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IMDbPro

Sa Sainteté a disparu!

Titre original : Saving Grace
  • 1986
  • PG
  • 1h 52min
NOTE IMDb
7,0/10
745
MA NOTE
Sa Sainteté a disparu! (1986)
ComédieDrame

Ajouter une intrigue dans votre langueA young pope who feels he has lost touch with the people accidentally locks himself out of the Vatican and believes it is part of God's plan for him.A young pope who feels he has lost touch with the people accidentally locks himself out of the Vatican and believes it is part of God's plan for him.A young pope who feels he has lost touch with the people accidentally locks himself out of the Vatican and believes it is part of God's plan for him.

  • Réalisation
    • Robert M. Young
  • Scénario
    • Celia Gittelson
    • David S. Ward
    • Richard Kramer
  • Casting principal
    • Tom Conti
    • Fernando Rey
    • Erland Josephson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    745
    MA NOTE
    • Réalisation
      • Robert M. Young
    • Scénario
      • Celia Gittelson
      • David S. Ward
      • Richard Kramer
    • Casting principal
      • Tom Conti
      • Fernando Rey
      • Erland Josephson
    • 22avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
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    Rôles principaux36

    Modifier
    Tom Conti
    Tom Conti
    • Pope Leo XIV
    Fernando Rey
    Fernando Rey
    • Cardinal Stefano Biondi
    Erland Josephson
    Erland Josephson
    • Monsignor Francesco Ghezzi
    Giancarlo Giannini
    Giancarlo Giannini
    • Abalardi
    Donald Hewlett
    Donald Hewlett
    • Monsignor Colin McGee
    Edward James Olmos
    Edward James Olmos
    • Ciolino
    Patricia Mauceri
    Patricia Mauceri
    • Lucia
    Angelo Evans
    • Giuliano
    Marta Zoffoli
    Marta Zoffoli
    • Isabella
    Guido Alberti
    • Cardinal Augusto Morante
    Massimo Sarchielli
    Massimo Sarchielli
    • Fortunato
    Massimo Serato
    Massimo Serato
    • Monsignor Betti
    Agnès Nobecourt
    • Mother of Sick Boy
    Jorge Krimer
    • Secretary, Sistine Chapel
    Tom Felleghy
    • Ambassador
    Margherita Horowitz
    • Nun Interpreter
    Domenico Modena
    • Tonino
    Angelo Panarella
    • Bastiano
    • Réalisation
      • Robert M. Young
    • Scénario
      • Celia Gittelson
      • David S. Ward
      • Richard Kramer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    7,0745
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    Avis à la une

    sisterdebmac

    Wonderful Movie, Wonderful Actor

    Others have already synopsized the movie for you, so I will just stick with the fun stuff...

    As a longtime fan, I have an old VHS tape with three of Tom Conti's very best performances on it, all recorded off cable back in the late 80's: The Gospel According to Vic; Reuben, Reuben; and Saving Grace. This movie is my favorite of the three. I've probably seen it ten times. I will admit that most of the reason I love the movie hinges on Conti's delicate, relaxed performance. It's damn near perfect.

    But you also get some delightful work from the magnificent Giancarlo Giannini. "You're Pope Leo, no? You're Pope Leo, yes." And a hoot of turn by adorable Angelo Evans --- the real life gypsy kid from Robert Duvall's oddball semi-doc, Angelo, My Love --- in his only real acting role. Whatever happened to that kid? He's so cute as the little gangster, Guiliano, whom Conti's character befriends.

    There's also a very sweet almost-love-story and some funny stuff by Fernando Rey as Pope Leo's trusted confidante, Stefano. Eddie Olmos provides some menace as the head gangster in Montepetra.

    Oh, just see it! You'll love it. I must warn you though that I think they sold the movie way wrong by calling it a comedy. It's a drama with humor. But it's definitely a feel-good flick.
    10ssumo-1

    Funny, heartfelt, engaging, great characters

    Please keep in mind that I am a movie watcher, I don't care much for "the deeper meaning" behind it. I work hard, life is tough, I see all the pain and suffering in the day to day grind. I watch movies for the pleasure. OK? OK.

    I haven't seen this gem in many years. I rented it from the big "B" video rental store over and over again. If I had more of a criminal bent, I'd have made myself a copy, or even better "lose" it and pay them for it. It is a lovely movie with a happy ending. It evoked emotions, made me believe it. The characters were real and at the same time larger than life. The actors were all accomplished in their craft. The location was perfect. I'm not one to pay attention to how they made the movie unless it stinks, this one made me notice how VERY well it was done. This is probably my all time favorite. I tried to expose friends to it, but with little success. I choose to believe that I am right and the rest of the world is wrong in regards to this particular movie. If you ever get a chance, try this one.
    9roghache

    Hopeful, uplifting revelation of a Pope's touching, human side

    This comedy drama is a relatively undiscovered jewel of a movie. I saw it only once about 15 plus years ago, so frankly have forgotten many of the details. However, I see very few comments posted so felt obligated to add my praise. For starters, this movie features lovely scenery of the Italian countryside as well as views of Rome. However, its chief merit is that it's a gentle, hopeful story with some quietly amusing moments.

