L'inspecteur Morse a l'oreille musicale, un goût pour la bière et du flair pour le crime. Il part avec le sergent Lewis pour résoudre chaque affaire intrigante.L'inspecteur Morse a l'oreille musicale, un goût pour la bière et du flair pour le crime. Il part avec le sergent Lewis pour résoudre chaque affaire intrigante.L'inspecteur Morse a l'oreille musicale, un goût pour la bière et du flair pour le crime. Il part avec le sergent Lewis pour résoudre chaque affaire intrigante.
- Victoire aux 6 BAFTA Awards
- 9 victoires et 12 nominations au total
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Well, where can one begin. Inspector Morse is remarkable in every way. The characterisation of Morse and Lewis is wonderful. By the end of the series we know so much about Morse. It kind of brings a bonding between the character of Morse and the viewer. The show gives an English cultural feel to the programs which is also reflected by the character of Morse.
I also like the way in which Morse CAN get it wrong. It makes him human. This element is wonderfully executed as it deceives the viewer into following the track of Morse and then slaps you back in the face much to the viewers shock. This adds a fabulous twist and an element of surprise which is hard to find in many detective programs.
There are not many detective programs that carry symbols to represent themselves either. The Jaguar, the pub, the opera, classical music and crosswords. All these objects made the program. I mean, if I saw a red Jaguar parked in town, the first thing that would come to my head would be Morse.
I also believe that John Thaw and Kevin Whatley should be given so much credit for the way in which they have brought these characters to life. They came across so convincingly and played so well off of each other. A truly wonderful experience.
I would also like to take this opportunity to say that John Thaw was a fine and wonderful actor who will be missed greatly.
I also like the way in which Morse CAN get it wrong. It makes him human. This element is wonderfully executed as it deceives the viewer into following the track of Morse and then slaps you back in the face much to the viewers shock. This adds a fabulous twist and an element of surprise which is hard to find in many detective programs.
There are not many detective programs that carry symbols to represent themselves either. The Jaguar, the pub, the opera, classical music and crosswords. All these objects made the program. I mean, if I saw a red Jaguar parked in town, the first thing that would come to my head would be Morse.
I also believe that John Thaw and Kevin Whatley should be given so much credit for the way in which they have brought these characters to life. They came across so convincingly and played so well off of each other. A truly wonderful experience.
I would also like to take this opportunity to say that John Thaw was a fine and wonderful actor who will be missed greatly.
This is one of the truly great British mystery series. Colin Dexter's novels for me are a bit like Shakespeare's plays - better to see them played out in a dramatic fashion than try to wade through all the details on the pages. Dexter obviously likes words, so naturally his famous detective will be a lover of crosswords and puzzles. A cultured, educated man who none the less loves fast cars (his trademark red Jaguar is as well-known an icon as Magnum's red Ferrari), whisky, women (although he doesn't seem very lucky with them), and of course, a good pint of REAL beer.
While a bit too old to do something along the lines of Regan in "The Sweeney", Thaw still brought enormous energy and presence to the Morse role.
His "sidekick", Sgt Lewis, is the perfect counterpart to Morse's sometimes-overly-intellectual approach to policing. In the books, Lewis comes off as rather thick, and at times a bit servile, and Morse seems to treat him accordingly; Kevin Whatley transformed Lewis into more of a sort of "everyman's genius", someone with whom Morse could actually collaborate. "Promised Land", in which the pair travel to Australia, is one of the better ones for seeing how the two relate to each other. The series sometimes amused the real-life police of the Thames Valley, for it raised Oxford's murder rate to ridiculously high levels. Some of the earlier shows moved at the pace of the books... a little sluggish, which when combined with odd camera angles - e.g. through distorting glass objects - sometimes made the viewer feel drowsy. Always a mistake to nod off, though. Morse is usually so overconfident in his suspicions that the real killer goes uncaught, and where Morse goes, murder almost certainly follows.
My favorite episode? "Masonic Mysteries", a real spine-tingler where a man Morse put away years ago comes back to haunt him, and lands the detective in jail for murder. Ian McDiarmid (Star Wars' Emperor) is simply... spooky.
