Salvador
- 1986
- Tous publics
- 2h 2min
NOTE IMDb
7,3/10
24 k
MA NOTE
Le journaliste Richard Boyle est accablé de problèmes privés et professionnels. Il s'exile alors en République du Salvador avec son ami Rock Dock où ils cherchent un scoop dans un pays en pl... Tout lireLe journaliste Richard Boyle est accablé de problèmes privés et professionnels. Il s'exile alors en République du Salvador avec son ami Rock Dock où ils cherchent un scoop dans un pays en pleine guerre civile.Le journaliste Richard Boyle est accablé de problèmes privés et professionnels. Il s'exile alors en République du Salvador avec son ami Rock Dock où ils cherchent un scoop dans un pays en pleine guerre civile.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 4 victoires et 9 nominations au total
Jim Belushi
- Dr. Rock
- (as James Belushi)
Elpidia Carrillo
- María
- (as Elpedia Carrillo)
Cynthia Gibb
- Cathy Moore
- (as Cindy Gibb)
José Carlos Ruiz
- Archbishop Romero
- (as Jose Carlos Ruiz)
Rosario Zúñiga
- HIS Assistant
- (as Rosario Zuniga)
Martín Fuentes
- Maria's Brother
- (as Martin Fuentes)
Gilles Millinaire
- French Reporter
- (as Gilles Milinaire)
Avis à la une
With a touch of the Hunter Thompsons, Oliver Stone created a quality film about reporter Richard Boyle and his troubles in El Salvador during a civil war that breaks out around him.
Compared to other Stone films, I think this is his best, he has managed to take the true story of Boyle and craft it into a film in which you actually care about the on-screen characters, something he lost later on.
The performances are classic; James Woods, he was clearly on edge and it shows, he produces one of his finest to date. Doc would really have been only a fringe character if it wasn't for the fact he was played by James Belushie in fine form, he fits into the role of the degenerate with ease, he begins as somewhat uptight, but slowly dissolves into the seedy culture of Salvador in contrast to Boyle being ostracised by everyone he deals with.
As with most Stone biopics, there is an element of "you weren't there man!" anger as he unleashed another tirade against the US government and military through this film. You can take that as you like, what I found most fascinating about this film is the similarity to Fear and Loathing, right down to the battered red car they make most of the journey in. I found it fascinating that Boyle could live the kind of story that Thompson made his name creating, the two would make a cracking team, should they not die getting the story, just make it up.
If you're undecided on Olly Stone, but haven't seen this film, give it a try before you decide whether he is an overrated paranoid madman or an impassioned filmmaker with a message in there somewhere if you can get past all the shouting.
Compared to other Stone films, I think this is his best, he has managed to take the true story of Boyle and craft it into a film in which you actually care about the on-screen characters, something he lost later on.
The performances are classic; James Woods, he was clearly on edge and it shows, he produces one of his finest to date. Doc would really have been only a fringe character if it wasn't for the fact he was played by James Belushie in fine form, he fits into the role of the degenerate with ease, he begins as somewhat uptight, but slowly dissolves into the seedy culture of Salvador in contrast to Boyle being ostracised by everyone he deals with.
As with most Stone biopics, there is an element of "you weren't there man!" anger as he unleashed another tirade against the US government and military through this film. You can take that as you like, what I found most fascinating about this film is the similarity to Fear and Loathing, right down to the battered red car they make most of the journey in. I found it fascinating that Boyle could live the kind of story that Thompson made his name creating, the two would make a cracking team, should they not die getting the story, just make it up.
If you're undecided on Olly Stone, but haven't seen this film, give it a try before you decide whether he is an overrated paranoid madman or an impassioned filmmaker with a message in there somewhere if you can get past all the shouting.
