L'île des passions

Nick Roeg did something which I am sure is way above most viewers' heads. A man decides to spend a year away from the madding crowd (who doesn't want to?) and takes a woman with him. So far, so good. But the man is so far removed from reality that he does not prepare properly, ignores warnings (they do not come at him as his normal world would deliver them: you should not, danger, etc. - friendly advice he sloughs off as inferior) and nearly starves to death. BUT, here's the interesting part, in his own mind he sees it all as idyllic and wants to continue. He creates his own fantasy i his head and lives there, while in truth he and the woman are starving to death. Anorexia anyone? If you know someone who believes in their own reality, make them watch this movie as psychotherapy. Will they survive? Watch and find out.

After Walkabout this is Nic Roeg's most beautiful film. Stunning photography by Harvey Harrison complements the story of two loners who set out to live on a deserted Pacific island for a whole year. Oliver Reed and Amanda Donohoe are both excellent as the two frustrated Britons who don't exactly enjoy their year together.

This is yet another one of those movies that tries to study complex or unusual male-female relationships and thus what any particular viewer will get out of it depends upon that viewer's own life experience. Another reviewer here characterized the relationship in this film as being between "two selfish morons" and that is about the way I took it as well. If you have ever been in a long-term relationship with a selfish partner you will see a lot that looks familiar here, and as a tool to help sort out your own feelings and make sense of your own experiences you might find watching this useful. Otherwise, I'm not sure what purpose the film or the underlying literary treatment it was based on would serve. Basically this movie is about two not-especially likable people who don't really like each other all that much, either, trying to have a relationship together, and the entertainment value you get from that exists right at that level.

Yes, there is a good deal of nudity here involving the heroine, but it is usually not especially erotic; it is presented so matter-of-factly and almost entirely in non-sexual situations (in fact, most often while she is entirely alone) to the point that I got the impression that she was more of a sensualist than anything else, and certainly she was no party girl or anyone else with anything more than an ordinary female interest in sex, if that. Moreover, I never got the impression that she was conspicuously teasing the male lead as some other reviewers seem to have indicated, beyond the mere fact that she was there with him on this same island with nothing or nobody else around, and granting that such circumstances alone might make for some of the subtlest and most provoking kind of erotic torment possible. Certainly there are women in real life capable of the same.

The male main figure is no less selfish in his own way, and the mere fact that at his age he can't think of any way to bed this woman other to demand sex like a love-sick college freshman shows it as well as anything else. For a man of his maturity to behave the way he does certainly justifies the description of "lecher" given him by some other reviewers. Whatever complaints might be assessed against his would-be mate, he certainly didn't make much effort to treat her very well. If the dummy had done just a few simple things to make her feel good about herself for having made the decision to shack up with him on this island for a year, they both would likely have had a much better time. But he was too selfish or at least too self-absorbed to see that, something that is shown in the film to be just as true of his life before the island (and which, indeed, would explain his reason for wanting to be there in the first place).

What some of the movie reviewers more talented than I have said on here about the cinematography and so forth is true; those aspects of the film as as good as any, and make me wonder if this film wouldn't be better watched over a glass of wine or two and the right music on your stereo while the sound on the TV is turned OFF.

Two people who barely know each other, spend a year on an island together. They suffer malnutrition, stormy weather, and just plain I'm-sick-of-you-itis. I managed to catch this movie a while back on cable. I love watching movies from England, Australia or New Zealand because they're so different from what I'm used to. This movie didn't disappoint there. There was only one thing missing from this movie to make it totally realistic. Amanda Donohoe played a young, presumably fertile woman on an island for 12 months and never so much as had PMS, if you catch my drift. Forgive me, but as a woman, this is something I think of *whenever* I think about being stranded *anywhere* for months at a time. All in all, though, a very entertaining movie.

In the latter years of his film career Nicolas Roeg seemed to become a shadow of his former self and seemed to be working under increasingly limited budgets, but even a minor Roeg film is still worth watching.

The film's theme connects with several with his previous films, namely the breakdown in communication between women and men. Whether it is a communication barrier as in Walkabout or here where the two characters are isolated on an island and fail in their efforts to make it a liveable environment. Whether this is a reflection of the director's own views on relationships I cannot say, but, as noted above, it figures into many of his films.

Even if it is not prime Roeg it still has moments of flare that marked his cinematic style. It does play like an adult version of the 1980 film The Blue Lagoon but with more realistic consequences as they squander their food supplies and struggle to adjust to this primitive life. The cinematography is stunning and the early scenes have a lush and vivid quality that slowly begins to fade as their circumstances change and grow more dire. Both Amanda Donahoe and Oliver Reed give exceptionally good performances. This is not among my favourite of his films but I do enjoy watching it every so often.