A fantastic series. If you have doubts, watch that episode.
While a bit too old to do something along the lines of Regan in "The Sweeney", Thaw still brought enormous energy and presence to the Morse role.
His "sidekick", Sgt Lewis, is the perfect counterpart to Morse's sometimes-overly-intellectual approach to policing. In the books, Lewis comes off as rather thick, and at times a bit servile, and Morse seems to treat him accordingly; Kevin Whatley transformed Lewis into more of a sort of "everyman's genius", someone with whom Morse could actually collaborate. "Promised Land", in which the pair travel to Australia, is one of the better ones for seeing how the two relate to each other. The series sometimes amused the real-life police of the Thames Valley, for it raised Oxford's murder rate to ridiculously high levels. Some of the earlier shows moved at the pace of the books... a little sluggish, which when combined with odd camera angles - e.g. through distorting glass objects - sometimes made the viewer feel drowsy. Always a mistake to nod off, though. Morse is usually so overconfident in his suspicions that the real killer goes uncaught, and where Morse goes, murder almost certainly follows.
My favorite episode? "Masonic Mysteries", a real spine-tingler where a man Morse put away years ago comes back to haunt him, and lands the detective in jail for murder. Ian McDiarmid (Star Wars' Emperor) is simply... spooky.
A fantastic series. If you have doubts, watch that episode.
One of the things that has sustained my wife and I through half a century is our mutual love of mysteries. Our appetite for that fare has never been sated, but perhaps it came closest during a trip to England when fortunate circumstance led to our spending an afternoon at lunching and then strolling through Oxford in the company of Colin Dexter. The gracious nature and prickly wit of Morse seems a reflection of the author, whose tastes in the arts are expressed irreverently and inevitably through Morse. The intellect of the author is spelled out in the character, and though the books aren't autobiographical in plot,they seem to be in terms of the characterization of the central figure. Mr. Dexter uses his scholarship and his intellect in life in much the way Morse does--his wry comments on Oxford and its denizens during our visit seemed akin to Morse's views of them. John Thaw, Colin Dexter and Inspector Morse are to me the holy trinity of the mystery genre. Audiences have rarely been so fortunate in the bringing together of an author, a central character and a portrayer each of whom so brilliantly fulfilled his destiny in the same series of performances.
It is not without reason that Morse is held up as one of the finest television series ever made. It is therefore no wonder that after the tragic death of John Thaw efforts were made to keep the spirit of the show alive through Lewis and then Endeavour. Every single part of this show was perfection itself, the writing, production, music, and of course the impeccable performances of John Thaw and Kevin Whateley.
That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.
There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.
Will we ever have such glorious viewing again?
Virtually perfect. 10/10
That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.
There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.
Will we ever have such glorious viewing again?
Virtually perfect. 10/10
John Thaw will never have a better part than that of the crusty copper , Morse. Fans of the crime genre will love this as it usually is a great whodunnit every time with no car chases or fights and as such is always refreshingly different from the usual cop show. Just add in that Morse is a total loser with the ladies, likes a drink, enjoys listening to recordings of tragic operas. Great way to solve murders, sitting in the pub downing a beer in the middle of the day. It beats chasing armed assailants up back alleys or staking out clubs hiding in garbage cans any day.The only criticism of the show is that Oxford is portrayed as the murder capital of Europe when in real life it is probably one of the least criminal places in the world with parking offences probably being its most common crime.
Le saviez-vous
- Crédits fousThe opening notes of the theme music are based on the word "Morse" in Morse code, altered for musical purposes. The same notes are also included at the end and in places within the theme music. In the 1995 documentary "The Mystery of Morse: The Making of Morse", the composer stated that the theme sometimes spells the name of the murderer, a cryptic version of the name, or, as a red herring, an innocent character. However, there is nothing documented on the Internet for any specific name or episode. Morse code experts say that, aside from the code for "Morse", any other Morse code-like notes in the theme are complete gibberish, probably because the code was modified greatly for musical purposes.
- ConnexionsEdited into Inspector Morse: Rest in Peace (2000)
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