Empire du soleil

In 1987 Steven Spielberg's "Empire of the Sun" opened to mixed reviews and disappointing box office returns. But the film's reputation has grown with time, and it's now rightfully considered an underrated Spielberg classic. "Empire of the Sun" tells the true story of Jim Ballard, an English boy who's separated from his parents in China during World War II. Featuring an excellent performance from the young Christian Bale, "Empire of the Sun" is an emotional and visually striking drama about loss, family, and the horror of war. Spielberg also uses Ballard's story to address thought-provoking questions about social privilege, militarism, and the lengths that humans will go to in order to survive. Spielberg doesn't provide easy answers to these questions, making this one of his more mature and contemplative works.

Having seen "Empire of the Sun" multiple times, I've grown to deeply appreciate it as both a sweeping historical epic and a powerful tale of a traumatic childhood. The movie isn't perfect - at two and a half hours it's too long. The second act in particular drags and this causes the movie to lose much of its dramatic momentum halfway through. But despite its length "Empire of the Sun" does more than enough to maintain your interest with compelling performances, amazing visuals, and of course John Williams' award winning score. 8/10.

it was one of those movies i never expected to watch. it was late, i was bored, and i happened to stumble upon a channel i barely ever watch. and while i sat watching events unfold in front of me, i slowly forgot about my usual program of interest. there is something about this film that truly captivates you and leaves your eyes glued to it every second. Christian bale displays his talents wonderfully in this movie, and the most striking thing to me was his ability to give such a realistic, yet youthful performance. his subtle acts of defiance against authority, his brave expeditions that left older men in awe, the fact that a little boy could irritate a general so much. friendships were forged, even with the enemy and it was by far one of the most astounding movies i've ever seen. it's long, it's good, and if you haven't seen it - do so.

I can see that a tale told from a child's point of view how it would stir the imagination of one Steven Spielberg. Empire Of The Sun is a really imaginative story of a young boy stuck in World War II China in a truly terrible situation cut off from his parents. Yet young Christian Bale turns the whole thing gradually into an adventure of sorts.

Up to the age of 11 young Bale has lived in the British quarter of Shanghai and in fact has never seen the United Kingdom, his father Rupert Frazer owns a textile factory. Bale and his parents live in luxury among the millions of Chinese.

What one should remember when watching Empire Of The Sun is that since the Opium War of 1841 western powers and Japan joined them took small little nibbles out of China and in fact were granted by the weak Chinese governments special treatment in their quarters. Frazer, Emily Richard his wife and young Bale lived under British law and did not answer to the Chinese. The other powers did the same, even the USA had its own quarter in Shanghai as well as other large Chinese cities. That only ended with the Communist takeover in 1949.

It ended a bit prematurely for the west in 1941 when the Japanese attacked America, Great Britain, the Netherlands. That's when Bale's well ordered world falls apart.

I had to marvel at how when Bale came home and the parents were gone and some looting had occurred how his reactions were. Without any dialog Bale runs through a gamut of emotions. Great job of acting and directing.

Later on Bale is rounded up and taken to an internment camp next to an airfield. Fascinating how Bale who had an interest in aviation looks at the Japanese planes and become almost worshipful of the enemy. He even makes friend with some of the Japanese, a group not known for treating prisoners well in World War II.

Joe Pantoliano and John Malkovich are a pair of American adventurers, no better than they ought to be. They're caught along with Bale and sent to the internment camp. Our adult eyes see them as a pair of bottom feeders. But we see them through the child's eyes also and they become sort of devil may care rogues that one reads in pulp fiction the kind Bale no doubt read.

Steven Spielberg did a marvelous job of recreating wartime China and it certainly helped to shoot the film there. Just part of the People's Republic's post Mao entry into the community of nations.

The adult performers are fine. Empire Of The Sun got a flock of Oscar nominations in technical categories, no gold though. But it did inaugurate the career of Christian Bale who's done pretty well for himself as an adult actor too.

This one is highly recommended for its realism and encouragement of imagination.

Reading through the reviews, there were a lot of people who didn't understand this film. This is Spielberg's venture into the realm of art in cinematography. This film is a visual masterpiece and you are swept along from beginning to end. Yes, the tale gets a bit loose in spots and you never know what's going to happen next. But, if you're willing to give up warm and fuzzy for lush visual images and startling leaps of character, you'll see what Spielberg's trying to accomplish. This film makes use of the talents of Miranda Richardson and gives some early exposure to the likes of John Malkovich and Ben Stiller, but young Christian Bale steals the show. The reviewer that commented on the "gothic" effect of the Tai-Pan's going to the costume ball being driven through Shanghai was right on. This film is rife with such scenes and does not disappoint. It's wholly misleading to look for some kind of action story underlying this film. The tale, taken from the book, is straightforward enough: a young boy's boost into manhood through the second world war. The film is full of memorable moments and visually very, very pleasing. As art, it is excellent. That's likely why it wasn't a blockbuster, as say, e.g., Poltergeist, Close Encounters and the Jurassic Park films, were. But, hey. That's the cost of creating art as opposed to crap. And, crap does draw a lot of flies...

This is the first time I commented on a film. I saw this yesterday night for the first time. And I just cried.

I cried for Jim. I cried for the pain our country caused in the innocent civilians. (Japan can be so stupid!) I cried for the pilots of the Zero-sen.

I've read and seen lots of movies of these pilots. They're called tokoutai in Japanese. They get on their planes knowing they will die. It's a suicide mission, and they were very proud of it. I know if you're on the winning side you may not sympathize these pilots, but they were just fighting for their country. In those days, the emperor was everything. They taught you to die for the emperor at school when you were only in 1st grade.

But I don't know the war. I've never experienced it. I can't understand the concept of dying for your emperor. So I sympathise with Jim. Jim is a symbol. A symbol of innocence, of the horrors of war. His singing proves that too. He's also the ray of light for these prisoners. His energy and vitality are important aspects. It brings out some human characteristics in the sergent as well.

Christian Bale was remarkable. He should be commemorated or something for this performance, cause it was just brilliant. So was John Malcovich.

Overall it was great. One of the best movies I ever saw. It made me think, a lot. About war, about Japan, about history, and about humans in general.