NOTE IMDb
5,6/10
40 k
MA NOTE
Un ancien agent du FBI devenu shérif d'une petite ville accepte d'aider le chef du FBI à infiltrer la mafia de Chicago qui a tué son fils.Un ancien agent du FBI devenu shérif d'une petite ville accepte d'aider le chef du FBI à infiltrer la mafia de Chicago qui a tué son fils.Un ancien agent du FBI devenu shérif d'une petite ville accepte d'aider le chef du FBI à infiltrer la mafia de Chicago qui a tué son fils.
- Réalisation
- Scénario
- Casting principal
Louise Robey
- Lamanski's Girl
- (as Robey)
George P. Wilbur
- Killer #1
- (as George Wilbur)
Avis à la une
Don't be angry with me for only awarding "Raw Deal" 5 stars out of 10. It's a 'strong, almost a 6' 5, not a 'weak, barely above a 4' 5. If that makes any sense.
I think that part of the problem is that I saw this after I saw "Terminator" and "Commando", and it was a bit of a let-down. (And I might have been suffering from a bit of "Schwarzenegger-overexposure".) Arnold is a bit wasted here. It's as if someone mistakenly cast him in a role meant for someone like Chuck Norris. Let's face it, this is a smaller scale movie with a seemingly smaller budget; Dolph Lundgren or Rutger Hauer or Micheal Biehn or even that guy from "Eddie And The Cruisers" could have filled in for the S-man in this movie and you would hardly have noticed the difference, except for a few one-liners. Not to mention the director for "Raw Deal" seemed to be nowhere near Cameron's or Lester's class. Same thing goes for the cast (with all respect to Darren McGavin and Robert Davi). Kathryn Harrold is not a substitute for Linda Hamilton. She's OK, but she's a Ford Taurus to Hamilton's Corvette Stingray.
There are pacing problems, too. The screenwriter felt the need to include several filler sequences that are meant to advance the plot and fill in back story and give the other cast members something to do. But most of these sequences are pretty lackluster: a fistfight in a women's clothing store goes nowhere; a romantic confrontation between Davi and Harrold leaves no lasting impact (though it does let Harrold get off a good put-down line); and the 10 minute car chase scene where a crime boss winds up hamburger is an exercise in by-the-numbers padding if there ever was one (good sound design, though).
But the last 20 minutes serves as a payoff to the first part of the film, and it is basically one long bullet-fest. Arnold basically shoots everything short of LAWs and RPGs at the bad guys, and they obligingly miss with all their shots and fall over and die. None of this is staged with anything like the panache of the firefights in "Commando" or the desperate high speed run-and-gun highway fights in "Terminator". It's all very meat-and-potatoes stuff that wouldn't have be out of place in a typical Cannon/Golan-Globus production. But there's plenty of it, and the S-man is appropriately grim and indestructible, and any fan will be satisfied once the final bad guy goes down in the final hail of bullets.
After 3 viewings, I still don't understand why no one can hit the huge, slow-moving white guy when they shoot at him, but it's his movie, so I'll just attribute it to Arnold's penchant for bringing a Browning Automatic Rifle to a revolver fight, and let it pass.
And I don't discount this movie just because it was an Arnold vehicle - I felt that his follow-up "The Running Man" was a return to form (although still not as good as "Terminator" and "Commando").
Anyway, "Raw Deal" doesn't place in the top 5 (or even 10) Arnold films, but any Schwarzenegger completist will want to have it, and will probably find much to enjoy. And fans of "Crime Story" and gangster films in general will also find this to their liking.
I think that part of the problem is that I saw this after I saw "Terminator" and "Commando", and it was a bit of a let-down. (And I might have been suffering from a bit of "Schwarzenegger-overexposure".) Arnold is a bit wasted here. It's as if someone mistakenly cast him in a role meant for someone like Chuck Norris. Let's face it, this is a smaller scale movie with a seemingly smaller budget; Dolph Lundgren or Rutger Hauer or Micheal Biehn or even that guy from "Eddie And The Cruisers" could have filled in for the S-man in this movie and you would hardly have noticed the difference, except for a few one-liners. Not to mention the director for "Raw Deal" seemed to be nowhere near Cameron's or Lester's class. Same thing goes for the cast (with all respect to Darren McGavin and Robert Davi). Kathryn Harrold is not a substitute for Linda Hamilton. She's OK, but she's a Ford Taurus to Hamilton's Corvette Stingray.
There are pacing problems, too. The screenwriter felt the need to include several filler sequences that are meant to advance the plot and fill in back story and give the other cast members something to do. But most of these sequences are pretty lackluster: a fistfight in a women's clothing store goes nowhere; a romantic confrontation between Davi and Harrold leaves no lasting impact (though it does let Harrold get off a good put-down line); and the 10 minute car chase scene where a crime boss winds up hamburger is an exercise in by-the-numbers padding if there ever was one (good sound design, though).
But the last 20 minutes serves as a payoff to the first part of the film, and it is basically one long bullet-fest. Arnold basically shoots everything short of LAWs and RPGs at the bad guys, and they obligingly miss with all their shots and fall over and die. None of this is staged with anything like the panache of the firefights in "Commando" or the desperate high speed run-and-gun highway fights in "Terminator". It's all very meat-and-potatoes stuff that wouldn't have be out of place in a typical Cannon/Golan-Globus production. But there's plenty of it, and the S-man is appropriately grim and indestructible, and any fan will be satisfied once the final bad guy goes down in the final hail of bullets.
