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TerrorVision

  • 1986
  • R
  • 1h 25min
NOTE IMDb
5,5/10
8,2 k
MA NOTE
TerrorVision (1986)
A family's new satellite TV system starts receiving signals from another planet, and soon it becomes the passageway to an alien world.
Lire trailer1:41
2 Videos
99+ photos
BurlesqueComédie noireHorreur corporelleSatireComédieHorreurScience-fiction

Ajouter une intrigue dans votre langue"TerrorVision" is a 1986 horror / science fiction movie; telling the tale of when a family's new satellite television system starts receiving signals from another planet, and soon it becomes... Tout lire"TerrorVision" is a 1986 horror / science fiction movie; telling the tale of when a family's new satellite television system starts receiving signals from another planet, and soon it becomes the passageway to an alien world."TerrorVision" is a 1986 horror / science fiction movie; telling the tale of when a family's new satellite television system starts receiving signals from another planet, and soon it becomes the passageway to an alien world.

  • Réalisation
    • Ted Nicolaou
  • Scénario
    • Ted Nicolaou
  • Casting principal
    • Diane Franklin
    • Mary Woronov
    • Gerrit Graham
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    8,2 k
    MA NOTE
    • Réalisation
      • Ted Nicolaou
    • Scénario
      • Ted Nicolaou
    • Casting principal
      • Diane Franklin
      • Mary Woronov
      • Gerrit Graham
    • 82avis d'utilisateurs
    • 64avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos2

    Trailer
    Trailer 1:41
    Trailer
    TerrorVision
    Clip 2:02
    TerrorVision
    TerrorVision
    Clip 2:02
    TerrorVision

    Photos182

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    + 177
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    Rôles principaux13

    Modifier
    Diane Franklin
    Diane Franklin
    • Suzy
    Mary Woronov
    Mary Woronov
    • Raquel
    Gerrit Graham
    Gerrit Graham
    • Stan
    Chad Allen
    Chad Allen
    • Sherman
    Jon Gries
    Jon Gries
    • O.D.
    • (as Jonathan Gries)
    Bert Remsen
    Bert Remsen
    • Grampa
    Alejandro Rey
    Alejandro Rey
    • Spiro
    Randi Brooks
    Randi Brooks
    • Cherry
    Jennifer Richards
    Jennifer Richards
    • Medusa
    Sonny Carl Davis
    Sonny Carl Davis
    • Norton
    Ian Patrick Williams
    Ian Patrick Williams
    • Nutky
    William Paulson
    • Pluthar
    John Leamer
    • Chauffeur
    • Réalisation
      • Ted Nicolaou
    • Scénario
      • Ted Nicolaou
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs82

    5,58.2K
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    Avis à la une

    basil1984

    Wacky from minute one

    We're introduced to a family brimming with all the worst trappings of the 1980's; the clichés have been elevated to the absurd and it's to the director, Ted Nicolaou's, credit that, in 1986, he was able to poke so much fun at the decade without the benefit of hindsight. The result is an off-the-wall comedy that feels like a 1950's monster movie, staring 'Leave it to Beaver', as filtered through 'Adult Swim'.

    The daughter, Suzy, played by Diane Frankin ('Better Off Dead' / 'Bill & Ted's Excellent Adventure'), has the hair and make-up of an animated Cindy Lauper and an over-the-top valley-girl gab. A very young Chad Allen (you'll recognize him from nearly every family TV show of the late 80's and early 90's), is the war-game-obsessed son. The mother, played by the always fantastic Mary Woronov (Roger Corman's poster girl and star of 'Eating Raoul'), is a distant, self-involved socialite more interested in her exercise videos than her kids. Gerrit Graham ('Phantom of the Paradise' / 'Demon Seed'), hams it up as the swinging (literally) father always on the lookout for the next big thing. Rounding out the family is Grampa, the paranoid vet with a bomb shelter in the basement (Bert Remsen – 'Nashville' / 'Places in the Heart') and Suzy's boyfriend, 'O.D.', the tweaked metal-head dropout played buy 1980's staple, Jon Gries ('Real Genius' / 'Running Scared'). Together, this group inhabits a home that looks like a cross between a sex spa and a Patrick Nagel exhibition on ecstasy.

    Wacky from minute one (the theme song being one of the film's high points), the family has just hooked up their new satellite dish while, simultaneously, far across the cosmos, a creature that can only be described as a booger with eyes, is being transported in exile by a humanoid-lizard alien that we don't learn much more about until the film's climax. The monster is mistakenly transmitted to the family's satellite dish and has the ability to escape at will from their TV sets. Nonsense ensues as the monster is able, by transforming its tongue, to impersonate the face and voice of anyone it kills.

