Extrême préjudice

They don't make em like this anymore, Walter Hill knows how to stage an "in your face" gun fight, and this movie has truckloads of that. I cant imagine women finding much in this film to entertain them, its a bloke thing through and through.

The film has an engaging story, heist movies are always great, but its conceit of moving the western into the modern era is what really stands this apart. Its got some of the all time great tough guys in it, Michael Ironside , Clancy Brown , William Forsythe etc, and they are obviously having a blast.

If you like the cinematic equivalent of a punch in the face, then this ones for you, its blokes doing what blokes do best, growling macho one liners at each other and trying to blow each other out of their socks. Cracking stuff !

You know the movie. Drugs across the Southwest border, blasted Texan landscapes, sweaty faces, gas stations in the middle of nowhere, money exchanging hands and gone missing somewhere along the way, maybe a bank robbery. It's that distinctly American type of crime movie given character by the beautiful western setting, a modern update of sheriffs and Mexican outlaws and doublecrossing between old friends now on opposite sides of the law that goes as far back as Boetticher's films, done with a focus on high-octane no-holds-barred action cut straight from Sam Peckinpah's school of blood squibs and slow-mo gunfights.

The story isn't half-bad but Walter Hill has always been an action nut first and foremost and John Milius was never Cormac McCarthy, so you'll forgive Extreme Prejudice for not quite being No Country for Old Men. It's still a good movie, not very surprising truth be told, with some nice dialogue exchanges along the way, a crabby Rip Torn as the old sheriff mentor and Nick Nolte looking mean and badass for most of the film, and if it's let down in the acting department every now and then when some emoting is required, that's because both Michael Ironside and Powers Boothe playing the villains were never the greatest of actors.

The low 6.2 rating the movie has as of this posting tells me the movie has suffered at the hands of sleepy viewers catching it randomly on late night TV in crappy pan-and-scan versions or indifferent video club patrons renting it on VHS. A niche audience comprising of fans of action movies and 70's gritnik crime cinema, the kind of genre Walter Hill has proudly inhabited in the 70's with films like The Driver, watching a good quality widescreen copy like I saw, will have much different things to say.

A group of soldiers believed to be dead by the public at large, try to ferret out Cash Bailey, a drug kingpin who was a childhood friend to the local sheriff (Nick Nolte) who's also after him in this '80's great action film. Every major actor in this film is extremely recognizable to anyone, like me, who loves the '80's and picking them all out during the first time you watch this film is almost as fun as the film itself (Look there's Kurgen from Highlander, Hey isn't that Lamar from Revenge of the nerds?, Wow Officer Dan did stuff before Married with Children, etcetera) Of course then you have the big stars Nolte, Torn, and Forsythe all of which do a great job. Of course both Walter Hill and John Milius are highly regarded by me and any movie either has a hand in is always highly watchable (Milius's 1941 being the only exception). So if you love you action heavy, your men manly, and your explosions huge, you'll love this film.

My Grade: B+

Eye Candy: Maria Conchita Alonso show's T&A (she's stunning)

Extreme Prejudice moves and unfolds just a like a Swiss watch, a well oiled and violent action movie that you can tell" even though he only has a story by credit, is through and through a John Milius yarn. Walter Hills direct clear, muscular action, and a hell of a lot of fun to experience, but what I like the most is just how completely this is a modern western, and decidedly a character-based one at that. Nick Nolte has almost the same tough Grimace expression through the whole thing, but that's fine because then that gives plenty of space for Powers Boothe, Clancy Brown, Michael Ironside, Rip Torn, William Forsythe and everybody else to work there grizzly magic if that is what it can be called on the screen.

In particular Powers Boothe is a delightful antagonist, like others sweating at times like its going out of style but making it part of his menace, and at one key point snorting enough coke to make Scarface blush. As soon as you see him and Nolte together you know this is going to be whenever they reappear a great meaty "I'm gonna emotionally and probably physically kick your ass" scene.

One could say we've seen a lot of this before, matter of fact it's deep down a "I got to hold up my Man code" story, down to the love intetest (Maria Conchita, who thankfully is cast well and she gives a very good performance), and at its best feels like Son of Peckinpah, in particular with that climax. I'm at saying this movie reinvent the wheel, but the direction is always precise and exciting and the interplay and dialogue is sharp and occasionally very funny or just the right tone of humorous attitude and one-liners for this kind of mercenary, Western heights movie, and by the very end it almost feels like Milius and Hill are giving us the origin story of the modern Mexican cartel haha. It's a good one.

Also one last thing, did it feel like the climax of this movie is almost like John Milius was finally getting to do the climax of Apocalypse Now, now only if Willard and Kurtz knew and even were friends going back? Just a musing.

Walter Hill and John Milius tackle the modern day Western in 'Extreme Prejudice'. A fast moving, Drugs Across the Border film that requires some attention to detail. With Nick Nolte delivering the goods as a strong, silent, second generation Texas Ranger opposite an equally powerful Powers Booth as a well connected, possibly undercover Kingpin who had grown up with Nolte... Enter a team of Black Ops GIs led by Michael Ironside and the always underrated Clancy Brown. Stir in the odd bank heist. Great Lines. Lies on top of lies. Lots of guns. William Forsythe as a totally dedicated borderline psycho. Rip Torn as Nolte's shoot from the hip Mentor. Even more guns. And a final Shoot 'Em Up to rival 'The Wild Bunch'. Put it all together, and you have a memorable, cast driven classic 'Guy Flick'!