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Flowers in the Attic

  • 1987
  • PG-13
  • 1h 33min
NOTE IMDb
5,7/10
12 k
MA NOTE
Kristy Swanson, Victoria Tennant, Ben Ryan Ganger, and Lindsay Parker in Flowers in the Attic (1987)
Regarder Trailer
Lire trailer1:37
2 Videos
99+ photos
DrameMystèreThriller

Des enfants sont cachés sous un grenier par leur mère et leur grand-mère conspiratrices.Des enfants sont cachés sous un grenier par leur mère et leur grand-mère conspiratrices.Des enfants sont cachés sous un grenier par leur mère et leur grand-mère conspiratrices.

  • Réalisation
    • Jeffrey Bloom
  • Scénario
    • Virginia C. Andrews
    • Jeffrey Bloom
  • Casting principal
    • Louise Fletcher
    • Victoria Tennant
    • Kristy Swanson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    12 k
    MA NOTE
    • Réalisation
      • Jeffrey Bloom
    • Scénario
      • Virginia C. Andrews
      • Jeffrey Bloom
    • Casting principal
      • Louise Fletcher
      • Victoria Tennant
      • Kristy Swanson
    • 184avis d'utilisateurs
    • 54avis des critiques
    • 25Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos2

    Trailer
    Trailer 1:37
    Trailer
    Flowers In The Attic: Where Have You Been?
    Clip 3:06
    Flowers In The Attic: Where Have You Been?
    Flowers In The Attic: Where Have You Been?
    Clip 3:06
    Flowers In The Attic: Where Have You Been?

    Photos457

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 451
    Voir l'affiche

    Rôles principaux17

    Modifier
    Louise Fletcher
    Louise Fletcher
    • Grandmother
    Victoria Tennant
    Victoria Tennant
    • Mother
    Kristy Swanson
    Kristy Swanson
    • Cathy
    Jeb Stuart Adams
    Jeb Stuart Adams
    • Chris
    Ben Ryan Ganger
    Ben Ryan Ganger
    • Cory
    • (as Ben Ganger)
    Lindsay Parker
    Lindsay Parker
    • Carrie
    Marshall Colt
    Marshall Colt
    • Father
    Nathan Davis
    Nathan Davis
    • Grandfather
    Brooke Fries
    Brooke Fries
    • Flower Girl
    Alex Koba
    Alex Koba
    • John Hall
    Leonard Mann
    Leonard Mann
    • Bart Winslow
    Bruce Neckels
    Bruce Neckels
    • Minister
    Gus Peters
    Gus Peters
    • Caretaker
    Clare Peck
    Clare Peck
    • Narrator
    • (voix)
    • (as Clare C. Peck)
    Virginia C. Andrews
    Virginia C. Andrews
    • Window Washing Maid
    • (non crédité)
    Bob 'Swanie' Swanson
    • Wedding Guest
    • (non crédité)
    Rosemary Swanson
    • Wedding Guest
    • (non crédité)
    • Réalisation
      • Jeffrey Bloom
    • Scénario
      • Virginia C. Andrews
      • Jeffrey Bloom
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs184

    5,711.8K
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    Avis à la une

    6emhdolphin13

    it was not that bad

    I completely disagree with the previous summary. Granted I have not read the book, however this movie is a good movie. It might not be the best adaptation of a book but it is a very interesting & scary thriller. I first saw this movie in 1988 when I was 8 & it was scary then. I have seen it since & though a bit sappy it is a scary movie. There are hundreds of other movies that came from the 80's that I would not suggest however this is a pretty good one. Keep in mind the era it was made, but overall it is NOT a bad movie. Maybe we should look at the movie for what it is a movie & not just an adaptation of a book. This movie is truly scary & worth a cheap rental on a rainy Saturday night.
    4TheMovieDiorama

    Flowers in the Attic dances around its murderous agenda without the gothic buds ever blossoming.

