NOTE IMDb
5,2/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueA down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.A down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.A down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.
- Réalisation
- Scénario
- Casting principal
Dani Crayne
- Bitsy Vandervagen
- (as Dani Janssen)
Sione Vailahi
- Axe the Cannibal
- (as The Barbarian - Sione Vailahi)
Tom Kasat
- Hammer the Cannibal
- (as Tjioe Khan)
Avis à la une
Maybe it was the lack of sleep, or the fact that I was in a really great mood, but there was something about Body Slam that made me laugh almost non-stop. Of course, to say I laughed at any of the deliberate jokes in the film, would be a complete lie. I would not pretend that readers of this are complete idiots and such a farce would be believable to any of them. Whomever wrote this film is in dire need of some intelligence. But that utter lack of brains, that total undeniable inability to comprehend anything filled with wit or satire, made for one of the most laughable films I have ever witnessed in my life. I have gone on to be one of Dirk Benedict's biggest fans. He was perfect for this role. Anyone who thinks someone else should have played Harry is a complete fool, because only Mr. Benedict could get down the necessary nuances to be so implausibly stupid that we, as viewers, wonder if we're not becoming stupider as we watch the film.
My review was written in May 1987 after a Cannes Film Festival Market screening.
"Body Slam" is a pleasant surprise, a genuinely funny film that pokes fun at a scheming record industry manager while utilizing popular wrestlers to capture the spirit of the current pro wrestling renaissance.
Dirk Benedict is terrific as a glad-handing promoter, always one step ahead of the repo man. His music career failing, he lucks into managing a wrestler, Quick Rick Roberts (played by popular pro Rowdy Roddy Piper), and though creating a war with traditional managers quickly achieves success in this new field. Forced to book his rock group set in tandem with the wrestlers, he accidentally creates the rock 'n' wrestling craze.
Simple premise works because there is a load of humorous situations and slapstick, while the emphasis upon wrestling is not overpowering. As a result, pic's entertainment quotient is not limited to wrestling freaks. Conversely, the presence of an ecumenical grouping of wrestlers drawn from the various pro leagues is a treat for enthusiasts.
Besides Benedict, who exudes charm as the unscrupulous guy you can't resist, cast benefits from solid support turns by various comedians. In addition, Piper, who has retired from wrestling to pursue an acting career full time, is very sympathetic in a large role. Virtually parodying his larger-than-life manager persona, Captain Lou Albano is very funny as Piper's irate former mentor. Sam Fatu, who wrestles undr the name Tama, makes a good impression as Piper's tag team partner, while there are numerous other grapplers on display, including cameos by Ric Flair, Bruno Sammartino, the Samoans Afa & Sika, Freddie Blassie and Sheik Adnan Al Kaissy.
As Benedict's rock group, Kick shares the spotlight performing several okay musical numbers. David Wolff, who with Albano and his client Cyndi Lauper launched the rock 'n' wrestling connection three years ago, served as a consultant on the picture.
"Body Slam" marks a solid comeback for director Hal Needham, who gets the comedy timing down right and provides some effective stunts which keep the wrestling footage from merely regurgitating what is shown constantly on tv . Tech credits are pro.
"Body Slam" is a pleasant surprise, a genuinely funny film that pokes fun at a scheming record industry manager while utilizing popular wrestlers to capture the spirit of the current pro wrestling renaissance.
Dirk Benedict is terrific as a glad-handing promoter, always one step ahead of the repo man. His music career failing, he lucks into managing a wrestler, Quick Rick Roberts (played by popular pro Rowdy Roddy Piper), and though creating a war with traditional managers quickly achieves success in this new field. Forced to book his rock group set in tandem with the wrestlers, he accidentally creates the rock 'n' wrestling craze.
Simple premise works because there is a load of humorous situations and slapstick, while the emphasis upon wrestling is not overpowering. As a result, pic's entertainment quotient is not limited to wrestling freaks. Conversely, the presence of an ecumenical grouping of wrestlers drawn from the various pro leagues is a treat for enthusiasts.
