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Tampopo

Titre original : Tanpopo
  • 1985
  • Tous publics
  • 1h 54min
NOTE IMDb
7,9/10
25 k
MA NOTE
Tampopo (1985)
Trailer for Tampopo
Lire trailer1:55
5 Videos
83 photos
ComédieComédie noireParodieSatire

Un chauffeur de camion s'arrête à une petite épicerie familiale et décide d'en soutenir l'activité naissante. L'histoire est entrelacée de diverses scènes sur la relation entre amour et nour... Tout lireUn chauffeur de camion s'arrête à une petite épicerie familiale et décide d'en soutenir l'activité naissante. L'histoire est entrelacée de diverses scènes sur la relation entre amour et nourriture.Un chauffeur de camion s'arrête à une petite épicerie familiale et décide d'en soutenir l'activité naissante. L'histoire est entrelacée de diverses scènes sur la relation entre amour et nourriture.

  • Réalisation
    • Jûzô Itami
  • Scénario
    • Jûzô Itami
  • Casting principal
    • Ken Watanabe
    • Tsutomu Yamazaki
    • Nobuko Miyamoto
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    25 k
    MA NOTE
    • Réalisation
      • Jûzô Itami
    • Scénario
      • Jûzô Itami
    • Casting principal
      • Ken Watanabe
      • Tsutomu Yamazaki
      • Nobuko Miyamoto
    • 128avis d'utilisateurs
    • 75avis des critiques
    • 87Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 4 nominations au total

    Vidéos5

    Tampopo
    Trailer 1:55
    Tampopo
    Guillermo del Toro and Neil Gaiman Find Hope in Powerful, Eclectic Films
    Clip 8:43
    Guillermo del Toro and Neil Gaiman Find Hope in Powerful, Eclectic Films
    Guillermo del Toro and Neil Gaiman Find Hope in Powerful, Eclectic Films
    Clip 8:43
    Guillermo del Toro and Neil Gaiman Find Hope in Powerful, Eclectic Films
    Tampopo
    Clip 1:26
    Tampopo
    Tampopo
    Clip 1:25
    Tampopo
    Tampopo
    Featurette 2:03
    Tampopo

    Photos83

    Voir l'affiche
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    + 77
    Voir l'affiche

    Rôles principaux38

    Modifier
    Ken Watanabe
    Ken Watanabe
    • Gun
    Tsutomu Yamazaki
    Tsutomu Yamazaki
    • Gorô
    Nobuko Miyamoto
    Nobuko Miyamoto
    • Tampopo
    Kôji Yakusho
    Kôji Yakusho
    • Gangster in the White Suit
    Rikiya Yasuoka
    Rikiya Yasuoka
    • Pisuken
    Kinzô Sakura
    • Shôhei
    Yoshi Katô
    Yoshi Katô
    • Master of ramen making
    Hideji Ôtaki
    • Rich Old Man
    Fukumi Kuroda
    • Gangster's Mistress
    Setsuko Shinoi
    • Rich old man's mistress
    Yoriko Dôguchi
    Yoriko Dôguchi
    • Girl Oyster-fisher
    Masahiko Tsugawa
    Masahiko Tsugawa
    • Supermarket manager
    Chôei Takahashi
    • Company executives
    Akio Tanaka
    • Company executives
    Yoshihei Saga
    • Company executives
    Toshimune Kato
    • Office junior
    Isao Hashizume
    Isao Hashizume
    • Waiter
    Mario Abe
    • Ramen stand owner
    • Réalisation
      • Jûzô Itami
    • Scénario
      • Jûzô Itami
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs128

    7,925K
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    Avis à la une

    10Mr Parker

    Made me want to get a bowl of noodles immediately.

    I watched this movie for the first time last night and I have to say, it was awesome. This is one of those rare movies that are made with so much emotion, you can't help but be affected by what's going on before your eyes. I found the movie to be funny, touching, shocking, sensual, weird, thoughtful, cute, etc. The love of food is apparent throughout the entire movie. It kind of reminded me of Like Water for Chocolate, the way food was revered in the story. The movie is done in an interesting way. Mainly, it's about a woman named Tampopo who is left in charge of her husband's noodle shop after he dies. Having problems with maintaining a general quality to the place, especially with the cooking, she receives assistance from a rugged cowboy-type. Along with several other characters, they help to turn the place into something special. Occasionally, the story veers away from this plot to follow other characters in food-related scenes. For instance, there's a vignette about a group of girls being taught how to eat noodle soup properly by an etiquette teacher at a restaurant. They notice another patron in the restaurant, sucking at his noodles loudly but clearly enjoying them. The girls then do the same thing, prompting the teacher to follow suit, all of them sucking away at their noodles with the most exaggerated sound effects I have ever heard. This results in a scene so hilarious that I had to stop it and rewind it after it was done. Soon after, the story goes back to Tampopo and the other characters in her universe. There's other characters that are returned to periodically, like this white-suited gangster and his moll. Their scenes are erotically charged and quite striking. It was funny but at the same time it just grabbed me attention wise. There's a moment where they pass a raw egg yolk back and forth through each others mouths without rupturing it. It's done slowly and erotically, the two lovers obviously enjoying this really weird thing we're seeing. I have to say I've never really seen anything like that in a movie. All in all, I was pretty much entranced from the moment the movie began. I really didn't think I was going to enjoy it this much! It's really funny and it shows a side to Japanese cuisine and how serious it is taken there that I had never known before viewing this. I recommend this movie from top to bottom and I think it has deservedly earned a spot in my all-time faves list! If you are interested in Japanese culture and you appreciate food in the least, you owe it to yourself to track a copy of this down and watch it, especially if you like a good bowl of ramen!

    RATING: ***** out of *****.
    redwoods

    What a masterpiece this movie is!!

