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Duo pour une soliste

Titre original : Duet for One
  • 1986
  • R
  • 1h 47min
NOTE IMDb
6,7/10
1,1 k
MA NOTE
Duo pour une soliste (1986)
Stephanie Anderson, a famous violin player married to a composer becomes ill from Multiple Sclerosis. Her whole life goes to pieces. Her career ends abruptly, her husband betrays her with another woman, and her favorite pupil decides to leave for a tour in the U.S. Stephanie tries to take her own life.
Lire trailer2:35
1 Video
20 photos
DrameMusique

Ajouter une intrigue dans votre langueStephanie, a famous violinist married to a composer, falls ill with multiple sclerosis. Her entire life crumbles. Her career ends abruptly, her husband betrays her with another woman, and he... Tout lireStephanie, a famous violinist married to a composer, falls ill with multiple sclerosis. Her entire life crumbles. Her career ends abruptly, her husband betrays her with another woman, and her favorite student decides to leave for the USA.Stephanie, a famous violinist married to a composer, falls ill with multiple sclerosis. Her entire life crumbles. Her career ends abruptly, her husband betrays her with another woman, and her favorite student decides to leave for the USA.

  • Réalisation
    • Andrei Konchalovsky
  • Scénario
    • Tom Kempinski
    • Andrei Konchalovsky
    • Jeremy Lipp
  • Casting principal
    • Julie Andrews
    • Alan Bates
    • Max von Sydow
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    1,1 k
    MA NOTE
    • Réalisation
      • Andrei Konchalovsky
    • Scénario
      • Tom Kempinski
      • Andrei Konchalovsky
      • Jeremy Lipp
    • Casting principal
      • Julie Andrews
      • Alan Bates
      • Max von Sydow
    • 15avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Trailer
    Trailer 2:35
    Trailer

    Photos20

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    Rôles principaux20

    Modifier
    Julie Andrews
    Julie Andrews
    • Stephanie Anderson
    Alan Bates
    Alan Bates
    • David Cornwallis
    Max von Sydow
    Max von Sydow
    • Dr. Louis Feldman
    Rupert Everett
    Rupert Everett
    • Constantine Kassanis
    Margaret Courtenay
    Margaret Courtenay
    • Sonia Randvich
    Cathryn Harrison
    Cathryn Harrison
    • Penny Smallwood
    Sigfrit Steiner
    Sigfrit Steiner
    • Leonid Lefimov
    Liam Neeson
    Liam Neeson
    • Totter
    Macha Méril
    Macha Méril
    • Anya
    Siobhan Redmond
    Siobhan Redmond
    • Totter's wife
    Nicola Perring
    • Betsy
    John Delaney
    • Drunk
    Kevin Ranson
    • Derek
    Dorothea Phillips
    Dorothea Phillips
    • Betty
    Marcia Linden
    • Gail
    David Miller
    • Charlie
    Gary Fairhall
    • Terry
    Nicola Davies
    • Joan
    • Réalisation
      • Andrei Konchalovsky
    • Scénario
      • Tom Kempinski
      • Andrei Konchalovsky
      • Jeremy Lipp
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,71K
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    Avis à la une

    8philip-ct

    This is proof enough that Julie Andrews can act; again, she rises above this uneven work ...

    "I'm in this chair because I've got multiple sclerosis," thunders Julie Andrews (as Stephanie) to her shrink - rather a caricature - Max von Sydow. There is anger, there is bitterness, there is a resignation, there is a sense of loss, a sense of frustration and an understated (and unstated) acknowledgement that we all die alone...

    In one line, Ms Andrews displays a depth to her dramatic performance not yet seen by viewers. I remember some rather disparaging comments being made about this casting (as well as for 84 Charing Cross Road, released in the same time frame as Duet for One). Most of these were aimed at the casting of Julie Andrews in a pivotal dramatic role.

    Understandable, perhaps, as Julie Andrews *is* better known as a musical star (though cannot make any more musical films)and is seen as either Mary Poppins or Maria von Trapp. In reality, Ms Andrews has made more non-musical films than musical films.

    Duet for One, though, was a departure from other roles: this film is kept alive only by the performance of Julie Andrews -- the other characters are merely 'supporting' characters. Julie Andrews does what she has done in previous musical films: she takes centre stage.

    Her performance is absolutely brilliant -- she received two Golden Globe nominations as Lead Actress in one year (1986): For drama, 'Duet for One'; for comedy/musical, 'That's Life.'

    I saw both in London in 1987. Julie Andrews, it seemed by overwhelming critical responses, had 'come of age'. Her performances were measured, realistic and gritty: and even with the subject matter of Duet for One, never diminishes into audience-pleasing wallowing sympathy.

    I do think that Julie Andrews has been a much-cheated actress: audiences do not seem to *want* her to be more than a musical star. She has great comic timing (such a pity that there never was a vehicle to exploit this talent). In 'Duet for One', she convinces that she can act: she is in control, but a weighty script, uneven directing and blurred focus helped this movie to sink.

