Dolls : Les Poupées

If Sam Raimi had channeled the Brothers Grimm to write a story about dolls in the present day, this is about what they would've come up with. By turns charming, eerie and cringe-inducing, it allowed director Stuart Gordon to rein in the outrageousness he got to indulge in with "Re-Animator" and "From Beyond". There are shocks, there is gore and there is that pitch-black sense of humor, but everything is tempered by the wonderfully pleasant presences of Carrie Lorraine and Stephen Lee, as the only two decent souls in the midst of one of the most unpleasant casts of rotters I've seen in my recent if faulty memory; all of whom come to equally unpleasant, if not deserving ends. Just like in fairy tales...

The Bands and Gordon must've been avid fans of the old William Castle spooker "Mr. Sardonicus," because they find casting perfection in Guy Rolfe as the kindly old dollmaker, who sort of extends the role (and his career) in the "Puppet Master" series. Distinguished character actor Hilary Mason plays off him well, and the two have a wonderfully morbid benevolence about them; like Gomez and Morticia Adams in their twilight years.

Working the other end of the spectrum are Ian Patrick Williams and the always excellent Carolyn Purdy-Gordon as the little girl's abusive and shallow father and "wicked" stepmother. Rounding it off are Bunty Bailey and Cassie Stuart as the brassy, blowsy punkettes who learn all about the virtues of etiquette...the hard way.

Anybody who thinks Chucky is state-of-the-art when it comes to walking, talking, murderous toys needs to check out the effects created by Giancarlo Del Brocco and John and Vivian Brunner. A lot of stop-motion combined with mechanics, (courtesy of the legendary David Allen) but you gotta appreciate the subtleties. Got creeps? Less is definitely more.

A nifty little rental if you can get hold of it.

The Dolls was truly an enjoyable little horror film which never got the recognition it deserved unlike the evil Chucky from the Childs Play movies. The Dolls were around before Chucky!

It's an entertaining horror film which I won't give many details about because it will spoil it. There's certainly a few little twists in the story and nothing is quite what it seems.

The dolls themselves were quite creepy. Being a male, I've never had a doll obviously but after watching this film I have to wonder how women could ever keep dolls when they were kids. Dolls are so evil looking (some of them anyway).

This was a great film. I won't spoil the ending but wait till you see what fate befalls one of the main characters.

A motley group formed by six people (Patrick Williams,, Cassie Stuart, Carolyn Purdy, Lorraine among others) are stranded during a fierce storm and drawn to mysterious place located in an old mansion. In the shelter meet a kindly old doll-maker (Guy Rolfe) and his spouse (Hilary Mason), owners of the creepy ancient house. One by one they are attacked by hundred of stalking living dolls. The obnoxious and antique little dolls in elegant outfits have killing instincts.

The picture packs suspenseful horror, thrills, chills, graphic violence tongue-in cheek and grisly killings. The real stars are the dolls that are magnificently made by John Carl Buechler as supervisor on Mechanical and Make up Imageries and the master Dave Allen as expert on Stop-motion. Frightening and moving musical score by Richard Band. Produced by Charles Band and Brian Yuzna for their production company called ¨Empire¨ that was posteriorly locked and creating a new called ¨Full Moon¨. Later on, Full moon produced a same type of film, though a little tamer, the ¨Puppetmaster¨ series a ¨ Dolls¨-lookalike . The motion picture is professionally directed by Stuart Gordon who also made the successful ¨Reanimator¨and ¨From Beyond¨. Recommended for gore buffs and terror lovers, though isn't for the squeamish.

Under-appreciated gem from director Stuart Gordon and screenwriter Ed Naha, who in a previous incarnation wrote film review books such as 'Horrors - From Screen To Scream'. Ed may have learned a thing or two from the turkeys he encountered in his reviewing days because his script for "Dolls" is rich in homage and character. The film borrows its structure from "The Old Dark House" and realizes its ambitions with a cast and crew of highly talented individuals.

Gordon, who directed the entertaining "Re-animator" and perverse "From Beyond" brings a deliciously eerie and playful tone to this novel story of a group of adults who are sentenced to death for losing the child-like aspects of their personalities. The "dolls" of the title are the executioners and they love their bloody work, which is depicted in fine, crimson detail.

The special effects sequences featuring the dolls are realized with stop motion animation and puppetry. For the most part, they are extraordinarily convincing. A scene in which various doll characters huddle together to discreetly discuss the fate of a human character is priceless.

Mac Ahlberg's cinematography is moody and beautiful, perfectly capturing a toyland ambiance within a house of horror; and Lee Percy, who cut the Americanization of the "Baby Cart" films, "Shogun Assassin", delivers another tight, intuitive piece of work here.

Hats must come off to Gordon for the casting of Mr. Sardonicus himself, Guy Rolfe, as Gabriel Hartwicke, the eccentric, twisted toymaker and owner of the film's pivotal location where the nasty events transpire.

Producer Charles Band has made dozens of horror films, but none are as classy as the three above that he made with the talented Stuart Gordon.

This movie is too minor and too short (runs only 75 minutes) to escape the two-star rating category, but it's still recommended to any casual horror fan. Entertaining, well-made and well-written (especially regarding the ultimate fate of all the victims), it's filled with characters that are (intentionally) so dislikable you can't wait to see them killed, and yet the dolls are so vicious that you won't be rooting for them, either. Only problem is that the stop-motion animation is a little clumsy at times, and the dolls' movements aren't always as smooth as they should've been.