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Libérés après 30 ans de prison, deux braqueurs de train s'adaptent à la vie à l'extérieur. Mais quand ils réalisent que le monde réel n'est pas ce qu'ils imaginaient, ils préparent le plus g... Tout lireLibérés après 30 ans de prison, deux braqueurs de train s'adaptent à la vie à l'extérieur. Mais quand ils réalisent que le monde réel n'est pas ce qu'ils imaginaient, ils préparent le plus gros braquage de leur vie.Libérés après 30 ans de prison, deux braqueurs de train s'adaptent à la vie à l'extérieur. Mais quand ils réalisent que le monde réel n'est pas ce qu'ils imaginaient, ils préparent le plus gros braquage de leur vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Legends Douglas and Lancaster play two aging ex-train robbers who set out to prove they're not over the hill for one more heist. A fun film. It's nice to see two legends go head to head and have a few laughs...
The 1980s was a period of transition as many great film legends died. Cary Grant, Bette Davis, Lawrence Olivier, Fred Astaire, Jimmy Cagney were just a few of those who left the scene. But there were attempts (before the end) to bring some of the great figures together. Bette Davis and Jimmy Steward made there only film together. Henry Fonda and Katherine Hepburn did ON GOLDEN POND. Cagney appeared with pal Pat O'Brien, as well as Donald O'Connor, in RAGTIME. Davis appeared with Lillian Gish, Anne Southern, and Vincent Price in THE WHALES OF AUGUST. And Burt Lancaster and Kirk Douglas appeared in this film.
In the Oscar ceremonies of 1985, Lancaster and Douglas had come in together to deliver an award, and everyone noted how healthy both men still were. It was over two decades since they appeared in a film as co-stars (SEVEN DAYS IN MAY), and some of the news items in the wake of their appearance suggested it was too bad there was no property that they could develop together. Shortly afterward this comedy was produced.
It had a great build-up, and I was fortunate to see it in a movie house. But it did not have a massive audience box-office, and was gone within six weeks. It was too bad, because it was a funny film, and would turn out to be the best comedy buddy film of the films that they did together.
Harry and Archie (Lancaster and Douglas) pulled off one of the smoothest and most impressive railway train robberies in American history back in 1947. They almost got away with it, except for the persistence of a police officer (played by Charles Durning) who broke the case and managed to bring them to jail. They have served nearly forty years in jail, and when released they are in for time shocks. After all, they were used to the world of 1946/47. While both are physically fit, both can't get out of their mental views from their youth.
On top of that, they have to deal with Durning, whose police career - after it's brilliant start - petered out leaving him embittered, and desperate to prove himself to the young pups who count the days until his enforced retirement. They have to deal with parole officer Dana Carvey, who has all the typical problems of a nice, naive parole officer. They have to deal with hostility around them from all peoples - mostly the young, but the middle aged are not much better. They resemble Reggie Kray, one time kingpin of London's largest criminal empire, who in his later years when interviewed pointed out to reporters that (while he did not dismiss his own use of violence against opponents in other gangs) he did dislike the lack of respect he observed towards older citizens. He and his brother Ronnie never stood for that kind of thing. Neither do Harry and Archie here. When threatened as easy, elderly targets by a gang of punks, they beat up the punks quite effectively.
To add to their woes is the most ridiculous, but scrupulous, hit-man in modern cinema: Leon B. Little (Eli Wallach - who almost walks off with the picture). Hired on a contract against the boys back in their heyday, their being in prison prevented the ever ready Little from completing their executions. Even the death of the idiot who hired him means nothing - he was paid already, and he has a code of honor with his clients.
That in the end, the battle of youth and old age unites Lancaster, Douglas, Wallach, and even Durning should not surprise anyone. All four manage to demonstrate that it is street smarts and brains, not youthful idealism (paging Carvey) that will win out in the end. The film has some nice moments, such as Douglas almost going in for dirty dancing with a young chippy, and Lancaster protesting the slop he has to eat in an old age home, and memorably showing his teeth to advantage for a purpose (for a change). It was a good conclusion to the long road of movies these two cinema giants made together - and a funny one too.