After 3 viewings, I still don't understand why no one can hit the huge, slow-moving white guy when they shoot at him, but it's his movie, so I'll just attribute it to Arnold's penchant for bringing a Browning Automatic Rifle to a revolver fight, and let it pass.
And I don't discount this movie just because it was an Arnold vehicle - I felt that his follow-up "The Running Man" was a return to form (although still not as good as "Terminator" and "Commando").
Anyway, "Raw Deal" doesn't place in the top 5 (or even 10) Arnold films, but any Schwarzenegger completist will want to have it, and will probably find much to enjoy. And fans of "Crime Story" and gangster films in general will also find this to their liking.
A routine 80s action film elevated considerably by the presence of then rising star Arnold Schwarzenegger, Raw Deal is one of Arnold's earlier screen appearances, and more forgotten action movies.
There's really nothing to set it apart. A super cop taking down a gang of criminals. That's the plot. The undercover plot was interesting, but there was a weird abundance of plot for such a bland-looking action film.
The action scenes are the film's strength for sure. The action abounds here, with a great opening shootout, car/motorcycle chase, bar fight, alley fight, store fight, car chase, and the long climax consisting of two long and awesome shootouts. There's a long shootout where Arnold drives around in a car shooting fools to the tune of "Satisfaction" by The Rolling Stones. The best part? He puts the tape into the player at the start of the scene.
This is a severely blood-soaked action film, even by 80s standards, with lots of bloody violence. It's a little excessive. It also has an underrated acting performance from Arnold, a cool rocky 80s theme, and one of the best gear-up scenes ever. It's almost as good as the one in Hot Fuzz (2007).
Definitely give it a watch if you're an Arnold fan, or even an 80s action junkie. I still can't get over the greatness of the gloriously OTT final shootouts. This movie is painfully Arnold, and I love it.
There's really nothing to set it apart. A super cop taking down a gang of criminals. That's the plot. The undercover plot was interesting, but there was a weird abundance of plot for such a bland-looking action film.
The action scenes are the film's strength for sure. The action abounds here, with a great opening shootout, car/motorcycle chase, bar fight, alley fight, store fight, car chase, and the long climax consisting of two long and awesome shootouts. There's a long shootout where Arnold drives around in a car shooting fools to the tune of "Satisfaction" by The Rolling Stones. The best part? He puts the tape into the player at the start of the scene.
This is a severely blood-soaked action film, even by 80s standards, with lots of bloody violence. It's a little excessive. It also has an underrated acting performance from Arnold, a cool rocky 80s theme, and one of the best gear-up scenes ever. It's almost as good as the one in Hot Fuzz (2007).
Definitely give it a watch if you're an Arnold fan, or even an 80s action junkie. I still can't get over the greatness of the gloriously OTT final shootouts. This movie is painfully Arnold, and I love it.
I own this movie. Well, I own most of Arnold's movies. But I've only watched this one 3 or 4 times over the last decade. It's not a great movie although I think I enjoy it a little bit more with each viewing. The flick does have its moments. I like the interplay between Max and Brenner. And Arnold plays a very cool Mafia-like guy. The ending -- if you could even call it that -- is terrible. Did the script say, "Insert ending here"? Nevertheless, I liked the action even if it was corny at times. And the style of the movie grows on you with each viewing. I give it a 6/10 for been slightly more enjoyable than average.
In Arnold's best period of his film career, it is unquestionable that Raw Deal is his worst film from that era. Sandwiched between two of his best action movies, Commando and Predator. Raw Deal is real weak by comparison. The film is a mess and it seemed that those involved with the production could not agree on what they were making. Also, it would appear that funds were too low for anyone's vision to get on screen. The editing and music for this movie is really poorly done. This film is definitely lacking in a consistent tone or focus. The action scenes seem out of place as well. Raw Deal was probably meant to be a low budget police thriller. Any way you slice it, this film is not a cohesive piece of work and is filled with plot holes. Arnold, at this point in his career had massive physicality and charisma. However, he was lacking in acting skills and was horrendous in the more dramatic scenes here. The supporting cast was pretty good for the most part. Even though this is not Arnie's highest quality production, it still remains fairly entertaining. There is quite a bit of funny stuff here(some intentional and some not). Also, there is plenty of Arnold one liners with one of my favorites, "You should not drink and bake". While Raw Deal is not a well made movie, it is not totally unwatchable and is still quite amusing and outrageous.
Arnold at his peak as a one-man wrecking crew as he demolishes a crime family single-handed. It reminds me of the Stallone film where Rambo takes on Russia in Afghanistan. This film has good acting though, and the ever-evil Robert Davi at his slimy best. The shoot-out at the gravel pit with "Satisfaction" playing is a classic. And don't forget the classic line :"You should not drink and bake"!
Le saviez-vous
- AnecdotesArnold Schwarzenegger stated on his website that he enjoyed working on this film. He particularly enjoyed working with director John Irvin ("a real actor's director", in his own words). He also said that by the time he finished this picture, he was a better actor.
- GaffesAt the shootout in the end, Kaminsky shoots one of the gangsters while lying down next to a bar counter. The squibs attached to the guy goes off before Kaminsky has aimed or fired the weapon at him.
- Citations
Mark Kaminsky: [11:33] You should not drink and bake!
- ConnexionsEdited into The Joey Salads Collection (2019)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Juego brutal
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 209 459 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 438 978 $US
- 8 juin 1986
- Montant brut mondial
- 16 209 459 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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