I'm not a huge Oliver Stone fan, I rented this because James Woods is so entertaining, but the movie itself was pretty good, too. The movies I liked that Stone directed didn't have a big political message, like U-Turn, The Doors, and Natural Born Killers (ok, that last one was slightly political) There was one scene in this where Woods and Savage were taking photos of a huge amount of dead bodies in a dump, and there's a subtitle saying "Blah-blah, dumping ground for corpses killed by death squads" (or something similar) Oh really? Thanks for the explanation Mr. Stone, I would have thought they were at the zoo. I probably wasn't supposed to find this movie as funny as I did, but God James Woods was so funny. It's just his timing, or the way he says stuff, or something, but he just totally steals the movie. He can just roll his eyes and I start cracking up. If it had a different actor in the starring role who wasn't as entertaining, I doubt I would have watched it so many times. He was definitely robbed of a Best Actor Oscar for this movie--there's a scene near the start of the movie where he is barreling down the street in his crappy car and gets pulled over, that made me laugh so hard I played it back for my husband. Some of the scenes where they are driving down to Mexico are very Hunter S. Thompson-esque. The scene in the confessional where he asks the priest if it would still be okay to take a few hits of a joint once in a while is priceless. If you're a Woods fan, what are you waiting for? Get a copy fast! I can't imagine any other actor in the role, the other acting in the film is great, but he just acts circles around everyone else. Oh yeah, and the movie itself is great, very emotional. You do care about the characters, even the sleazy ones. Woods is strangely attractive in a seedy sort of way. The ending also was unpredictable, and there a several scary, very tense scenes. One more thing--watch for John Doe of the punk band X in a small cameo as a restaurant owner-va va va voom!!!
Before i watched this movie i knew nothing about the troubles in El Salvador.This opened my eyes to the rein of terror that went on there ( And still does as far as i know). Salvador is a very Graphic movie that does not shirk on showing the bloodshed and trauma suffered. It is a superb debut movie by Oliver Stone which only became a taster of things to come.I enjoyed this film even though the subject matter was fairly heavy not to mention politically complex. 7 out of 10
In the beginning the viewer thinks he has stumbled upon a road-trip gone wrong movie; this initial impression is strengthened by the presence of James Belushi, in a fantastic comedic/dramatic role. However, Stone ratchets up the tension in this political thriller as events escalate and force the protagonists to make difficult choices and take sides... an incredible film and memorable performances by Belushi and James Woods, who plays the ultimate cynic. a must see film.
Having seen this movie more than ten times, over the last decade and one half, it as taken on many shades of meaning, but it continues to show how the more things change the more they stay the same. The reporter's sense of gathering news seems to be one of self-sacrifice and a search for truth however, the director shows how the American reporter possesses a quixotic sense of right and wrong that is overwhelmed by self-interest and self-indulgence not unlike the American public. He is unable to report with the clarity of a John Reed. Other points of interest are the visuals of the local life of peasants, who just want to live. They are shown to be no different than the peasants of Chile or Vietnam. Contrasting this life is the ruling elite that manipulates the meaning of the simple needs of the peasants into an ideology that threatens the middle class and the business interests that exploit the resources of this third world country. When the environment becomes so intolerable that the peasants begin to revolt, the forces of the ruling elite call on the American military might to help quell the rebellion. Here we discover the atrocities that become the daily part of life and bring the audience emotions out of its dispassionate viewpoint into one that feels the helplessness of a beaten people.
It seems to me that the director was more into making a movie than selling tickets. For this we are grateful. This movie is as fresh with insight and meaning as it was when it was released. Dr. Zim Robert
It seems to me that the director was more into making a movie than selling tickets. For this we are grateful. This movie is as fresh with insight and meaning as it was when it was released. Dr. Zim Robert
Le saviez-vous
- AnecdotesAccording to James Woods, he went to watch the film at a local theatre and while he was leaving, a refugee from El Salvador knelt before him and kissed his hand, thanking him for telling the story of her family's massacre.
- GaffesArchbishop Romero is killed at point-blank range by a handgun. However, the real Romero was shot by a sniper. Also, while he was shot while saying Mass, it was in a small hospital chapel, not in a large church as depicted in the film.
- Citations
John Cassady: You gotta get close to get the truth. You get too close, you die.
- Versions alternativesAccording to the Oliver Stone biography "Stone: The Controversies, Excesses, and Exploits of a Radical Filmmaker" by James Riordan, the film was originally meant to be a two and a half hour release from a 150 page script, and much extra footage was cut due to box office concerns and by the original studio, Orion, who saw that a lot of the footage was too excessive or violent (one such scene described in the book was of an orgy scene with Rick Boyle and Dr. Rock and a bag of ears casually tossed on to a table). Stone regrets this decision as the film ended up, and was criticized for being, choppy in some of its editing. Some of this deleted footage is included on the Special Edition DVD.
- ConnexionsEdited into Salvador: Deleted Scenes (2001)
- Bandes originalesRunning On Empty
Written & Performed by Jackson Browne
Swallow Music (ASCAP)
Courtesy of Elektra-Asylum Records
by arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Outpost: Salvador
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 500 000 $US
- Montant brut mondial
- 1 500 000 $US
- Durée2 heures 2 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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