Extrême préjudice

They don't make em like this anymore, Walter Hill knows how to stage an "in your face" gun fight, and this movie has truckloads of that. I cant imagine women finding much in this film to entertain them, its a bloke thing through and through.

The film has an engaging story, heist movies are always great, but its conceit of moving the western into the modern era is what really stands this apart. Its got some of the all time great tough guys in it, Michael Ironside , Clancy Brown , William Forsythe etc, and they are obviously having a blast.

If you like the cinematic equivalent of a punch in the face, then this ones for you, its blokes doing what blokes do best, growling macho one liners at each other and trying to blow each other out of their socks. Cracking stuff !

Jack Benteen is a hard-edged Texas ranger, Cash is his boyhood friend who now lives across the border and works as a major drug smuggler bringing crime into Texas. The conflict between the two men is complicated further when a group of soldiers registered as killed in action arrive in the area and begin to involve themselves in the existing drug war.

This is a good Walter Hill film that has plenty of good old fashioned western style action. The plot seems a little strange for most of the film because you're not quite sure where it's going. At the start you assume that the main focus of the film will be the relationship between Power Booth's Cash and Nolte's Benteen, but after 15 minutes the focus shifts onto the arrival of the army unit and stays split between them and Nolte. Because you're not sure what the unit is doing in this situation it keeps your interest throughout. However this means that Boothe is sidelined for most of the film which is a shame.

Both Boothe and Nolte are good, with Nolte doing his usual tough guy stuff. However the real pleasure comes from the depth of famous faces in the supporting cast. Maria Conchita Alonso is in a thankless role as the girlfriend torn between Cash and Benteen, Rip Torn is the local sheriff while the army unit includes many now well-known faces of Michael Ironside, Clancy Brown, William Forsythe and a small role for the always recognisable Tom "Tiny" Lister Jr.

The action is good throughout despite being a little flat and without any great style. The "wild bunch" style ending is exciting if a little unlikely and is typical of Walter Hill.

Overall a good modern day western with a strong cast, good plot and good action. It's nothing out of the ordinary but it's still entertaining decades after it was made.

A group of soldiers believed to be dead by the public at large, try to ferret out Cash Bailey, a drug kingpin who was a childhood friend to the local sheriff (Nick Nolte) who's also after him in this '80's great action film. Every major actor in this film is extremely recognizable to anyone, like me, who loves the '80's and picking them all out during the first time you watch this film is almost as fun as the film itself (Look there's Kurgen from Highlander, Hey isn't that Lamar from Revenge of the nerds?, Wow Officer Dan did stuff before Married with Children, etcetera) Of course then you have the big stars Nolte, Torn, and Forsythe all of which do a great job. Of course both Walter Hill and John Milius are highly regarded by me and any movie either has a hand in is always highly watchable (Milius's 1941 being the only exception). So if you love you action heavy, your men manly, and your explosions huge, you'll love this film.

My Grade: B+

Eye Candy: Maria Conchita Alonso show's T&A (she's stunning)

I acutally remember seeing the trailer to this film when I was a teenager and couldnt wait. I have always been a fan of Walter Hill's work, especially Streets of Fire, the Warriors, and Southern Compfort.

I see most people tend to think this is a Wild Bunch wannabe but in actuallity it is more of a "elite team of superheroes kills the bad guy movie". Its more akin to Buckaroo Banzai than the Wild Bunch. (Maybe because Clancy Brown was the same character in both movies) The book was fantastic and I dont see many similarities to Sam Peckinpah other than he and Walter Hill must be brothers.

In this case, the "superheroes" are soldiers and the main hero is a bad-ass sheriff who's best friend is the main heavy. Sounds like any comic book I ever read.

What makes this film so good is Powers Boothe and the elite team of heroes, who are essentially bad guys in there own right. Powers Boothe coming hot off his bad-ass Colonel role in Red Dawn (also Milius) is awesome. His attitude is ripe for this movie and he and Michael Ironside, hot off of "V", is equally bad-ass, play off each other. It is nice to Nolte in his prime as a hero (versus a drug addict).

I highly recommend this movie for any junkie who wants to see a

"bad-ass-team-of-superheroes-who-give-new-meaning-to-dont-mess-with-Texas."

You know the movie. Drugs across the Southwest border, blasted Texan landscapes, sweaty faces, gas stations in the middle of nowhere, money exchanging hands and gone missing somewhere along the way, maybe a bank robbery. It's that distinctly American type of crime movie given character by the beautiful western setting, a modern update of sheriffs and Mexican outlaws and doublecrossing between old friends now on opposite sides of the law that goes as far back as Boetticher's films, done with a focus on high-octane no-holds-barred action cut straight from Sam Peckinpah's school of blood squibs and slow-mo gunfights.

The story isn't half-bad but Walter Hill has always been an action nut first and foremost and John Milius was never Cormac McCarthy, so you'll forgive Extreme Prejudice for not quite being No Country for Old Men. It's still a good movie, not very surprising truth be told, with some nice dialogue exchanges along the way, a crabby Rip Torn as the old sheriff mentor and Nick Nolte looking mean and badass for most of the film, and if it's let down in the acting department every now and then when some emoting is required, that's because both Michael Ironside and Powers Boothe playing the villains were never the greatest of actors.

The low 6.2 rating the movie has as of this posting tells me the movie has suffered at the hands of sleepy viewers catching it randomly on late night TV in crappy pan-and-scan versions or indifferent video club patrons renting it on VHS. A niche audience comprising of fans of action movies and 70's gritnik crime cinema, the kind of genre Walter Hill has proudly inhabited in the 70's with films like The Driver, watching a good quality widescreen copy like I saw, will have much different things to say.