    Leo XIV is a new Pope who has become disillusioned with his tightly booked schedules, official audiences, and regular briefings on world affairs. He feels out of touch with the ordinary individuals outside the Vatican's walls, wonders if he has any effect on their lives, and misses daily contact with people as an ordinary priest. One day while chasing a windblown paper of gardening instructions, he is inadvertently locked out of the Vatican. The Pope makes his way to Montepetra, an obscure, impoverished village which he has overheard is in need of a priest, and thus 'goes missing' from the Vatican for a time. He finds himself helping the poor village peasants and in the process, rediscovers the joys he misses from being a regular priest where he is able to clearly see his impact upon those he serves.

    Tom Conti is both compelling and endearing in the role of Pope Leo XIV. He conveys very effectively this Pope's strengths, his approachability and lack of self righteous piety, as well as exposing his sense of humour and vulnerability to temptation...his human side. It is the first time I saw Tom Conti act and I was so impressed by his portrayal in this movie that I've been a fan of his ever since.

    Perhaps this film isn't that realistic, as Pope Leo appears a bit young to have been chosen for the Fisherman's Shoes and his unexplained absence from the Vatican seems unlikely. However, do we always need realism? This movie shows that even a Pope can feel trapped and have self doubts, though despite undergoing something of a minor crisis, this man's deep faith is never really in question. It is an unexpectedly lovely, optimistic, and inspiring tale that can be enjoyed by anyone, including non Catholics. Personally, I would love to locate it to watch again.
    cindy_bcr

    the Pope's big adventure

    After one year as pope, Leo XIV becomes disillusioned with the job. He is caught up in the cramped schedules of visiting dignitaries and the sick expecting miracles. Every morning he is briefed on world events, for which he feels powerless to do anything. He feels `completely out of touch with how most people live,' and wonders if anything he says has any effect outside the Vatican walls. He misses being a priest, when he knew he helped those he came in contact with.

    One day, as he makes his way past one of the rooms, he hears a nun talk as she signed to a deaf girl who'd hitch-hiked to see the pope and ask for a priest to come back to her village. He promises her he'll find a priest for Montepetra. So when the wind blows the paper with his gardening instructions up over the walls and he chases it and finds himself locked out, he makes the most of his predicament. He makes his way to Montepetra, to be able to actually answer one of the many requests he'd had. He finds a town crippled by a plague, but more importantly, townspeople crippled by poverty. It is there that he struggles to actually do some good as a priest. He seeks to empower the residents to find the will to improve their lives.

    One character worth watching is the mysterious stranger, the shepherd who stumbles upon Leo, and recognizes him as the pope.

    The scenery is beautiful, as it's filmed in Italy. There's a shot early on of an aerial view of Rome, and scenes of people going about their business among the statues. The rural views must have been beautiful in the theater, but it's hard to appreciate them on the small screen.

    I found this move, a comedy-drama, to be a delightful little tale about how we might be able to do some good for others, and find ourselves, our purpose, even if we get lost. While the story of Leo as the rural priest is touching, the scenes of the runaway pope is where the comedy comes in. For instance, on the same day the visitor list includes the ambassador of Brazil and the Italian soccer team, and when told of the second group, Leo asks, `Is it all right if I bless them, or would that set off an international incident?' We are shown that things aren't as bleak as they often seem. The line that illustrates this is when Leo tells the shepherd that the pope can even be `a tramp who comes to a deserted village to help some neglected people.'

    It may just as well be that God can better use a tramp than a pope, or whoever we are in between.
    8artios81

    Sweetness of Anne of Green Gables with the awe of The Godfather

    I have not seen this movie in over 15 years, I am sure. I saw this movie because I tried something a bit different one day. I had a hankering to watch something that I would really like, so I came into the video rental store one time and asked the attendant, "Can you recommend a movie that is really good that I would not even know about, one that might be a real sleeper?" (A sleeper is something that looks rather ho hum on the outside, but is great on the inside.) He gave me Saving Grace, and told me that I would not be disappointed. Man, he was ever right! What a wonderful film. I saw it only once, and ever since I have been wondering if I could buy it. (I have looked on e auction site without success...so far) I have yet to find this movie. BTW- I have since gone into video stores and asked the same kind of question in hopes of finding other movies that would be so well done, but have NEVER had another recommendation that matched SAVING GRACE. I believe that you will not be disappointed with Saving Grace as well, IF you find it.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Robert Duvall was originally offered the leading role. The studio rejected him; some say because they felt he wasn't right for the role, and others stated it was because he wasn't a bankable leading man. So, Conti replaced Duvall in the lead role.
    • Citations

      Abalardi: [Tongue in cheek] Excuse the sheep. They see so few Popes.

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    FAQ15

    • How long is Saving Grace?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 août 1986 (Royaume-Uni)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Saving Grace
    • Lieux de tournage
      • St. Peter's Square, Vatican City, Rome, Italie
    • Sociétés de production
      • Embassy Pictures
      • Columbia Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 18 209 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 17 590 $US
      • 4 mai 1986
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 52min(112 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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