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People rush over themselves to praise Al Pacino and Robert De Niro so much that some other great actors who made an impact in the 1970s get overlooked. James Caan is one name that immediately springs to mind, and James Woods is another. Both have appeared in some sub-standard stuff over the years (as have Pacino and De Niro for that matter), but at their best they were/are as good as anybody working today. Twenty years ago Woods starred in one of my all time favourite movies David Cronenberg's stunning 'Videodrome'. He'd already been around for years getting solid character parts but I thought after 'Videodrome', and subsequently co-starring with De Niro in Sergio Leone's 'Once Upon A Time In America', he was going to be recognized as one of the greatest actors of his generation. Sadly for some reason this just didn't happen. Even so I highly recommend underrated 1980s Woods movies like 'Cop', 'The Boost' and this one, 'Best Seller', for some of his greatest performances. The movie itself occasionally gets a bit cheesy in an 80s kind of way, especially the synth score from Jay Ferguson, but overall it's a cut above a lot of similar movies from the period. Director John Flynn had previously made the seriously underrated revenge classic 'Rolling Thunder', and the movie was scripted by exploitation legend Larry Cohen ('Black Caesar', 'Q', 'Maniac Cop', 'The Stuff'). 'Best Seller' isn't quite as good as 'Rolling Thunder', but it's a must see because of Woods, who is just terrific. No-one can play intense like Woods with the possible exception of Christopher Walken. Brian Dennehy is also very good, and Paul Shenar (Sosa from 'Scarface') makes a great villain. Also keep an eye out for a blink and you'll miss it cameo by Seymour Cassel ('In The Soup') as a hired goon. I can't say that 'Best Seller' is one of the greatest thrillers I've ever seen, but it's definitely worth your time, and James Woods playing misunderstood psycho hitman Cleve is an experience not to be missed!

Brief Synopsis - A detective who wrote a best selling novel about a crime he helped foil is approached by a man who wants to be the focus of his next book since he claims to be a hitman who has killed hundreds for his boss.

My Take on it - This is yet another film that I recall really enjoying as a kid when I saw it numerous times on cable.

Unfortunately, it doesn't stand up so well nearly 30 years later.

The premise is actually a very good one, but the performances and script feel quite subdued.

I would have expected a story with this kind of premise to be more thrilling and exciting to watch, but instead it moves along at a pretty slow pace.

I have always been a fan of both Brian Dennehy and James Woods, but neither does enough here to grab our attention.

The premise of a writer living out the story of his next book isn't a new one and there are numerous films that have done this much better than they have managed to do here.

There are some scenes that feel quite 1980's which must have made it better back then,but couldn't carry over to now.

It was funny to see Alisson Balson who played Nancy Oleson from Little House on the Prairie featured here as Dennehey's daughter.

Writer Larry Cohen concocts this interesting, entertaining movie that mainly hinges on the often antagonistic relationship between two strong personalities. Brian Dennehy stars as Dennis Meechum, a cop who also writes books based on true crime stories, who is approached by Cleve (James Woods), a professional hit-man for an unscrupulous businessman, David Madlock (Paul Shenar). The hit-man feels inadequately compensated for his years of service, and is now an incredibly disgruntled ex-employee, enough to approach the cop / author to propose writing a book that reveals all the ugly details of the businessman's rise to the top. Capably directed by action specialist John Flynn ("Rolling Thunder", "Lock Up", "Out for Justice"), "Best Seller" tells a pretty good story in slick enough fashion, with some effective moments of very nasty violence. It also has very strong subtext about portraying a dark side to capitalism and corporations, as well as Cleve's own very dark version of The American Dream. It's well paced, with some potent scenes that establish what kind of man Cleve is. Yet, for a man who most of the time comes off as pure scum, he has definite intelligence and a real presence, and in the end does have a redemptive quality; it's the kind of role meant for an actor of Woods's abilities, and he plays it for all it's worth. But Dennehy is equally his match as the dedicated cop both disgusted with and intrigued by his new associate. Appealing Allison Balson plays Dennis's daughter, although supporting players Shenar and Victoria Tennant ultimately end up with not that much to do, and Shenar's character is not what you'd call subtle. Other fine players in the movie include George Coe, Anne Pitoniak, Mary Carver, Sully Boyar, Kathleen Lloyd, and Charles Tyner, with a too brief, uncredited appearance by Seymour Cassel as one of the bodyguards. Reasonably engrossing, with an ending that at least isn't 100% predictable, although some viewers may not find it terribly satisfying. But the interplay between two experienced and reliable movie stars makes it all worthwhile. Seven out of 10.

This is a thoroughly enjoyable B movie that came and went quickly from the big screen back in the late 80's. I happened to catch it then--and now own it in my movie collection.

Woods plays Cleve, a brilliant and perhaps psychotic former hit-man, who wants Dennis, a cop turned author (Brian Dennehy), to write his story. He also wants to expose his former employers. Cleve ensures Dennis that the book will be a "Best Seller" and begins taking Dennis on a lurid tour of his former hits.

Like most films, this doesn't transfer quite as well onto the small screen, but it is still well worth the viewing; (plus you get to hear James Woods warble a tune in French). Actually, Woods is way cool in this film, and delivers some of his most compelling work ever. Brian Dennehy pulls off the tough task of making the writer character equally interesting and compelling. An unlikely buddy film that has plenty of action, makes you care, and quite simply--works.

6. BEST-SELLER (action, 1987) In 1972, Policeman Meechum (Brian Dennehy) survives an armed robbery, which in turn inspires him to write a book about his ordeal. It becomes a best seller. Years later he meets Cliff (James Woods), a mysterious loner who saves his life. Cliff knows many personal things about Meechum's life and tells him that he can provide him with another assured best seller. In order for Meechum to believe him, Cliff takes him on a tour of his previous work as a hit-man. An uneasy alliance is formed, as Cliff's darkest secrets reveal his own.

Critique: There are many reasons to like Best-Seller. It has a good, entertaining premise (a rogue assassin on the loose), the moody cinematography (another Adam Greenberg job), and displays a strong performance from the always reliable Brain Dennehy. But best of all, it has what I consider to be James Woods' best role to date.

This capriciously underrated 1-time character-actor has given excellent performances in many films including: the sleazy TV-producer in David Cronenberg's interesting, albeit obscured masterpiece 'Videodrome' (1983), his red-neck southerner in 'The Onion Field' (1979-his breakthrough film), and in Oliver Stone's sadly neglected 'Salvador' (1986- for which he received an Academy Nominee).

In most of his films, Woods has specialized in playing low-life has-beens, who have few redeeming qualities. The only fault I saw in his earlier roles was immaturity, and the lack thereof of making his characters work. In Best-Seller, he plays it cool. The character of Cliff knows what he wants and how to get it, and proves himself worthy of Meechum's respect. What better actor to give us a tour through the life of a criminal, hit-man, sleaze-ball, all-nice guy?

QUOTES: Cliff: "Will power is what distinguishes the amateur from the professional. Do you have it Dennis? Will power?..Let's hope so."