In the Oscar ceremonies of 1985, Lancaster and Douglas had come in together to deliver an award, and everyone noted how healthy both men still were. It was over two decades since they appeared in a film as co-stars (SEVEN DAYS IN MAY), and some of the news items in the wake of their appearance suggested it was too bad there was no property that they could develop together. Shortly afterward this comedy was produced.
It had a great build-up, and I was fortunate to see it in a movie house. But it did not have a massive audience box-office, and was gone within six weeks. It was too bad, because it was a funny film, and would turn out to be the best comedy buddy film of the films that they did together.
Harry and Archie (Lancaster and Douglas) pulled off one of the smoothest and most impressive railway train robberies in American history back in 1947. They almost got away with it, except for the persistence of a police officer (played by Charles Durning) who broke the case and managed to bring them to jail. They have served nearly forty years in jail, and when released they are in for time shocks. After all, they were used to the world of 1946/47. While both are physically fit, both can't get out of their mental views from their youth.
On top of that, they have to deal with Durning, whose police career - after it's brilliant start - petered out leaving him embittered, and desperate to prove himself to the young pups who count the days until his enforced retirement. They have to deal with parole officer Dana Carvey, who has all the typical problems of a nice, naive parole officer. They have to deal with hostility around them from all peoples - mostly the young, but the middle aged are not much better. They resemble Reggie Kray, one time kingpin of London's largest criminal empire, who in his later years when interviewed pointed out to reporters that (while he did not dismiss his own use of violence against opponents in other gangs) he did dislike the lack of respect he observed towards older citizens. He and his brother Ronnie never stood for that kind of thing. Neither do Harry and Archie here. When threatened as easy, elderly targets by a gang of punks, they beat up the punks quite effectively.
To add to their woes is the most ridiculous, but scrupulous, hit-man in modern cinema: Leon B. Little (Eli Wallach - who almost walks off with the picture). Hired on a contract against the boys back in their heyday, their being in prison prevented the ever ready Little from completing their executions. Even the death of the idiot who hired him means nothing - he was paid already, and he has a code of honor with his clients.
That in the end, the battle of youth and old age unites Lancaster, Douglas, Wallach, and even Durning should not surprise anyone. All four manage to demonstrate that it is street smarts and brains, not youthful idealism (paging Carvey) that will win out in the end. The film has some nice moments, such as Douglas almost going in for dirty dancing with a young chippy, and Lancaster protesting the slop he has to eat in an old age home, and memorably showing his teeth to advantage for a purpose (for a change). It was a good conclusion to the long road of movies these two cinema giants made together - and a funny one too.
Of course Kirk Douglas did quite a few more films after this but he didn't do em with this kind of fun in mind.
Two former train robbers get parole after 30 years. Now they have to decide what to do when they get out. They're 65 and 72 years old and don't have a lot of skills. On top of that they don't fit in the 80's way of life. Their parole officer tells them they cant see each other for 3 years as per condition of their parole. They both have a heckuva time adjusting to this new existence and finally decide to go back to their old way of life.
This is one of those 80's gems that I never forgot. Two great actors in their last good film doing what they do best... Acting tough and being guys....Tough Guys. Burt Lancaster is the straight man and Kirk Douglas has all the good lines. Keep a watch out for Eli Wallach...he steals almost the entire film with the small role he has. Yes you will see a very young Dana Carvey pre SNL.
Grab this 80's flick and have a laugh cause I'll bet it won't be too hard to do.
Two former train robbers get parole after 30 years. Now they have to decide what to do when they get out. They're 65 and 72 years old and don't have a lot of skills. On top of that they don't fit in the 80's way of life. Their parole officer tells them they cant see each other for 3 years as per condition of their parole. They both have a heckuva time adjusting to this new existence and finally decide to go back to their old way of life.