    And again, an excellent performance is not seen by a large number of people. There is gritty, gutsy work and Julie Andrews *should* have been nominated for an Academy Award (rather than a strange nomination to Jane Fonda for 'The Morning After'.

    This film is not good ('Hilary and Jacky' is much better) but the lead performance is outstanding. If you get a chance, see it. For Julie Andrews' work and some fine classical music, outstandingly weaved into the soundtrack in background and foreground, it's stunning.

    And there are interesting supporting cast vignettes too, notably those of Liam Neeson and Cathryn Harrison.

    A great pity that this film has diluted its original play so much, but it's still worth seeing.
    jimnz

    Wonderfully acted, really moving, Julie Andrews' best performance.

    I was surprised this disappeared the way it did and that Julie Andrews did not receive an Academy Award nomination. It's a tough uncompromising depiction of what it's like for someone who is losing control physically and starts to lose it emotionally as well. The scene in the back of the car where Andrews and Alan Bates argue and he goes that one step too far is unlike any personal altercation I can recall seeing on film. I found the film totally engrossing and very moving.
    Clive-Silas

    How to rip the guts out of your own work...

    ...and also make a nonsense of your title. The film is based on a stage play, which is so called because, although a two-hander, it is much closer to being a one-woman show. The stage version was produced for BBC Television with Frances De La Tour, the original star, and is much more worth watching than this sentimentalised claptrap. For one thing, when in a magnificent outburst she attempts to shock the psychiatrist by admitting that she has been "f***ing a totter", part of the power of this is by your wondering what is going on in the head of this refined and cultural woman, for her to be taking a dirty Steptoe-like rag and bone man into her bed. The point is completely lost if you *show* the totter, and what is more cast Liam Neeson in the part!

    Kempinski remained on the credits as the screenwriter, so it seems he only has himself to blame for this utter emasculation of what was really an excellent play, loosely based on the shattering loss of Jacqueline Du Pré's art, career and normal life to multiple sclerosis.
    8hennystruijk

    Julie Andrews is wonderful in this!!

    Very little seen film that has a great performance by Andrews. Not a happy film--but very real. Surely worth seeing!
    7HotToastyRag

    Interesting responses to her crippling illness

    I knew watching Duet for One would be difficult, because it focused on a woman's struggle with Multiple Sclerosis, but there was an added realism that made it especially tough. Julie Andrews, who had a terrible tragedy with her vocal cords, put an eerie touch of denial in her performance. When she first started stumbling and dropping glasses from her weak hands, her immediate (and I mean absolute immediate, without a beat for surprise, shame, or sorrow) reaction was to start giggling. It was so chilling to see Julie Andrews, poised to perfection, use a knee-jerk reaction of laughter when confronted with her symptoms of MS. Her front was un-breakable, and in those early scenes, she never cracked.

    Of course, the story continues, and she runs the gamut of all the emotions you'd expect. Her character is a famous violinist whose career, of course, comes to a screeching halt. Her star pupil, Rupert Everett, is heartbroken, and her conductor husband, Alan Bates, pulls away from their marriage. Her therapist, Max von Sydow, is a sounding board for when she travels through all her moods. She's angry, ashamed, and hates that she has to go through the rest of her life as a cripple. She baits Alan into fighting with her, and she tries to shock Max with her "life is short" revelation. The biggest problem I had with the story was the character of Julie's housekeeper. She judges Julie's behavior and literally prays that she'll stop, which I thought was heartless. Julie's life, as she knew it, is over, and in my opinion, she's entitled to grab any happiness she can find.

    If you just love Julie Andrews in her musicals, you might not want to watch this depressing drama. It's very dark, she uses language that Mary Poppins would be ashamed of, and she acts in ways that would shock Maria Von Trapp. But if you like her heavier work, like That's Life! And On Golden Pond, you'll appreciate this very fine piece of acting.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This movie was based on the life of conductor Daniel Barenboim and his wife, cellist Jacqueline du Pré, whose life was examined in Hilary and Jackie (1998).
    • Citations

      Stephanie Anderson: You know I have nothing but contempt for you. Sitting there year after year listening to miserable people like me tell you how the world does destroy them. Have you ever once felt anything like the pain they feel? All the despair...all the fear? You make your living from their suffering and you don't understand a shred of it. Anyone of us is more qualified to speak than you because we have been there. We are still there.

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Worst Films of 1986 (1987)

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    FAQ

    • How long is Duet for One?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 avril 1987 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Duet for One
    • Lieux de tournage
      • Hyde Park Corner, Central London, Angleterre, Royaume-Uni(tour bus rounds the Wellington Arch)
    • Société de production
      • Golan-Globus Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 8 736 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 149 $US
      • 28 déc. 1986
    • Montant brut mondial
      • 8 736 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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