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Baby Boom

  • 1987
  • Tous publics
  • 1h 50min
NOTE IMDb
6,3/10
20 k
MA NOTE
Diane Keaton in Baby Boom (1987)
Regarder Trailer
Lire trailer2:05
1 Video
55 photos
Workplace DramaComedyDramaRomance

La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.

  • Réalisation
    • Charles Shyer
  • Scénario
    • Nancy Meyers
    • Charles Shyer
  • Casting principal
    • Diane Keaton
    • Sam Shepard
    • Harold Ramis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    20 k
    MA NOTE
    • Réalisation
      • Charles Shyer
    • Scénario
      • Nancy Meyers
      • Charles Shyer
    • Casting principal
      • Diane Keaton
      • Sam Shepard
      • Harold Ramis
    • 93avis d'utilisateurs
    • 34avis des critiques
    • 53Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 nominations au total

    Vidéos1

    Trailer
    Trailer 2:05
    Trailer

    Photos54

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    Rôles principaux60

    Modifier
    Diane Keaton
    Diane Keaton
    • J.C. Wiatt
    Sam Shepard
    Sam Shepard
    • Dr. Jeff Cooper
    Harold Ramis
    Harold Ramis
    • Steven Buchner
    Kristina Kennedy
    • Elizabeth Wiatt
    Michelle Kennedy
    • Elizabeth Wiatt
    Sam Wanamaker
    Sam Wanamaker
    • Fritz Curtis
    James Spader
    James Spader
    • Ken Arrenberg
    Pat Hingle
    Pat Hingle
    • Hughes Larrabee
    Britt Leach
    Britt Leach
    • Verne Boone
    Linda Ellerbee
    Linda Ellerbee
    • Narrator
    Kim Sebastian
    • Robin
    Mary Gross
    Mary Gross
    • Charlotte
    Patricia Estrin
    Patricia Estrin
    • Secretary
    Elizabeth Bennett
    • Mrs. Atwood
    Peter Elbling
    Peter Elbling
    • Maitre D'
    Shera Danese
    Shera Danese
    • Cloak Room Attendant
    Beverly Todd
    Beverly Todd
    • Ann Bowen
    Angel David
    Angel David
    • Stockboy
    • Réalisation
      • Charles Shyer
    • Scénario
      • Nancy Meyers
      • Charles Shyer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs93

    6,320.1K
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    Avis à la une

    7Colbridge

    Perfect star vehicle for Diane Keaton

    It's easy to be cynical about Baby Boom for all it's cuteness, cliches and high concept comedy about a 'yuppie' businesswoman juggling her career with looking after a baby after unexpectedly inheriting one from a distant relative. The soundtrack, power dressing, high energy and 'greed is good' attitude is all very 1980's and it's the perfect star vehicle for Diane Keaton.

    She has of course demonstrated her sense of comic timing, on-screen presence and dramatic ability many times before whilst working with Woody Allen but it's nice to see Keaton come into her own here and carry the movie. With a good supporting cast and husband & wife team of Charles Shyer and Nancy Myers at the helm, who scored many hits with similar romantic comedies since, this is a sweet, lighthearted diversion in a similar vein to Three Men and a Baby released the same year.

    The film is almost in two halves, the first half is set in the high rolling corporate world of New York, where Keaton's character is at the top of her game and making waves as a woman set to become a partner of a large corporation, whose lifestyle and career aspirations are thrown into turmoil when the baby comes into her life. The second half is where she retreats to the country after effectively being fired from her job in the City and sets up a cottage industry selling baby food that is so successful it brings her back to the corporate world on her own terms.

    It is of course an unlikely scenario and more of an urban fairy tale but it is so likeable and good natured that you can overlook the cliches and spoonfuls of schmaltz it delivers and enjoy being swept along by Keaton's funny and charming performance.
    7claudio_carvalho

    The Inheritance

    In New York, the executive J.C. Wiatt (Diane Keaton) is a successful business woman that prioritizes her work in a publicity agency over her personal life. Her boss Fritz Curtis (Sam Wanamaker) calls her tiger lady and invites J.C. to be partner of the agency provided she brings the account of the company owned by Hughes Larrabee (Pat Hingle) to the agency. One night, J.C. is sleeping with her boyfriend Steven Buchner (Harold Ramis) and receives a phone call from England telling that she has an inheritance something from her cousin that died in an accident with his wife. J.C. believes it is money but receives their daughter, the baby girl Elizabeth, instead. Soon she feels connected to the baby, turning her life upside-down: Steven breaks with her; her assistant Ken Arrenberg (James Spader) steals Larrabee´s account in the agency; and J.C. loses her job. She decides to buy a huge real estate in Vermont to raise Elizabeth and finds many unexpected problems in the old house. But soon she sees an opportunity to develop new business while she meets the veterinarian Dr. Jeff Cooper (Sam Shepard) giving another sense to her life.

