Baby Boom
- 1987
- Tous publics
- 1h 50min
NOTE IMDb
6,3/10
20 k
MA NOTE
La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Avis à la une
One of my favorite movies of all time. Cute, cozy movie. Even the husband enjoys watching it. Just the right mixture of cuteness & comedy. I personally think it was one of Diane Keaton's best roles. I wonder what happened to the twins who played Elizabeth though. I'm sure they're all grown up now. Interesting to see what they've turned out to be. However, there are no other credits listed for them. Although I've seen the movie plenty of times, I never knew there was a television show spun off of it. And Joy Behar played Helga??? I'll have to see if there are any copies of the show floating around out there. Great movie, definitely one to add to your collection.
Sweeter than sugar Keaton is delightfully charming in this pleasant comedy about a high powered business executive who lives in her work, until she inherits a baby girl from distant relatives who have been killed. Lovely all the way through with a witty script from Nancy Meyers and Charles Shyer and good support from the always wonderful Shepard and from Sam Wannamaker.
It's easy to be cynical about Baby Boom for all it's cuteness, cliches and high concept comedy about a 'yuppie' businesswoman juggling her career with looking after a baby after unexpectedly inheriting one from a distant relative. The soundtrack, power dressing, high energy and 'greed is good' attitude is all very 1980's and it's the perfect star vehicle for Diane Keaton.
She has of course demonstrated her sense of comic timing, on-screen presence and dramatic ability many times before whilst working with Woody Allen but it's nice to see Keaton come into her own here and carry the movie. With a good supporting cast and husband & wife team of Charles Shyer and Nancy Myers at the helm, who scored many hits with similar romantic comedies since, this is a sweet, lighthearted diversion in a similar vein to Three Men and a Baby released the same year.
The film is almost in two halves, the first half is set in the high rolling corporate world of New York, where Keaton's character is at the top of her game and making waves as a woman set to become a partner of a large corporation, whose lifestyle and career aspirations are thrown into turmoil when the baby comes into her life. The second half is where she retreats to the country after effectively being fired from her job in the City and sets up a cottage industry selling baby food that is so successful it brings her back to the corporate world on her own terms.
It is of course an unlikely scenario and more of an urban fairy tale but it is so likeable and good natured that you can overlook the cliches and spoonfuls of schmaltz it delivers and enjoy being swept along by Keaton's funny and charming performance.
She has of course demonstrated her sense of comic timing, on-screen presence and dramatic ability many times before whilst working with Woody Allen but it's nice to see Keaton come into her own here and carry the movie. With a good supporting cast and husband & wife team of Charles Shyer and Nancy Myers at the helm, who scored many hits with similar romantic comedies since, this is a sweet, lighthearted diversion in a similar vein to Three Men and a Baby released the same year.
The film is almost in two halves, the first half is set in the high rolling corporate world of New York, where Keaton's character is at the top of her game and making waves as a woman set to become a partner of a large corporation, whose lifestyle and career aspirations are thrown into turmoil when the baby comes into her life. The second half is where she retreats to the country after effectively being fired from her job in the City and sets up a cottage industry selling baby food that is so successful it brings her back to the corporate world on her own terms.
It is of course an unlikely scenario and more of an urban fairy tale but it is so likeable and good natured that you can overlook the cliches and spoonfuls of schmaltz it delivers and enjoy being swept along by Keaton's funny and charming performance.
Diane Keaton IS this movie. Without her, it wouldn't have worked so well. Funny and touching, with a bit of sophisication.
I saw this movie years ago and enjoyed it for Diane Keaton's performance. Having revisited it in 2012, I realized that we have changed A LOT. The fast paced "Tiger Lady" that J.C. Wiatt portrays still exist, but imagine what her life would've been like if the internet was still possible. It's really hard not to root for her. J.C. is a windup toy that is wound too tight. A life on a ticking clock. So driven to succeed that she doesn't even realize when she obtains success. The fine line that Keaton skates is dated (unfortunately). A lot of this schtick wouldn't hold to today's audience, but in the context of the era, it's a great reminder of the yuppies that dominated the Reagan era.
Cue in, cute baby. She does what the story needs her to do, which is to slow down Keaton's life. Force her to see what's important. And the message is WAY too predictable but...it's still a nice journey. Again, if you follow Keaton's work, this is a very nice film that allows her to juggle through her neurosis. And it has a LOT of fun moments. It made me miss the 80's.
Cue in, cute baby. She does what the story needs her to do, which is to slow down Keaton's life. Force her to see what's important. And the message is WAY too predictable but...it's still a nice journey. Again, if you follow Keaton's work, this is a very nice film that allows her to juggle through her neurosis. And it has a LOT of fun moments. It made me miss the 80's.
Le saviez-vous
- AnecdotesWhen Kristina and Michelle Kennedy were in college, they found out that Diane Keaton was doing a book signing in Southampton, New York. They showed up and when Keaton was doing signings, they placed the photo for Keaton to sign. Keaton remarked on the photo that she'd been thinking about the twins the other day. When she went to sign, she looked at the sisters, back to the photo and realized it was them. Keaton subsequently got up and hugged them both. The sisters later went onto become teachers.
- GaffesIn the beginning of the film, the narrator states that J.C. has a corner office. When the office appears a few minutes later, it's in the middle, with a window.
- Citations
J.C. Wiatt: I can't have a baby because I have a 12:30 lunch meeting
- Versions alternativesThe joint MGM/UA Communications Co. and United Artists logo are both plastered with the 1990s United Artists logo in the 1996 VHS, and MGM logo in the Blu-ray version. The latter also featured the closing MGM logo.
- Bandes originalesEverchanging Times
Written by Burt Bacharach, Carole Bayer Sager and Bill Conti
Performed by Siedah Garrett
Courtesy of Qwest Records
Produced by Burt Bacharach, Carole Bayer Sager and David Foster
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- How long is Baby Boom?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 26 712 476 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 357 413 $US
- 12 oct. 1987
- Montant brut mondial
- 26 712 476 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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