After Henry

This is a great series. There's also a radio series with the same cast - except the bookshop owner.

A funny and gentle series with the fantastic Prunella Scales (who I first thought overacted dreadfully, but she soon calmed down). There is no bad language, no annoying background music (which is usually blasting out over the dialogue nowadays). All in all great fun and great fashion of the 1980s. It also has a serious gay character which is highly unusual for the time - not a stereotypical gay character either. The series is currently being replayed on TV and what a welcome change. UK 'comedies' today start with foul language from the off nowadays.

The Bottom Line - 2.5 out of 5

"After Henry" is a mid-grade Britcom. Britcom fans such as myself will enjoy seeing Prunella Scales (Mrs Fawlty from "Fawlty Towers"), as she is a fine actress and does admirably here. However, the show isn't memorably funny, the premise of multi-generational households is a well-tilled one and there's little new here, and the remaining cast is mediocre. The general impression left on the viewer after several episodes is that it's a rather run-of-the-mill program.

As an American who loves Britcoms, I try to watch and rent all that I can find on telly and in vid shops. I don't have the luxury of comparing "After Henry" to the regular programming that British viewers see each night. My comments on the show are in relation to the shows I have seen. The best shows would include "One Foot in the Grave", "Blackadder", "Fawlty Towers" and "Red Dwarf". "After Henry" is clearly not in that lofty class, but is passable. You could certainly find yourself watching worse... and better.

After Henry is a show I loved as a youngster, and have enjoyed rewatching over the years. As a sitcom it isn't one you could say is loaded with belly laughs, it contains no slapstick, but what it does have is a very strong sense of realism. The humour is very dry, very witty, a brand of humour that seems to have vanished off our screens. For me the enjoyment of the show comes from the often moving moments when Henry is remembered.

Prunella Scales and Joan Sanderson are both superb, both have great timing, superb actresses, they make the show. Janine Wood is good also, but the character of Clare is just a little less interesting then her more mature family members. The best laughs come from Eleanor, and her caustic comments, her delivery was always perfect.

Series one is very good, but in this case I feel that it gets into its stride in the second and third series. The forth is a little pale in comparison. Sad that Joan Sanderson died before it's transmission in 1992.

At times it feels a bit middle class only, but the eighties were a different time altogether. The awful fashion and hideous decor prove that. A lot of quality comedy also came from that era.

After Henry goes to show that when a radio show is made into TV, it can work. 8/10

After Henry is a very well-written, amusing and also touching comedy, about a widowed grandmother, widowed mother and daughter living in three flats in a single house. They navigate various friendships and relationships throughout the four series.

Joan Sanderson is an absolute treat in whatever she's in: she alone would be enough to make this worth watching. But add in the always delightful Prunella Scales, and you have a real winner. Janine Wood also plays the rather prickly daughter very competently.

The best bits by far are those with Joan Sanderson, but the whole series is enjoyable. It is rather a product of its time: there are a lot of contemporary references to Australian soaps such as Neighbours (which was a craze among UK viewers at the time).

Sadly the final series (4) doesn't reach any real conclusion, but the show was cancelled due to the death of Joan Sanderson.

I discovered this show by chance on a trip to Ireland and was exhilarated by its comic freshness and unexpected poignancy. The three lead actresses and one lead actor had terrific chemistry, and the writing could make you belly laugh and sob almost simultaneously. It is a mystery to me that "After Henry" has not made its way to these shores, where I'm confident it would join the top ranks of most beloved Britcoms. Are the programmers at PBS all dead in their offices at this point? They would do well to retire their endless reruns of jukebox "specials" and seek out savvy, unfamiliar programs like "After Henry." (If I hear "Amazing Grace" warbled just one more time, there will be havoc in Mudville.)