthetics and a haunting score that are regrettably unable to masquerade the butchering of its source material. Originally a suspense thriller infamous for its explicit incestuous relationships and child abuse, Bloom, whom largely blamed producers and studio interference for cutting the suggestive elements (albeit retaining insinuations), removed the vast majority of metaphorical endeavours to settle for a straightforward flat narrative that lacked the required motivation from its characters. The sanctimonious virtuosity of the radically religious and their inner hyperbolic inhumanity.
Fletcher, whom consistently portrays a conniving antagonist with superb efficiency, is unforgivably under-utilised. Locking the children away, starving them, and occasionally checking up on them before smacking their life force or cutting their hair. The grandmother was the catalyst for the evil within the manor, yet Bloom randomly decided to shift the villainous focus to the mother, whom was admittedly a background presence in the novel. She still remains lurking in the corridors, rarely making an appearance to convey the children's eventual abandonment, but consequently the altered third act rarely made an impact due to her narrative absence. Her exaggerated inhumanity perpetuating the greed for wealth and luxury was, to say the least, less characterised than the dilapidated interior of the attic itself.
The children, with the two oldest notably played by an appropriately aged Swanson and the far too old Stuart Adams (looked like he could be married to the mother!), held much of the story together with some genuine onscreen chemistry. The acting ranged from maturing cheddar cheese to blatant mediocrity, however their relational strengths were in full bloom. Unfortunately, the unsubstantial plot progressed at a glacial pace, forcing their shenanigans to be nothing more than menial distractions. When the most "thrilling" scene revolves around crafting paper flowers to decorate the attic, you just know something is missing.
That's the inherent problem with Bloom's adaptation. It's missing the vital controversial components that shaped the novel's legacy. Whilst this adaptation is shrouded in a clumsy watchability factor, due to it being a viable product of its time, it confusingly avoids watering its incestuous seeds and therefore prevents its thrilling story from growing. Forgettable. Those cookies sure looked delicious though...
Now this film was re-shot and re-edited without the directors approval. The producers harmed the narrative of the story because the test audience was appalled by the incest theme-however that is what drove the book sales and made it almost mandatory reading for the JR High Set.
Now the original version did "Stick close" to the source material. However when they tested the the film to girls around 13 they hated the scenes with incest themes. THE FILM SHOULD OF BEEN FILMED AS A R RATED FILM. Well that is understandable but the book had already been around for over 5 years and the girls that first read the book were now old enough to see an R RATED FILM.
For years people have wanted to see the original directors cut. What is not known is who owns the film now? New World Cinema? MGM? Now if they own the film do they own the outtakes? Most importantly if a company wants to fund the restoration of the directors cut can they? Is the footage still around?
This film, I'm sorry to say, is feeble and doesn't get even halfway near to doing justice to Virginia Andrews' work. As the key character, Cathy, Kirsty Swanson is all wrong, while her siblings Chris, Carrie, and Cory (played by Jeb Stuart Adams, Lindsay Parker, and Ben Ryan Ganger) don't engage the interest. Perhaps the most interesting character in the film is Corrine, their mother, played by Victoria Tennant, and given a bit of characterisation.
I just think the material is pretty unfilmable without it veering into pseudo-porn or just becoming a catalogue of violence. Stick to the books and avoid this.
Not long ago I finished the book, and when I look back this movie kind of did not do it justice at all. There was tons of material that was left out and though I like the ending in the movie better than the ending in the book, I thought the book was much more mystifying and eerie. The thing about the movie though is it's entertaining enough on it's own to where I still really enjoy it and the characters are well adapted and played out by the actors and actresses. The movie maintains some eeriness and has a nice, creepy atmosphere, but now I just wish that there was so much more they would've done with the movie.
I guess since I'm not a huge fan of the book, it doesn't really upset me that the movie fails to do it justice, but I really do wish there would be another movie adaptation where it's rated R and they include tons of more important material. In any matter, Flowers in the Attic is enjoyable, entertaining and well executed. It's nothing like the book, so don't expect it to be if you haven't seen it and think you might like to.
Le saviez-vous
- AnecdotesVirginia C. Andrews: the author of the novel appears as a maid cleaning a window, just after 0:44:23. She died before the movie's release. Tribute is paid to her in the end credits.
- GaffesWhen Cathy throws herself on the floor in her attempt to catch the ballerina figure, she is wearing knee pads.
- Citations
Cathy: Why are you just standing there, Mother? Cory needs to be taken to a hospital. There is no other decision to make!
[the mother just stands there looking and quivering]
Cathy: What's wrong with you, Mother? Are you going to just stand there and think about yourself and your money while Cory lies there and dies? Don't you care what happens to him? Have you forgotten that you're his mother?
Mother: Always, it's you.
[slaps Cathy]
Cathy: [slaps her mother back]
Chris: Cathy!
Cathy: [shouts] Damn you to hell, Mama, if you don't take Cory to a hospital right now! You think you can go on doing whatever you want with us and nobody will ever find out? If Cory dies, Mama, you'll pay for it! One way or another, I will find a way. I promise you that.
- ConnexionsFeatured in Troldspejlet: Épisode #1.6 (1989)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Flores en el ático
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 15 151 736 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 020 317 $US
- 22 nov. 1987
- Montant brut mondial
- 15 151 736 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.85 : 1