This is one of those 80's gems that I never forgot. Two great actors in their last good film doing what they do best... Acting tough and being guys....Tough Guys. Burt Lancaster is the straight man and Kirk Douglas has all the good lines. Keep a watch out for Eli Wallach...he steals almost the entire film with the small role he has. Yes you will see a very young Dana Carvey pre SNL.
Grab this 80's flick and have a laugh cause I'll bet it won't be too hard to do.
I wasn't disappointed when in 1986, Burt Lancaster announced on BBC's Wogan show that his new movie was going to star himself and his long time friend and frequent co-star Kirk Douglas. Since their first pairing in the brilliant noir thriller 'I Walk Alone' (1947), Lancaster and Douglas had made several appearances together. Who can forget Lancaster's tough talking Wyatt Earp and Douglas's equally tough yet terminally ill Doc Holliday in 'Gunfight at the OK Corral'?
So now it was the mid 80's, the age of the pepsi generation, I wondered how these two consistent stars would adapt to staring together again for the first time since the 60's. The answer is brilliant.
Harry Doyle (Lancaster), and Archie Long (Douglas) are released from prison after a 30 years sentence after being caught dead bang robbing a train. Eager to make a clean sweep, the two senior citizens, are looking forward to starting their new legitimate lives. However, all is not as they had hoped on the outside, and Harry and Archie have problems coming to terms with the way the world has changed. Director Kanew gives us a new genre here. Instead of the 'fish out of water' scenario, we have the 'two fishes that have been put back in the water after a severely long time' genre. However, Kanew also gives the audience the inevitable Clichés that go with it, and is always ready to fall back on a youth versus experience incident just about everytime the movie gets enjoyable. After being humiliated, patronised, and generally treated like dirt for the better part of a week, The two ageing gangsters decide that a life of crime has to be better then honest work, and predictably they revert to their previous careers as train robbers.
The film is enjoyable there's no escaping it, but there are more holes in the plot than there are in a grannies cardigan, and is also SOoooo predictable in fact the films outcome is more predictable than the outcome of a fight betwix elephant and duck. First of all to get 30 years simply for robbing a train, seems a bit excessive for the viewer to even find it believable. Co-incidentally the day the get out of prison is 1 week before the train they were caught robbing is making it's farewell run.
This aside the film IS enjoyable, and Lancaster and Douglas play their parts wonderfully and you enjoy the film more for their presence. Other cast members also rate highly, Eli Wallach is by far the funniest character, and his wonderful performance in some ways steals the film from it's intended stars. and the devine Alexis Smith makes a small cameo as Lancaster's ex lover. Charles Durning is unfortunately once again typecast as the over-weight lazy flatfoot (ala Dog Day Afternoon/The Sting) and although his performances are always good, you get tired pretty quickly of his tough talking patronising character. and finally there is (Pre Wayne's World) Dana Carvey as the Youthful Idealistic Parole Officer, but it's a shame that Carvey is restricted to playing pretty much a straight character, especially considering he is probably one of the funniest men working in Hollywood today.
Tough Guys should have been better, but I feel Kanew spent most of the budget on getting the perfect Sterling cast, rather than to hire a good script writer. Worth watching for the final appearance on-screen of this top notch duo. Since Lancaster's Death in 1994, I've warmed to this movie more knowing it could never happen again. It's just a shame it wasn't better as it could have been much better.
So now it was the mid 80's, the age of the pepsi generation, I wondered how these two consistent stars would adapt to staring together again for the first time since the 60's. The answer is brilliant.
Harry Doyle (Lancaster), and Archie Long (Douglas) are released from prison after a 30 years sentence after being caught dead bang robbing a train. Eager to make a clean sweep, the two senior citizens, are looking forward to starting their new legitimate lives. However, all is not as they had hoped on the outside, and Harry and Archie have problems coming to terms with the way the world has changed. Director Kanew gives us a new genre here. Instead of the 'fish out of water' scenario, we have the 'two fishes that have been put back in the water after a severely long time' genre. However, Kanew also gives the audience the inevitable Clichés that go with it, and is always ready to fall back on a youth versus experience incident just about everytime the movie gets enjoyable. After being humiliated, patronised, and generally treated like dirt for the better part of a week, The two ageing gangsters decide that a life of crime has to be better then honest work, and predictably they revert to their previous careers as train robbers.
