L'aventure d'un soir d'un homme marié se retourne contre lui lorsque son amante commence à le traquer et à harceler sa famille.L'aventure d'un soir d'un homme marié se retourne contre lui lorsque son amante commence à le traquer et à harceler sa famille.L'aventure d'un soir d'un homme marié se retourne contre lui lorsque son amante commence à le traquer et à harceler sa famille.
- Nommé pour 6 Oscars
- 10 victoires et 24 nominations au total
- Ellen Gallagher
- (as Ellen Hamilton Latzen)
- Fuselli
- (as Sam J. Coppola)
Avis à la une
No point in introducing the film's plot, which everyone knows. So let me just add a couple of general observations. First, I was surprised how good the film actually was. I'm not sure where I had gotten the idea in my head that this probably wasn't going to be all that good, but it is an intense, very intense, stalker-drama. Second, the three lead performances are rock solid, led by a believable crazy-over-the-top Glenn Close. Her transformation from lover to stalker to hater is absolutely spine-tingling. Third, the movie of course feels a bit dated when you see not a single communication exchange on mobile devices. Instead, old landline phones actually ring out loud. No texting of course. Fourth, after watching this the other night, I read up a bit on the movie's history and legacy, and it was then that I learned that the movie's original ending was changed drastically into what we now know as the ending. The original ending sounds sounds more logical to me that what it eventually would become, although I can certainly see the shock value in the new ending.
Bottom line, this movie was a pleasant surprise all around, and these 2 hours just flew by. Glad that I finally joined the rest of the cinema-loving crowd and now have seen "Fatal Attraction", 33 years after the facts. If you are one of those who like me hadn't seen this yet. I'd readily suggest you check it out and draw your own conclusion.
Still, this movie had memorable moments that have stayed with us who first saw it at the theater 20 years ago. Most of those memorable scenes, if not all of them, involve Glenn Close's character, "Alex Forrest." Man, this is a woman who would not be denied what she wanted: in this case, married man Michael Douglas.
No sense going into all the details. Everyone knows them by now, anyway. Looking back, I think the film was a good lesson for men (or women) thinking about cheating on their spouses and assuming nothing bad will happen as a result. Men may commit more crimes, but that old adage about a "woman scorned" certainly is demonstrated here in spades! Douglas' character, "Dan Gallagher," certainly can attest to that, but he is anything but a sympathetic character. Both actors do a superb job in here, but kudos also to the rest of the Gallagher family, played by Anne Archer (wife "Beth") and Ellen Hamilton Latzen (daughter "Ellen.")
Also, the cinematography shouldn't be overlooked. The widescreen DVD certainly brought out how nicely this film was shot and directed. This two-hour film keeps your attention all the way. The only thing I would change is the language, toning it down a bit. Otherwise, it's a classic thriller and one of the most famous films in the '80s.
Apparently when this film came out it had some feminist backlash because it appears to show a career woman as psychotic, while the stay-at-home wife is good and subservient. That is one way to read it, but it would be putting meaning in there that probably was never intended.
This is quite simply someone with mental issues going after another person. It has a bit of a morality tale in there, scaring men off of cheating. But there is not much in it about gender. It simple works better as a psychotic woman rather than a man, because a psychotic man with a knife is pretty mundane.
Plot-wise, I know that to expect; but it still surprised me in some ways. Like the character of Alex Forrest. She doesn't have very much depth and it reduced to a stock schizo, but you wouldn't know it from Glenn Close's performance. Alex's (let's call them) antics have an unpredictability to them. Even when they're outlandish, they still work towards terrorizing Michael Douglas. She just keeps closing in, man. I don't think I'm really spoiling anything by saying Douglas eventually comes clean to his wife (Anne Archer) about the affair and that look of abject devastation on her face is horrible.
If the writing ever fails you (and it gets iffy) the acting won't. This can be a real nail- biter at times, and that's because the performances elevate the trashy script.
7/10
The point is, its lesson was still easily recognizable in popular culture six years after it was made. What looks like an easy lay with a beautiful single woman can easily turn into an object lesson on Murphy's law. Dan Gallagher (Michael Douglas) is a successful NYC attorney, and on a weekend when his wife and daughter are away from home at his in-laws' house, he has a work meeting that includes Alex Forrest (Glenn Close), an editor for a publishing company. This leads to a drink at a bar, and that leads to a passionate one night stand that turns into a two night stand when Alex attempts suicide when Dan tries to leave.
Dan thinks it's over. Alex has seemed to come to her senses. But then she tells him she is pregnant, and no she is having this baby because she is 36 and it may be her last chance. When Dan insists he is not leaving his wife for her, that he does not love her - well, let's just say that the opposite of love is not hate it's indifference, and Alex at first stalks Dan and gradually turns up the heat until his entire family is at risk. The suspense builds until the harrowing end.
The thing is, Dan always loved his wife, subtly played by Ann Archer. She is beautiful, supportive, and he still has passion for her. They have a little girl and are a very happy family. But he just could not say no to what looked like a one night adventure that nobody need ever know about that turns into a nightmare.
There is more to the film than the cautionary "Don't cheat on your wife" message. I think it's because Glenn Close does such a fantastic job playing Alex. There's something about her portrayal that, to me, paints Alex as ultimately powerful, not just outright insane. Until the end she mostly dominates what happens to Michael Douglas' character's life. I think this one has aged well and would still recommend it.
Le saviez-vous
- AnecdotesGlenn Close still has the knife she used in the movie hanging in her kitchen, stating: "It's beautiful, made of wood and paper. It's a work of art! And it's nice for our guests to see it. It lets them know they can't stay forever."
- GaffesAlex rips Dan's shirt open. We hear buttons pop and cloth rip. When he buttons it the second time, the shirt is not ripped anywhere and all the buttons are present.
- Citations
Telephone Operator: Operator. May I help you?
Alex Forrest: Operator, I've been trying to get 555-812-9212? The recording says its been disconnected.
Telephone Operator: Just a moment please.
[pause]
Telephone Operator: I'm sorry, the number's been changed to an unlisted number.
Alex Forrest: Operator, this is a real emergency .You need to give me that number.
Telephone Operator: I'm sorry. We're not allowed to give out that information.
Alex Forrest: Well, fuck you!
Telephone Operator: My place or yours?
[Alex slams phone]
- Crédits fousBarbara Harris is sometimes credited under the name Barbara Iley. In the final credits here, under 'Party Guests,' she is credited under both names.
- Versions alternativesIn the network version shown on TNT in the scene where Alex phones Dan at 2:13 a.m., there is additional dialogue between Dan and Beth after Dan hangs up the phone that is not in the theatrical/DVD version. Beth asks, "Who in the hell was that?" Dan says that it was a client calling and that this happens when you're a lawyer (being called at odd hours). Beth says that it's the middle of the night, still wondering why someone would call at 2:15 a.m. Dan justifies this by saying it's only 11:00 or so in L.A.
- Bandes originalesSelections from Puccini's Madama Butterfly
Music by Giacomo Puccini (as Puccini)
Performed by Mirella Freni, Luciano Pavarotti, and Christa Ludwig
Conducted by Herbert von Karajan (as Herbert Von Karajan)
Courtesy of London Records, a division of Polygram Classics, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Atracción fatal
- Lieux de tournage
- 135 Mianus River Road, Bedford, New York, États-Unis(exteriors: Gallagher country-house)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 156 645 693 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 602 740 $US
- 20 sept. 1987
- Montant brut mondial
- 320 145 693 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1