    "Baby Boom" is a funny comedy about a tough executive that changes her life after inheriting a baby girl. The plot has silly and exaggerated moments, but is hilarious most of the time. Diane Keaton has good performance and the baby Elizabeth is cute. My vote is seven.

    Title (Brazil):"Presente de Grego" ("A Curse in Disguise")
    Coxer99

    Baby Boom

    Sweeter than sugar Keaton is delightfully charming in this pleasant comedy about a high powered business executive who lives in her work, until she inherits a baby girl from distant relatives who have been killed. Lovely all the way through with a witty script from Nancy Meyers and Charles Shyer and good support from the always wonderful Shepard and from Sam Wannamaker.
    8inkblot11

    Babies are big business

    J.C. (Diane Keaton) is a business executive with a fast-paced existence, including power lunches, serious hair and more. Her life is turned upside down, however, when a close relative dies and leaves J.C. in charge of a toddler girl. Suddenly, big promotions or assignments are not coming J.C.'s way and she decides to move to Vermont and be a stay at home mother. There, she meets attractive Dr. Jeff (Sam Shepard). However, her old house needs many repairs and she must make some cash. Will she opt to return to her former life?

    This darling movie features Keaton at the top of her game. Her initial reactions to becoming a mother are hilarious. Shepard, also, does a fun turn as the one eligible bachelor anywhere in sight in the Vermont setting. Big corporations take a pretty severe beating as depicted in this film but it is all in fun. If you go to the library or video store and the hot new stuff is checked out, try to find this film instead. It is worthy of recognition among those who like romance movies and for those who think they don't.
    7statuskuo

    A Sweet Natured Topical Flick From The 80's Screwball vault

    I saw this movie years ago and enjoyed it for Diane Keaton's performance. Having revisited it in 2012, I realized that we have changed A LOT. The fast paced "Tiger Lady" that J.C. Wiatt portrays still exist, but imagine what her life would've been like if the internet was still possible. It's really hard not to root for her. J.C. is a windup toy that is wound too tight. A life on a ticking clock. So driven to succeed that she doesn't even realize when she obtains success. The fine line that Keaton skates is dated (unfortunately). A lot of this schtick wouldn't hold to today's audience, but in the context of the era, it's a great reminder of the yuppies that dominated the Reagan era.

    Cue in, cute baby. She does what the story needs her to do, which is to slow down Keaton's life. Force her to see what's important. And the message is WAY too predictable but...it's still a nice journey. Again, if you follow Keaton's work, this is a very nice film that allows her to juggle through her neurosis. And it has a LOT of fun moments. It made me miss the 80's.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Kristina and Michelle Kennedy were in college, they found out that Diane Keaton was doing a book signing in Southampton, New York. They showed up and when Keaton was doing signings, they placed the photo for Keaton to sign. Keaton remarked on the photo that she'd been thinking about the twins the other day. When she went to sign, she looked at the sisters, back to the photo and realized it was them. Keaton subsequently got up and hugged them both. The sisters later went onto become teachers.
    • Gaffes
      In the beginning of the film, the narrator states that J.C. has a corner office. When the office appears a few minutes later, it's in the middle, with a window.
    • Citations

      J.C. Wiatt: I can't have a baby because I have a 12:30 lunch meeting

    • Versions alternatives
      The joint MGM/UA Communications Co. and United Artists logo are both plastered with the 1990s United Artists logo in the 1996 VHS, and MGM logo in the Blu-ray version. The latter also featured the closing MGM logo.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Chuck Berry: Hail! Hail! Rock 'n' Roll/Like Father Like Son/Baby Boom/Big Shots/Matewan (1987)
    • Bandes originales
      Everchanging Times
      Written by Burt Bacharach, Carole Bayer Sager and Bill Conti

      Performed by Siedah Garrett

      Courtesy of Qwest Records

      Produced by Burt Bacharach, Carole Bayer Sager and David Foster

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    FAQ18

    • How long is Baby Boom?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 février 1988 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Baby Boom - Eine schöne Bescherung
    • Lieux de tournage
      • Weston, Vermont, États-Unis
    • Sociétés de production
      • United Artists
      • Meyers/Shyer
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 26 712 476 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 357 413 $US
      • 12 oct. 1987
    • Montant brut mondial
      • 26 712 476 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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