The Vindicator: Frankenstein 2000

Maybe I was expecting a little too much from it, but 'The Vindicator' was a so-so Canadian low-budget get-up of a half-human / robot on the rampage for revenge against those who did him wrong. While being tacky, junky and trashy all rolled into one, it just didn't rally up the thrills like it could have done. The story is pure comic-book stuff with some outrageous inclusions and can be loosely tied to the 'Frankenstein' story. But the main cause of interest, and it's been thrown around was how it could be seen as a minor blueprint for Paul Verhoeven's superior 'Robocop (1987)'.

Comparisons aside (which on the other hand James Cameron's 'Terminator (1984)' could've been an influencer to it), it's standard b-grade ho-huh that I didn't find it all that exciting or gripping in it's bland story-telling (which had too many daft moments in a wonky script) and uniformed visuals. Director Jean-Claude Lord's (who was also behind the 1982 slasher 'Visiting Hours') handling is crudely makeshift and the pacing can get blotchy, but the grimy atmosphere and cold-blooded violence (at least the deaths are creative) seems to fit. However the premise had something original to work with, but the way Lord went about it wasn't. At times it seemed to get too mushy with some unwanted details, where I wished it kept to a more straight-forward, but harrowing revenge exploitation path.

Iconic cult actress Pam Grier appears as a hired gun to destroy the cyborg, but even her firebrand presence isn't all that flammable. David McIlwraith cruises through his part as the scientist turned machine. Richard Cox is perfectly snake-like in his performance, but the pick of the bunch is Teri Austin's gallant turn. The always dependable Stan Winston vividly crafts out the space-suit wearing cyborg and make-up FX with great care, and is one of the film's major highlights. Paul Zaza's music score starts off effective, to only go on to be mainly forgettable.

The movie starts with a monkey in a cage, who's been hooked up to some sort of robotic transmitter that people can command the monkey to perform certain acts. Then one of the scientists says, "Now take a look at what happens when we touch him with a robot." To which a small remote controlled robot enters the cage and touches the monkey, followed by inappropriate reaction from the monkey. Whenever a film starts with testing a monkey and we hear, "Ok Now take a look at what happens with when touch him with a robot." I'm going to be in for the long run.

Vindicator might not feel like an original story, crossing Robocop with the Hulk (film doesn't even try to hide that it has borrowed a concept from the hulk by making), with a scientist who's been rebuilt into a powerful after a freak accident, which was purposely cause by his coworkers to push forward an experiment.

Yes, this is low budget, and yes this is silly, and yes, this is very eighties, however the film runs smoothly, never feeling dull. It's villains are despicable and you'll root for the hero to give them their dues. Some of the directors choices are also good, for instance a church sequence that has a great shot of our hero jumping from a balcony into shattering wood floors.

This is a true 80's low budget gem. Hard to find but worth the hunt.

The high-tech ARC Corporation that is directed by the unscrupulous Alex Whyte (Richard Cox) is researching a software that provokes violent reaction from someone that is attacked against the attacker. The efficient scientist Carl Lehman (David McIlwraith) has an argument with Whyte since his funds have been cut. On the next morning, Carl has a serious accident while his partner and friend Burt Arthurs (Maury Chaykin) is bringing coffee for them. Carl's pregnant wife Lauren Lehman (Teri Austin) is informed that her husband has died; however, the accident was provoked by Whyte. Carl becomes the guinea pig for the ARC Frankenstein Project and is turned into a cyborg. While testing the remote control unit, the scientist Gail Vernon (Lynda Mason Green) is attacked by Carl that escapes from ARC in a garbage truck. Then he eliminates a motorcycle gang that has attacked him. Carl realizes that he cannot be touched and he contacts Lauren from outside home to arrange a meeting with Burt. Meanwhile Whyte contracts the killer Hunter (Pam Grier) to get rid off Carl.

"The Vindicator" is a low-budget movie with a poor storyline and lame production. The characters and situations are not well-developed and the rushed beginning does not exactly explain the importance of the rage project or why it was necessary to eliminate Carl. The storyline has similarities with "Robocop" that was released more than one year later. Was "Robocop" a rip-off "The Vindicator"? My vote is six.

Title (Brazil): "Roboman"

You probably have never heard of this movie but it's a real find. It's a mixture of science-fiction/action and revenge themes. It has a comic book plot but it's presented in a fast paced, razzle-dazzle way. The cast is in pretty good form too. Chaykin really steals the show in an interesting plot twist. It doesn't have much to do with the original Frankenstein legend so The Vindicator is a better title than Frankenstein 88. It was shot in Montreal but you'd never know it. Unlike many Canadian films made at the time, it does not have an ultra-slow, cheap look about it. In fact, the special effects and sets are highly impressive. It only had a minimal release and then turned up on Pay-TV and video. If you like sci-fi even a tiny bit, check this out and tell a friend. You won't be disappointed!

My review was written in May 1986 after a Cannes Film Festival Market screening.

"The Vindicator" is an extremely strange horror/sci-fi film with too many plot twists for its own good. Filmed in 1984, feature has sat on the shelf for over a year at 20th Century Fox and is, unfortunately, not crazy enough to give Fox a follow-up to its midnight hit "The Rocky Horror Picture Show".

As its alternate title "Frankenstein '88" implies, pic is yet another update of the Mary Shelley classic. For the space program, scientist Alex Whyte (Richard Cox) is working on creating a nearly indestructible cyborg using a human brain, metal body and special computer hookup with programming from his Primates Lab's "rage reinforcement" experiments on chimpanzees. This hookup causes the cyborg to react violently and lethally to any threatening stimulus, unless ordered off by a remote control device.

Whyte's colleague Carl Lehman (David McIlwraith) is angry at Whyte for diverting research funds to his own experiments, and Whyte has a henchman kill Lehman in a lab explosion. Using Lehman's corpse, Whyte creates the first of his Frankenstein monsters, but the creature escapes before the remote control unit is attached to it, making it a deadly monster that will attack anything that approaches it.

Although a ruthless killer, the creature still has Lehman's memories, making it a self-divided, rather pathetic being. Lehman's pregnant wife Lauren (Terri Austin) tries to help it while Whyte hires a talented and ruthless female bounty hunter (guest star Pam Grier) to track it down and destroy it.

This familiar story provides the springboard for a dizzying array of mostly unconvincing plot twists, particularly in the final two reels when one is never certain who is going to pop up and get the drop on whom next. Because the artificial (post-synchronized) dialog is so cliched and silly, the net effect of rather well-staged action sequences is a horror parody.

Earnest cast, especially the pretty but unpersuasive leading lady Terri Austin, is laughable, with even Pam Grier making very little of a patented macha role. Tech credits are okay though the lab facility looks more like a shopping mall than a high-security installation. The Frankenstein monster designed by Stan Winston Studio has a new look, in its tattered state (and backlit) closer to The Mummy than the original Karloff makeup job.