    The film never really crosses into any straight genre and manages to hover, quite proudly, over 'wonderfully weird'. If all of Hollywood had ostracized, instead of embraced, Tim Burton, this is the kind of live-action cartoon he'd be making.
    one4now4

    Good ole fun

    This is a movie I've kind of been wanting to see. I am ready to add this to my list of personal favorites after watching it for the first time, so I know they did some stuff right. While it's still fresh in my mind, there are some things I definitely want to say. First off, I am extremely surprised that this doesn't seem to have a cult following to it. "TerrorVision" is a great film that should have definitely achieved cult status. From the start (after some credits set to music by Siouxsie and the Banshees imitators!), this has a definite John Waters look and feel. When the fast-paced story moves into grotesque monster territory, it gets even better. And, regardless of how goofy it is, I dig the commentaries the filmmakers are sprinkling all throughout this movie, the main one of all being the most obvious: television giving birth to monsters. This is definitely one of those wild movies that gets weirder and more bizarre as it moves along. As for people quoting favorite lines from Bert Remsen's "Gramps" character, I love it when he refers to MTV as a secret conspiracy to rot the brain. "TerrorVision" wasn't as gory as I've heard, relying more on gooey FX than gory ones, but there are no complaints here. I love this, it was a real upper of a flagrant horror satire. I am so glad I saw this, and I would give it no less than a definite 9 on a scale of one to ten. In fact, I'm tempted to give it a full 10.
    6darkharvey123

    Lyrical Silly Charm

    Sherman Putterman is your standard alien monster film kid who has seen a monster but can't get anyone else to believe him. His grandpa (Bert Remsen in the film's best performance) is a survivalist promoting his lizard tail jerky product (the perfect food because lizards' tails grow back and you can eat it again) and hiding out in his well-stocked fallout shelter.

    If it were possible for a complete parody to be called original, "Terrorvision" (1986) would be the first to qualify. This is another cheap Albert and Charles Band (Empire Studios) production, but is not as mindless as something like "Redneck Zombies" and even has a bit of lyrical (yet very silly) charm. Everyone involved is obviously having a good time and the creature is much like something Richard Carlson would have encountered in a 1950's sci-fi film, but with much more slime. Not until "The Lost Skeleton of Cadavra" would there be a more self-aware genre parody. Although rated "R" because of some off-color humor, it would not be worth denying middle schoolers the pleasure of viewing this film because the overall style and effect is best appreciated by that age group.

    Sherman's swinging parents are Gerrit Graham (who played superstitious car salesman Jeff in "Used Cars") and Mary Woronov ("Eating Raoul").

    1980's teen queen Diane Franklin plays Sherman's sister Suzy and Jon Gries (of "Pretender" fame) is her boyfriend "O.D." who is really into heavy metal music. Franklin is almost unrecognizable in her mid-1980's "Girls Just Want to Have Fun" look.

    Although the parody is primarily directed at the excessive cuteness of "ET", "Terrorvision" also goes after Elvira and Vampira with a similar late night horror show hostess called Medusa who wears a wig of snakes, has two enormous talents, and manages a host(ess) of semi-explicit puns.

    The real star is an alien house pet whose mutation into a hungry beast forced its owners to send its atoms out into space. The film begins on a distant planet where this mutated pet is being processed at the mutated creature facility. A stray planet causes the creatures atoms to deflect through space until it finally is sucked down to earth by Sherman's father's new satellite dish.

    By the middle of the film the monster has chewed and sucked its way through most of the family and their friends when Sherman, Suzy, and OD have an "ET" moment with it. The monster can mimic anyone it has eaten so the other cast members have a couple of post- demise scenes.
    6Groverdox

    Enjoyable, odd "Poltergeist" rip off

    "TerrorVision" is an odd sci-fi/horror/comedy that seems to wear its "Poltergeist" influence on its sleeve. Either that or the filmmakers didn't care enough to hide the debt they owe to that movie.

    The plot is about an otherworldly monster that comes - where else? - through the TV. Its arrival is even noticed by a cute little blond kid, a boy this time (Heather O'Rourke, R. I. P.).

    The movie also doubles as a kind-of satire about middle class attitudes of the time as "Poltergeist" did, though that is barely noticeable. I liked the patriarch complaining about the punk/metal slacker his daughter brings home to meet the family, saying he looks ridiculous while putting metal chains around his neck to draw attention to his ample chest hair (they're preparing for a "'swingers' party", you see).

    I admit I will watch anything with Diane Franklin in it. She's barely recognizable this time around, so heavily punked up you wonder why her parents are so shocked at the sight of her boyfriend - his own parents would probably be more shocked to see her.

    I mentioned the movie was "odd" at the beginning of this review. I said that for a couple of reasons: one, despite the movie apparently being set in boring, staid 1980s suburbia, the house the characters live in looks like something out of "A Clockwork Orange". There are all kinds of weird art deco touches to the furnishing, like doors that belong on a submarine airlock. There's even semi-pornographic art work on the walls.

