L'invasion des cocons

My review was written in April 1988 after watching the movie on TWE video cassette.

Something went wrong with "Deep Space", a horror send-up that reportedly went through extensive post-production reshooting and tinkering before its recent direct-to-video release. Finished product doesn't fit its title in the slightest.

Both Chales Napier and Ron Glass are typecast as a couple of L. A. police detectives, partnered on a case when a monster from Outer Space crash lands and starts killing people. The monster was created by U. S. scientists for military research that went awry, with project director James Booth feeling the heat from his supervisor, a general played by Norman Burton.\ Pic is essentially a too literal, tired homage to Ridley Scott's modern classic "Alien", which already has been the model of several alien-on-Earth cheapies such as "Scared to Death" and "Alien Contamination".

Helmer Fred Olen Ray goes to absurd lengths to mimic "Alien", including a scene of a guard calling for his kitty cat which is staged identically, the monster dripping KY jelly. It striking with the same rapid movement (but ropelike tentacles), having a young version that is shaped like an oversize scorpion (instead of the octopus look) and even a variaton of the chest-burster scene. It's all silly, not funny or scary.

Cast includes numerous unimpressive cameos, including erstwhiel "Li'l Abner" star Peter Palmer popping up as a fellow copo; he has no scenes with his one-time co-star Julie Newmar, however. Lead players are okay, maintaining a flippant attitude. The monster vaguely resembles the beastie inserted at the climax of Jacques Tournueur's classic "Night of the Demon", and Napier ultimately wields a chainsaw against it.

Fred Olen Ray's "Deep Space" is an obvious "Alien" ripoff. And a fun one at that! When a top-secret military experiment crash-lands and the monster inside goes around killing people, a pair of wisecracking cops (Charles Napier and Ron Glass) take it upon themselves to stop the thing. Totally predictable movie, but it's one that you gotta love. I should note that this flick doesn't contain very many of the things that teenage boys like in horror flicks, but otherwise it's got what you might expect. Basically a series of clichés, but it's a pretty enjoyable flick. Also starring Ann Turkel, Bo Svenson, and even Julie Newmar in a supporting role!* Fred Olen Ray also directed "Teenage Exorcist" and "Evil Toons" (a cross between "The Exorcist" and "Who Framed Roger Rabbit").

PS: If you recognize Charles Napier, it's probably because Jonathan Demme frequently casts him, notably as the security guard in "The Silence of the Lambs". He also appeared as the leader of the country-western band in "The Blues Brothers".

*Newmar had previously appeared in the horror flick "Evils of the Night" with Tina Louise. Yes, it was Catwoman meets Ginger Grant.

An American satellite with a new biological weapon gets out of control and crashes onto US territory. A slimy monster emerges and manages to escape, killing everyone who crosses his path.

We have a great cast here, with Julie Newmar, Charles Napier and Bo Svenson. I mean, wow, good job guys, getting such a great lineup of character actors for such a disposable film. This puts "Alienator" to shame! Did you think the vine scene was eerily similar to the tree assault in "Evil Dead"? I sure did. Intentional? Maybe not, but when you are dealing with king of the B-movies, you never know when he might be ripping off "Evil Dead" or "Alien" or any other number of better-known films.

Veteran director Fred Olen Ray and cinematographer Gary Graver prove they have the skill to put together a good low budget rip-off of Alien--but that they aren't gonna any time soon.

The movie is essentially a long string of clichés: Napier and Glass play two cops who "don't play by the book" blow up a car by shooting it, killing a perp who's "just a kid", getting suspended by their hard-ass boss (but mysteriously continuing to work nonetheless), investigating a mysterious murder which is being covered up by the military which, naturally, has been engaged in creating a super-war machine, etc. etc. etc.

Ann Turkel does an admirable job, even though she's given the thankless task of being Napier's love interest and virtually falling apart every time something happens.

Then there's this whole business of stunt casting Julie Newmar as the psychic who tells Napier where the alien is.

The frustrating thing is that, in between the nonsense, FOR shows a real talent for pacing, action and shooting on a budget. He and Graver manage to create real atmosphere in the final scenes that, even though it's directly lifted from Ridley Scott's "Alien" (note the character name "Mrs. Ridley"), complete with inexplicable smoke, light, dripping water and even strobes, it's a tantalizing look at what the two are capable of when they set their minds to it.

But as much as I was rooting for it, when Napier says (in the post-coital dialogue with Turkel) "The street is my boss. Who's yours?" I realized that the movie had landed in camp-ville, like it or not, and there it would stay.

A cut-rate imitation of "Alien" that has an air of sloppiness about it (the script could have been written over a weekend probably), but delivers the goods in the end with some good buzzsaw action and lots of slime. Problem is, it's STILL not particularly better than any other of the dozens of "Alien" ripoffs that are floating around.....(**)