Stagecoach

Some movies just shouldn't be remade. Gone With the Wind, Casablanca . . . and Stagecoach. For some reason, though, Hollywood can't keep its hands off it. It was remade (badly) in 1966, and this one is even worse. It looks like a bunch of wannabe cowboys with some money decided they could make a western better than John Ford could (Willie Nelson was the executive producer of this), and they couldn't possibly have been more wrong. Everything, absolutely EVERYTHING, about this movie is pathetic. Ted Post is normally a first-rate director, especially of westerns (he did most of the "Rawhide" series with Clint Eastwood), but he either had a really bad day, or (what seems to be more likely) everyone in the cast simply ignored what he told them; there doesn't appear to be any discipline at all in this film. Everybody keeps trying to out-ham everyone else, or they're either so laid-back they're practically comatose. The photography isn't particularly good, the editing is horrendous, the scenery around Old Tucson (where this was shot) is completely wasted . . . and on and on. A really sad waste of time and money. Skip it.

The original 'Stagecoach' from 1939 is to me a timeless classic and one of the finest westerns ever made. The 1966 film was a fair one, very much inferior and uneven and one questions the point of it but at the same time it had several big pluses to make it watchable.

Admittedly, when hearing of this 1986 film expectations were very low. As talented as these country and western stars are, the whole concept just screamed of one big gimmick that could easily have gone disastrously wrong. That it had a limited budget too further added to the intrepidation, which had potential to severely diminish the western atmosphere, which ideally should have excitement and tension which was likely not to happen with low-budget.

Seeing it, and judging it on its own merits, 'Stagecoach' (1986) turned out to be not as bad as expected with some serviceable things. As feared though, it is even more uneven than the 1966 version, has more (and bigger) flaws, it is a little gimmicky somewhat and even on its own merits many people (myself included) are likely to question the point of it or find any reason for it to be made in the first place.

Certainly, there are some good things. Things do pick up in the second half, where the pace is given a sharper kick and more happens while the build up to the climax and the climax itself are exciting and suspenseful. The soundtrack is infectious and a lot of fun, while the costumes suit the western genre well. Some of the performances are good. Anthony Newley clearly is enjoying himself in his brief appearance, while Tony Franciosa does his nervous act well, John Schneider is handsome and charismatic enough, Mary Crosby allures and Kris Kristofferson while not as charismatic as John Wayne has far more presence and likability (also appropriately stoic) than the wooden and vacuous Alex Cord.

However, Johnny Cash is somewhat stiff while both Willie Nelson and Waylon Jennings look uncomfortable, Jennings actually looks as though he didn't want to be there and Nelson clearly had no idea how to portray the character. Elizabeth Ashley looks pained throughout too, exposing a limited acting ability, lack of experience and lack of connection with her character (which is admittedly not an interesting one in the first place).

Furthering hindering the film are in particular a long-winded and drawn-out script that veers on the preachy at times. The direction is pedestrian, aimless even in the first half and failing to inject any urgency until late into the film. The story lacks the fun and tension of especially the 1939 film, and lacks the necessary grit too making everything feel bland. It also really struggles to come to life in the first half, although improving in the climax and its build up. The limitations in budget hurt 'Stagecoach' (1986) also, with a choppy and drab look that was crying out for more majestic sweep and the production design looking like it was constructed in haste. This is sad because the scenery is actually quite nice.

On the whole, definitely could have been much worse but just didn't see the point. Interesting to see so many country and western stars together, who are very talented at what they do in their own way, but some fare significantly better than others while others flounder. 4/10 Bethany Cox

The iconic characters of Ernest Haycox's Stage To Lordsburg is given yet another remake with four country/western legends in the cast. Kris Kristofferson is the Ringo Kid, with Johnny Cash as the US Marshal, Willie Nelson is Doc Holiday, and Waylon Jennings as the gambler Hatfield. It's not the desert poetical version that John Ford made, but this can hold its own.

As you can see the doctor on the trip is the famous true life Doc Holiday instead of the inebriated former Union Army surgeon that Thomas Mitchell won an Oscar playing in the first version. There are other plot changes as well.

However without the showdown of Ringo Kid with Luke Plummer and the Apache attack on the moving coach this would not be Stagecoach and rest assured it is most definitely included. They are staged well if different from the 1939 and 1966 versions.

Others in the cast are John Schneider as the driver and he's not the comic figure that Andy Devine was. Anthony Newley is the whiskey salesman and Anthony Franciosa is the banker Gatewood who makes a very sudden decision to travel just as in the original.

The women are Elizabeth Ashley as Dallas the saloon girl and Mary Crosby plays the pregnant army captain's wife Mrs. Mallory. Her father Bing Crosby was Doc Boone in the 1966 remake.

The quartet of legends makes this one really work.

While watching this film, I was really wanting to enjoy the experience. All my favorite country singers were assembled into a cast that would make any fan of music quiver with anticipation. But soon into the film it was obvious that the quiver turned into shivers as most of the acting was low-quality.

The idea for the story was actually a nice idea. But what was missing was someone that could write a teleplay that would bring the idea to life and make the story interesting. In this movie, nothing seemed to gel. The writing was weak and the words delivered by people that really were not actors.

Johnny Cash, who is one of my all time favorite singers, was stiff as a board and seemed to be reading the lines with little, if any, emotion. Willie Nelson was nearly shameful playing Doc Holliday and having him deliver a baby was absolutely embarrassing and painful to watch. Throw in Waylon Jennings that seemed mortified to be on camera and you have a cast that brings nothing to the table. With the weak script and the poor acting- this movie never had a chance.

I will credit Kris Kristofferson, John Schneider and Elizabeth Ashley with their acting ability as they are the bright spots in this dismal cast. Even Anthony Newley and Mary Crosby did a nice job with their character but it was not enough to help the unfortunate situation.

It was a movie I so wanted to enjoy but felt uncomfortable the entire time. Not sure anything could have helped this troubled project.

This film begins with several passengers boarding a stagecoach in Tonto, Arizona which is heading east to Lordsburg, New Mexico. As they begin their journey they are told that Geronimo and his Apaches are on the warpath and that the stagecoach is possibly headed right into that general vicinity. Although this news causes some concern to the passengers they all agree to proceed as they each have important matters to attend to at their final destination. However, to make matters even more complicated, one of the female passengers by the name of "Mrs. Lucy Mallory" (Mary Crosby) is pregnant and due to have the baby at any time. Now rather than reveal any more I will just say that this remake of the 1939 classic is notable for having several Country-Western singers to include , Waylon Jennings (as the gambler named "Hatfield"), Willie Nelson ("Doc Holliday"), Johnny Cash ("Marshal Curly Wilcox"), Kris Kristofferson ("the Ringo Kid"), June Carter ("Mrs. Pickett) , and Jessi Coulter ("Martha"). Somewhat surprisingly, they all performed rather well with Willie Nelson and Johnny Cash probably standing out the most. In any case, while this film might not be quite as good as the original, it was still enjoyable enough and I have rated it accordingly. Slightly above average.