The film is enjoyable there's no escaping it, but there are more holes in the plot than there are in a grannies cardigan, and is also SOoooo predictable in fact the films outcome is more predictable than the outcome of a fight betwix elephant and duck. First of all to get 30 years simply for robbing a train, seems a bit excessive for the viewer to even find it believable. Co-incidentally the day the get out of prison is 1 week before the train they were caught robbing is making it's farewell run.
This aside the film IS enjoyable, and Lancaster and Douglas play their parts wonderfully and you enjoy the film more for their presence. Other cast members also rate highly, Eli Wallach is by far the funniest character, and his wonderful performance in some ways steals the film from it's intended stars. and the devine Alexis Smith makes a small cameo as Lancaster's ex lover. Charles Durning is unfortunately once again typecast as the over-weight lazy flatfoot (ala Dog Day Afternoon/The Sting) and although his performances are always good, you get tired pretty quickly of his tough talking patronising character. and finally there is (Pre Wayne's World) Dana Carvey as the Youthful Idealistic Parole Officer, but it's a shame that Carvey is restricted to playing pretty much a straight character, especially considering he is probably one of the funniest men working in Hollywood today.
Tough Guys should have been better, but I feel Kanew spent most of the budget on getting the perfect Sterling cast, rather than to hire a good script writer. Worth watching for the final appearance on-screen of this top notch duo. Since Lancaster's Death in 1994, I've warmed to this movie more knowing it could never happen again. It's just a shame it wasn't better as it could have been much better.
Kirk Douglas. Burt Lancaster. 'Nuff said! As two train robbers, released from prison after a 30 year stretch, this dynamic duo try to adjust to life in the '80's and all the changes that have taken place. Douglas looks great for a man in his 60's and eventually attracts the eye of a young aerobics instructor. Their scenes together are both funny and sincere, as the differences between them eventually dictate the direction of their relationship. Kirk is also forced to work in menial jobs that involve him dealing with rude customers and a boss who doesn't like ex-cons. These scenes provide the film's best humor. Lancaster's role however is far less interested, as he is relegated to an old-folks home, wherein he becomes somewhat of a revolutionary. Realizing that they just don't fit in with society anymore, the two return to train robbing and the film moves downhill from this point. Eli Wallach contributes some funny scenes as a near-sighted hit-man who has waited 30 years to fulfill a contract to kill the duo. Despite the thin script, this is a very enjoyable film that may best be viewed with a senior citizen family member who can both identify with the characters and who remembers Lancaster and Douglas when they were A-List actors. I recommend it.
Le saviez-vous
- AnecdotesFilming was very difficult for the 71-year-old Burt Lancaster, as he had undergone a quadruple heart bypass operation two years earlier. There was some question as to whether he would even get insurance for this film.
- GaffesThe exterior shots of Mickey's show the doors opening outward while the interior shots show them opening inward. The hinges are standard 'saloon bar' hinges seen in every cowboy movie that features a saloon, and work both ways.
- Citations
Belle: I warn you, I know karate!
Leon B. Little: [points his shotgun at her] I warn "you", I know Winchester!
- Bandes originalesThey Don't Make Them Like They Used To
Music by Burt Bacharach
Lyrics by Carole Bayer Sager
Performed by Kenny Rogers
Courtesy of RCA Records
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- How long is Tough Guys?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dos tipos duros
- Lieux de tournage
- Belmont Tunnel - 1304 West 2nd Street, Los Angeles, Californie, États-Unis(Leon B. Little exits tunnel then speaks to gang members.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 458 229 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 565 342 $US
- 5 oct. 1986
- Montant brut mondial
- 21 458 229 $US
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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