    Incalculable amounts of money? Or doting motherhood? The fundamental ultimatum for any recent widower, lumbered with four beautifully blonde children, who seeks the extensive inheritance of their terminally ill yet abundantly wealthy father. "We will have more money than you could possibly dream of", she reassures her grieving offspring after the abrupt death of their father. Leading them to her idyllic childhood abode, as if a group of sheep lining up for slaughter. Their devout religious grandmother awaiting in the lavished corridors of the beguiling manor, guiding them to their designated imprisonment. "Your mother has come home after seventeen years to repent for her sins and for her crime", she exclaims, detailing the "unholy" marriage between their mother and father, whom is actually her uncle. And with the grandmother's last words, "and you, the children, are the Devil's spawn!", she swiftly locks the children in the attic. Patiently waiting for their mother's return, abiding by their grandmother's strict punishable rules, they soon begin to realise that she gradually abandons them for unlimited wealth and must discover a means of escape.

    Bloom's adaptation of Andrews' popular novel of the same name illicitly exudes gothic aesthetics and a haunting score that are regrettably unable to masquerade the butchering of its source material. Originally a suspense thriller infamous for its explicit incestuous relationships and child abuse, Bloom, whom largely blamed producers and studio interference for cutting the suggestive elements (albeit retaining insinuations), removed the vast majority of metaphorical endeavours to settle for a straightforward flat narrative that lacked the required motivation from its characters. The sanctimonious virtuosity of the radically religious and their inner hyperbolic inhumanity.

    Fletcher, whom consistently portrays a conniving antagonist with superb efficiency, is unforgivably under-utilised. Locking the children away, starving them, and occasionally checking up on them before smacking their life force or cutting their hair. The grandmother was the catalyst for the evil within the manor, yet Bloom randomly decided to shift the villainous focus to the mother, whom was admittedly a background presence in the novel. She still remains lurking in the corridors, rarely making an appearance to convey the children's eventual abandonment, but consequently the altered third act rarely made an impact due to her narrative absence. Her exaggerated inhumanity perpetuating the greed for wealth and luxury was, to say the least, less characterised than the dilapidated interior of the attic itself.

    The children, with the two oldest notably played by an appropriately aged Swanson and the far too old Stuart Adams (looked like he could be married to the mother!), held much of the story together with some genuine onscreen chemistry. The acting ranged from maturing cheddar cheese to blatant mediocrity, however their relational strengths were in full bloom. Unfortunately, the unsubstantial plot progressed at a glacial pace, forcing their shenanigans to be nothing more than menial distractions. When the most "thrilling" scene revolves around crafting paper flowers to decorate the attic, you just know something is missing.

    That's the inherent problem with Bloom's adaptation. It's missing the vital controversial components that shaped the novel's legacy. Whilst this adaptation is shrouded in a clumsy watchability factor, due to it being a viable product of its time, it confusingly avoids watering its incestuous seeds and therefore prevents its thrilling story from growing. Forgettable. Those cookies sure looked delicious though...
    7Sober-Friend

    Example On How Test Audience Can RUIN A FILM

    "Flowers" is a film based on the cult novel by VC Andrews. There are secrets Chris (Jeb Stuart Adams) and Cathy (Kristy Swanson) never knew about their parents. After their father dies, the teenage siblings, along with their younger brother and sister, are sent to live with their cruel grandmother, Olivia (Louise Fletcher). Olivia is disgusted by the children -- she knows their mother (Victoria Tennant) and father were actually cousins -- and locks the brood in the attic. The kids then try to keep their spirits high in spite of their bleak situation.

    Now this film was re-shot and re-edited without the directors approval. The producers harmed the narrative of the story because the test audience was appalled by the incest theme-however that is what drove the book sales and made it almost mandatory reading for the JR High Set.

    Now the original version did "Stick close" to the source material. However when they tested the the film to girls around 13 they hated the scenes with incest themes. THE FILM SHOULD OF BEEN FILMED AS A R RATED FILM. Well that is understandable but the book had already been around for over 5 years and the girls that first read the book were now old enough to see an R RATED FILM.

