Broadcast News
- 1987
- Tous publics
- 2h 13min
NOTE IMDb
7,3/10
36 k
MA NOTE
Prenez deux reporters de télévision rivaux: l'un beau, l'autre talentueux, tous deux de sexe masculin. Ajoutez une productrice. Mélangez bien et regardez les étincelles voler.Prenez deux reporters de télévision rivaux: l'un beau, l'autre talentueux, tous deux de sexe masculin. Ajoutez une productrice. Mélangez bien et regardez les étincelles voler.Prenez deux reporters de télévision rivaux: l'un beau, l'autre talentueux, tous deux de sexe masculin. Ajoutez une productrice. Mélangez bien et regardez les étincelles voler.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 7 Oscars
- 15 victoires et 23 nominations au total
Joan Cusack
- Blair Litton
- (as Joan Cusak)
Avis à la une
James L. Brook is one of those directors who always seems to take a quirky look at life. He isn't only the producer for "The Simpsons," he has some classic comedies under his belt -- "Broadcast News" is one of them.
Although it doesn't match his later effort "As Good As It Gets," "Broadcast News" is still a very clever, funny and witty movie about a television broadcasting station and all the problems they suffer. There's a great comedic sequence of physical humor where Joan Cusack is running around the building trying to rush a news tape to the editing room in a matter of mere minutes before it is to be broadcast live on TV.
This isn't only very truthful in terms of how hectic broadcasting stations are operated, but also a skillful and honest portrayal of human beings.
A low-key, subtle movie with good acting (especially from Hurt, who I don't always like so much) and apt direction.
Although it doesn't match his later effort "As Good As It Gets," "Broadcast News" is still a very clever, funny and witty movie about a television broadcasting station and all the problems they suffer. There's a great comedic sequence of physical humor where Joan Cusack is running around the building trying to rush a news tape to the editing room in a matter of mere minutes before it is to be broadcast live on TV.
This isn't only very truthful in terms of how hectic broadcasting stations are operated, but also a skillful and honest portrayal of human beings.
A low-key, subtle movie with good acting (especially from Hurt, who I don't always like so much) and apt direction.
Essential viewing for anyone who watches TV news as it may help to become a little more sceptical, or even cynical. On a personal note I recall taking a course some years ago about being interviewed for TV - what to do, what not to do. The course instructors impressed on us that TV news was a "branch of show-biz". That depressing view, which is probably even more valid today than when it was made, is reinforced by this film. Never mind journalistic integrity, what counts is the ability to look good and smile nicely. And make sure you don't sweat on camera.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.
Excellent movie about a big media firm and the goings on both on and off camera. Covering several years, the film centers on 3 upwardly mobile, young hopefuls, all striving for their place within the corporation. Well written dialogue, flawless acting, and a riveting story made for 2 hours of solid entertainment.
It's been over 20 years since I've seen this film. Like others on this site, I lament how 'forgotten' it is. I remember liking it a lot, but found it to be absolutely terrific. The writing and direction are first-rate, but I cannot remember seeing three interwoven performances as good as these. It's easy to minimize Hurt's work because his character is the least likable of the three. That would be a mistake. Hurt is wonderful here and leaves us wondering if maybe he's not as dim as he appears to be. Hunter and Brooks, on the other hand, just shine. This is career defining work for all of them. The ending (which I won't reveal here) is powerful in the least-clichéd way possible. The movie has aged very well. See it if you can - either again or for the first time.
I say sadly because if you see this movie now, you realize how low our media has sunk- all the warning signs are in this movie.
It's a great film, I think the last great James Brooks film, but others may disagree. It has rich characters (who are believable as well), great acting, great writing, and although the music got a little cheesy, I even liked that.
William Hurt has never been better. Holly Hunter is stunning. And Albert Brooks walks away with every scene he's in- this triangle of people is beautifully drawn and compelling and made the whole movie soar above it's vital and important topic of the News, and how it's slowly being compromised in our nation.
Watch this with NETWORK for a truly fun and frightening evening.
It's a great film, I think the last great James Brooks film, but others may disagree. It has rich characters (who are believable as well), great acting, great writing, and although the music got a little cheesy, I even liked that.
William Hurt has never been better. Holly Hunter is stunning. And Albert Brooks walks away with every scene he's in- this triangle of people is beautifully drawn and compelling and made the whole movie soar above it's vital and important topic of the News, and how it's slowly being compromised in our nation.
Watch this with NETWORK for a truly fun and frightening evening.
Le saviez-vous
- AnecdotesAlbert Brooks revealed that when he first read the script, the scene where Aaron does a weekend broadcast simply noted "Something bad happens to Aaron on the air." Albert was watching CNN when a reporter he'd never seen before (and hasn't seen since) began sweating badly. Albert phoned writer and director James L. Brooks at three in the morning, and stated that Aaron HAD to start sweating profusely.
- GaffesAs Jane approaches the restaurant to meet the gang for drinks, William Hurt (Tom) peeks around the corner early and realizes he jumped his cue. He quickly pulls back, then he and Jennifer walk around the corner as if they had just left.
- Citations
Aaron Altman: Ok, I'll meet you at the place near the thing where we went that time.
- Crédits fousAlbert Brooks' singing of "L'Edition Speciale" from the film also briefly appears in the end credits.
- ConnexionsEdited into Armageddon in Effect (2008)
- Bandes originalesÉdition Spéciale
Music by Francis Cabrel
Lyrics by Francis Cabrel
Performed by Francis Cabrel
Courtesy of Editions 31 (Paris)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Detrás de las noticias
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 249 404 $US
- Week-end de sortie aux États-Unis et au Canada
- 197 542 $US
- 20 déc. 1987
- Montant brut mondial
- 67 331 309 $US
- Durée
- 2h 13min(133 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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