    I can't count the number of times I've watched this wonder, discovered one night when I rented it from the local video store in 1993. I believe that like a great recipe, you need to practice it at least a dozen times to start to get a grip on it. Every time I watch it I take more pleasure as I get older (and hopefully wiser). This film is without a doubt one of the most sensual, generous masterly realized movie of all times. It is to be hold close to Fritz Lang and Kubrik masterpieces, but obviously in a completely different register. It would take me all night to decipher the various reasons why this pure marvel is so good. But this is not required. It is simply a tale about life and death, and the ongoing process of sex and food in between the two. Epicurism was never thought to be a Japanese value, until we Westerners with all our believes and convictions, realized that Japanese culture encompasses much more that our restrained field of philosophy. This ode to life touches all aspects of our arrogant human society in so many FUNNY and touching ways that I could hardly compare it to anything else watched anywhere else. In a way it is an encyclopedia of human traits. Maybe "La Grande Bouffe" would be the closest contender on SOME aspects only. But Tampopo goes much further in my opinion. And above all the marvelous acting makes it SO FUNNY!! Every time I watch it I laugh more... To have managed to put all these traits of human behavior in only one such great movie is truly an ASTONISHING work in terms of scripting, directing and editing. But even the way it is filmed is perfection itself. Above all keep in mind this NOT a serious boring movie at all but a funny piece of cake to watch... A bit crazy too!! Be aware you'll never look at your bowl of noodles the same way after watching this movie!! "Bon appetite!!"
    8Xstal

    Avoid if Hungry: Acquire Ingredients Beforehand...

    Not a film to watch if you're hungry but one to satisfy any cinephiles appetite. Intricately woven and nested tales of food and love and Japan make it a joy to consume during these 'Boil in the Bag' days. No need for appetisers, aperitifs or digestives - everything perfectly prepared, blended and presented to complement, savour, absorb and relish. The healthiest meal your eyes will devour with the utmost passion and joy.
    10niisja

    Something for Everyone

    This movie is not, I repeat, is not intended for the typical movie goer. It is not to be forgotten a day after having been seen. It should be watched repeatedly, gone over with a solid spoon for thorough digesting. Not everyone who sees it will love it at first. But anyone who gives it a willing and open mind will find a deep respect within drawing them further into the movie. Should the simple viewer happen upon this movie, it is necessary to understand that it is not an American movie and only slightly emulates one, therefore it must be expected that certain aspects of the film will escape one at first. There will be certain chapters of the film which appeal more than others, but it is crucial to make an effort to be considerate of the fact that Juzo Itami was not necessarily making Tampopo up to be an international success. What is truly mindblowing is that this movie is nearly twenty years old! I am completely in awe each time I see this movie, and it never fails to make me stop and watch as Goro is instructing Tampopo on why the customer must, MUST, be observed upon entering the shop while Gun complains that the pork slices are too thin. Slap, slap, don't you want to see how the customer reacts? Isn't it strange? How do we relate in this tale? Pick it up, become an addict, never see another movie the same way ever again.
    10intelearts

    A classic of world cinema

    This remains one of the better comedies of all time due to star performances, a superb script, and many, many surprises. Above all, the pacing is some of the best seen in any comedy.

    Tampopo has all the qualities of good story telling: a hero, a disciple, a quest.

    And when your hero is a trucker, the disciple a woman in need of help, and the quest to cook the best noodles then you know you're in for fun.

    In between all this are vignettes on how food and life mingle. It is more than simple laughs there are moments of poignancy, and genuine flights of imagination.

    Many directors could do well to watch the ease with which the camera is handled here: the plot flows beautifully and the switches to the small vignettes are handled with suitable aplomb.

    All in all a three course meal.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The old name of Tampopo's restaurant, when she first meets Gorô and Gan, is Rai Rai Ken. Years later, when the first authentic râmen-ya opened in New York City, it took its name from this scene.
    • Gaffes
      When the Gangster in the White Suit examines the oyster the girl has given him, it's obvious that the two shell halves are open almost an inch. This means the oyster has died and the shell is empty. Yet when the girl opens the shell, there's a plump oyster inside.
    • Citations

      Student of ramen eating: [voiceover] One fine day, an old man and I went out for a bite. He's studied noodles for 40 years and said he'd initiate me into the art.

      Student of ramen eating: Sensei, broth or noodles first?

      Old gentleman: First comtemplate the ramen. Carefully observe the entire bowl while savoring the aroma. The jewels of fat twinkling on the surface, the men shoots glistening with fat, the nori darkening with moisture, the scallions floating on top. Above all, the stars of the show: three slices of roast pork, modestly half submerged. Now, then, with the tips of your chopsticks, smooth out the surface and caress the ramen.

      Student of ramen eating: What for?

      Old gentleman: To express affection. Then point your chopsticks at the roast pork.

      Student of ramen eating: Go straight for the pork?

      Old gentleman: No, at this stage merely tap it. Nudge it lovingly with the tips. Slowly pick it up and nestle it in the broth to the right. This next step is very important. I want you quietly to apologize to the pork. "Until we meet again."

    • Crédits fous
      The entire closing credit sequence is a shot a woman breastfeeding her child; the camera slowly zooms in on the baby's mouth sucking his mother's breast.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Big Easy/The Fourth Protocol/No Way Out/Tampopo (1987)
    • Bandes originales
      Les Préludes, S. 97
      Written by Franz Liszt

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    FAQ

    • How long is Tampopo?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 novembre 1987 (France)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Tampopo: A Ramen Western
    • Sociétés de production
      • Itami Productions
      • New Century Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 224 097 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 16 410 $US
      • 23 oct. 2016
    • Montant brut mondial
      • 448 175 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 54 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby

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