    For years people have wanted to see the original directors cut. What is not known is who owns the film now? New World Cinema? MGM? Now if they own the film do they own the outtakes? Most importantly if a company wants to fund the restoration of the directors cut can they? Is the footage still around?
    didi-5

    feeble adaptation of a powerful book

    The original quartet of books (Flowers in the Attic; Petals on the Wind; Let There be Thorns; Seeds of Yesterday) combined to tell a controversial and powerful tale of abuse, incest, betrayal, murder, mental distress and collapse, and hidden family secrets. The characters leapt off the page and the situations were memorable.

    This film, I'm sorry to say, is feeble and doesn't get even halfway near to doing justice to Virginia Andrews' work. As the key character, Cathy, Kirsty Swanson is all wrong, while her siblings Chris, Carrie, and Cory (played by Jeb Stuart Adams, Lindsay Parker, and Ben Ryan Ganger) don't engage the interest. Perhaps the most interesting character in the film is Corrine, their mother, played by Victoria Tennant, and given a bit of characterisation.

    I just think the material is pretty unfilmable without it veering into pseudo-porn or just becoming a catalogue of violence. Stick to the books and avoid this.
    6Dragoneyed363

    It pales in comparison to the book, but is still pretty good

    My mom had been wanting me to watch this movie ever since she had heard that I had never seen it. It seemed interesting enough and one day when it came on TV I recorded it and decided to watch it later that night. Now, maybe I was just not expecting much from it, but I absolutely loved it the first time I watched it. Then, I realized it was based on a book.

    Not long ago I finished the book, and when I look back this movie kind of did not do it justice at all. There was tons of material that was left out and though I like the ending in the movie better than the ending in the book, I thought the book was much more mystifying and eerie. The thing about the movie though is it's entertaining enough on it's own to where I still really enjoy it and the characters are well adapted and played out by the actors and actresses. The movie maintains some eeriness and has a nice, creepy atmosphere, but now I just wish that there was so much more they would've done with the movie.

    I guess since I'm not a huge fan of the book, it doesn't really upset me that the movie fails to do it justice, but I really do wish there would be another movie adaptation where it's rated R and they include tons of more important material. In any matter, Flowers in the Attic is enjoyable, entertaining and well executed. It's nothing like the book, so don't expect it to be if you haven't seen it and think you might like to.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Virginia C. Andrews: the author of the novel appears as a maid cleaning a window, just after 0:44:23. She died before the movie's release. Tribute is paid to her in the end credits.
    • Gaffes
      When Cathy throws herself on the floor in her attempt to catch the ballerina figure, she is wearing knee pads.
    • Citations

      Cathy: Why are you just standing there, Mother? Cory needs to be taken to a hospital. There is no other decision to make!

      [the mother just stands there looking and quivering]

      Cathy: What's wrong with you, Mother? Are you going to just stand there and think about yourself and your money while Cory lies there and dies? Don't you care what happens to him? Have you forgotten that you're his mother?

      Mother: Always, it's you.

      [slaps Cathy]

      Cathy: [slaps her mother back]

      Chris: Cathy!

      Cathy: [shouts] Damn you to hell, Mama, if you don't take Cory to a hospital right now! You think you can go on doing whatever you want with us and nobody will ever find out? If Cory dies, Mama, you'll pay for it! One way or another, I will find a way. I promise you that.

    • Connexions
      Featured in Troldspejlet: Épisode #1.6 (1989)

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    FAQ27

    • How long is Flowers in the Attic?Alimenté par Alexa
    • What is 'Flowers in the Attic' about?
    • Is 'Flowers in the Attic' based on a book?
    • Why was Corrine estranged from her parents?

    Détails

    Modifier
    • Date de sortie
      • 20 novembre 1987 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Flores en el ático
    • Lieux de tournage
      • Castle Hill, Crane Estate - 280 Argilla Road, Ipswich, Massachusetts, États-Unis(Exterior)
    • Sociétés de production
      • New World Pictures
      • Fries Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 15 151 736 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 020 317 $US
      • 22 nov. 1987
    • Montant brut mondial
      • 15 151 736 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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