Besides Benedict, who exudes charm as the unscrupulous guy you can't resist, cast benefits from solid support turns by various comedians. In addition, Piper, who has retired from wrestling to pursue an acting career full time, is very sympathetic in a large role. Virtually parodying his larger-than-life manager persona, Captain Lou Albano is very funny as Piper's irate former mentor. Sam Fatu, who wrestles undr the name Tama, makes a good impression as Piper's tag team partner, while there are numerous other grapplers on display, including cameos by Ric Flair, Bruno Sammartino, the Samoans Afa & Sika, Freddie Blassie and Sheik Adnan Al Kaissy.
As Benedict's rock group, Kick shares the spotlight performing several okay musical numbers. David Wolff, who with Albano and his client Cyndi Lauper launched the rock 'n' wrestling connection three years ago, served as a consultant on the picture.
"Body Slam" marks a solid comeback for director Hal Needham, who gets the comedy timing down right and provides some effective stunts which keep the wrestling footage from merely regurgitating what is shown constantly on tv . Tech credits are pro.
Lots of cool wrestler cameos from the era but the lead is totally unlikeable and the plot a little preposterous. Still, it's fun for what it is and there's enough to hang your hat on to make it worth a watch. Plus you get to see Bruno Sammartino dance!
This is how a wrestling comedy should be. Body Slam was great and I am surprised that more fans didn't like it.
Firstly, whether you enjoy a wrestling comedy depends entirely on whether you like wrestling. If you don't then films like this may not be good for you.
This film doesn't take itself seriously and it features some top wrestling stars of the time such as Lou Albano and Roddy Piper. They are joined by Dirk Benedict who is quite good when it comes to playing comedy.
This film has everything for a wrestling fan-laughs and plenty of action in the ring.
Firstly, whether you enjoy a wrestling comedy depends entirely on whether you like wrestling. If you don't then films like this may not be good for you.
This film doesn't take itself seriously and it features some top wrestling stars of the time such as Lou Albano and Roddy Piper. They are joined by Dirk Benedict who is quite good when it comes to playing comedy.
This film has everything for a wrestling fan-laughs and plenty of action in the ring.
I have seen a majority of Roddy Piper's films and this one I saw long before cable brought tbs and nwa wrestling into my home. I only knew who he was because I had read about him in the wrestling magazines I bought as a kid. Wrestling is like a circus without the animals (at least the real kind lol). I thought the movie was well done for being a low budget film. I was entertained but I have been a Wrestling fan since the days of Bruno Sammartino. I enjoyed the nostalgia of the old school wrestlers and though I am not much of a Dirk Bennedict fan I do remember him from the A Team. The plot made sense and I felt though it was predictable it was still interesting enough to set through more than once. Roddy Piper plays a much more subdued version of his true ring persona and considering he has been wrestling since he was 15 I think he took the bumps well and delivered for his fans. If you hate this film remember a lot of folks grew up watching the pretend sport instead of the drawn out, treat it like a TV show wrestling we see on TV presently. I liked this film much better than the Verne Gagne movie The Wrestler, but it isn't in the same league as the Mickey Rourke film of present day. It examines the wrestlers going after the title much like All The Marbles and leaves you cheering and jeering through out the film.
Le saviez-vous
- AnecdotesDuring the filming of final match, the crowd began to heckle the wrestlers because they could clearly see that their blows were faked. At that time, wrestlers publicly maintained that everything that they did in the ring was real. But the wrestlers had to pull their punches for the sake of being able to shoot multiple takes. Suddenly, a fight broke out between Roddy Piper and one of the Cannibals leading to a bloody brawl involving all of the wrestlers. Director Hal Needham, a former stuntman, jumped in to stop them but was tossed out of the ring. The brawl was eventually broken up leaving the audience, cast, and crew stunned. Later that day, Piper revealed to Dirk Benedict that the wrestlers had improvised the fight in order to get the audience to believe that wrestling was real again.
- GaffesDespite being attacked, the band's music keeps playing as if was meant to be a "live" performance. Despite the instruments being tossed around, the music keeps playing.
- ConnexionsFeatured in Wrestling with Wregret: Body Slam (2014)
- Bandes originalesMy Body Keeps Changin' My Mind
Written by Leslie Pearl and Darryl E. Ross
Performed by Moses Tyson Jr.
Published by Michael O'Connor Music (BMI)
Produced by Darryl E. Ross for Rossway, Music Corp.
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- How long is Body Slam?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Удар туловищем
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 14 926 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 520 $US
- 23 nov. 1986
- Durée1 heure 32 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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