    The other weird thing about this movie is that all the blood in it is green. Not just the monster blood (paging R. L. Stine) - I mean the human blood. I couldn't work out why humans in this movie have green blood. Was that simply to avoid a harder rating? Overall, it's an enjoyable movie for horror/b-movie fans which unsurprisingly died on a theatrical release. It's not "a truly wretched movie" (Janet Maslin) - if you're a fan of these types of movies, you know there are much worse out there. It's well enough made, well enough acted, funny at times, and has some cool gore effects.
    FlyBoyDC

    Do not change that channel! Check out this hysterically bizarre film instead...

    TERRORVISION is a very peculiar horror-comedy that has the word "camp" labeled all over it. This fairy tale tells about a sloppy alien puppet monster who, presumably by accident, enters Planet Earth via a TV satellite dish. This enormous monster appears on the TV screen at first, then, talk about visual effects, it eventually materializes, appearing live, in the flesh! Talk about audience participation!!

    Gerrit Graham (PHANTOM OF THE PARADISE, THE ANNIHILATORS) and Mary Wodornov (EATING RAOUL) portray the Puttermans, a happily married suburban couple. They do not realize the "realism" of the monster they see on TV, HA! This so-called "couple" leads a VERY dysfunctional family with a military obsessed son and his survivalist grandfather. There is also a crazed daughter who loves heavy metal rock music, and her mentally inept boyfriend, who looks like Kid Rock minus the attitude and pizzazz. There is also a horror movie hostess, Medusa (Jennifer Richards) who fits into this scheme for absolutely no plausible reason. Meanwhile, the monster devours each of the family members one by one...later reproducing their heads when necessary in order to cover up its actions.

    Planet Earth is in grave danger, once again and its only chance into stopping this hungry creature is an intergalactic police alien. He explains to everyone that this creature was originally suppose to be disposed of...but instead, it lands on Planet Earth. This interstellar alien cop is the only one who can blast the gross alien creature into oblivion but...well, I'm sure that you are interested in finding out the rest, so go see this movie!

    TERRORVISION is a funny, hilarious horror cult film that has plenty of humor to liven this movie up. There are silly one-liners, hokey special effects, and a variety of "eccentric" characters to give this film strength. It is a stupid film at times, and the cast definitely overacts, but if you are looking for a nice, relaxing horror film that offers a very different style from the rest of the horror movies in this genre, then TERRORVISION is recommended for you!

    This film was again produced by the one and only Empire Pictures, and you know what that means: cheesy special effects and acting galore! The monster especially is the most ludicrous...hairball-type creature that I have ever seen on screen. The rest of the special FX in this movie are standard fare though, with a elegant touch of cheekiness...

    If you are in the mood for a humorously bad movie, then this picture is the perfect candidate for you! In addition to being a delightfully stomach churning horror experience, TERRORVISION is a satire on the media-obsessed suburban middle class family. Hey, these guys make "The Simpsons" look and act like those mature, civilized, and pleasantly lovable neighbors living next door. If you thought that your own family may be "dysfunctional," hey (trust me), the family portrayed in this movie will add new meaning to that word!

    For a fine sense of humor that will appeal to cult film fans, TERRORVISION is destined to become that next "special" classic. Beware, if you are not prepared to laugh and be disgusted at the same time, then perhaps you should skip this film...

    RATING: ** out of ****.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Ted Nicolaou and production designer Giovanni Natalucci scouted swingers' pads in Los Angeles in order to get ideas for the Putterman household.
    • Gaffes
      When Pluthar is talking to Suzy and Sherman, his skin is glossy and reflective of light. Upon learning that the "beast has ingested earthlings," cutting back from Suzy and Sherman, his skin appears dull and muted.
    • Citations

      [Grampa sits down to watch Medusa on TV]

      Grampa Putterman: I've said it before and I'll say it again, war stories and monster movies are educational. They're survival-oriented. They always neutralize the enemy in the end.

    • Connexions
      Featured in Le Jeu du Tueur (1989)
    • Bandes originales
      TerrorVision
      Written and Performed by The Fibonaccis

      Produced by Ron Goudie

      © 1986 Smell Brain / Amgine

      Administered by Bug Music

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    FAQ18

    • How long is TerrorVision?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 février 1986 (États-Unis)
    • Pays d’origine
      • États-Unis
      • Italie
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Truyền hình kinh hoàng
    • Lieux de tournage
      • Rome, Lazio, Italie(studio interiors)
    • Sociétés de production
      • Empire Pictures
      • Altar Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 320 256 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 320 256 $US
      • 17 févr. 1986
    • Montant brut mondial
      • 320 256 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 25min(85 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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