NOTE IMDb
5,7/10
5,7 k
MA NOTE
Kevin Bacon joue un messager à vélo dont la route est parsemée de dangers.Kevin Bacon joue un messager à vélo dont la route est parsemée de dangers.Kevin Bacon joue un messager à vélo dont la route est parsemée de dangers.
- Réalisation
- Scénario
- Casting principal
Laurence Fishburne
- Voodoo
- (as Larry Fishburne)
Louie Anderson
- Tiny
- (as Louis Anderson)
Avis à la une
Let me start by saying that this is a must-watch for fans of 80's movies. A good soundtrack, Interesting costuming and vibe...but if you are looking for a solid plot, there really isn't one. Is it a movie about a messenger being under the thumb of a drug dealer? About a couple that is going different directions? About a girl looking for her way in a male dominated profession? About a family coming to terms with each other? Or about any of the other dozen or so themes? Is it a movie about trick riding and speed? A comedy? A drama. There are so many of these threads that it makes the movie drag. Focus might have saved the plot...but the acting...hoo boy. Jami Gertz swings back and forth with what might be a Jersey accent or a New England...then a midWestern. Bacon can't decide if his approach is confidence in vulnerability or street cool with book smarts. His relationship with his girlfriend lacks any level of chemistry. The only thing that was interesting about the two was an out of left field, dance/bicycle duet, probably thrown in to capture some fan-service after Bacon's Footloose success.
Overall, it is watchable but also mostly forgettable, with a side of ridiculous dialogue.
Overall, it is watchable but also mostly forgettable, with a side of ridiculous dialogue.
When I first saw this film in the theater, I really liked it. I rode my bike to work all the time and seeing a film where people rode their bikes for a living was really cool.
Now, as an adult who works as a bike messenger in Honolulu, I still enjoy this film, though there are some downsides I see in it that I didn't see as a teenager.
The worst part of the film is the fact that all the bike messengers at Quicksilver are losers of some kind. One used to work for the mayor, former college professors, a former stock broker, etc All losers for whom the job is just something to fall back on after they failed at their life's pursuit. All looking to get out ASAP.
Some messengers may have gotten into it after failing at something else. But most get into it for the money, excitement and the daily rush of adrenaline.
I wish the movie had shown more adrenaline junkies and fewer losers.
Now, as an adult who works as a bike messenger in Honolulu, I still enjoy this film, though there are some downsides I see in it that I didn't see as a teenager.
The worst part of the film is the fact that all the bike messengers at Quicksilver are losers of some kind. One used to work for the mayor, former college professors, a former stock broker, etc All losers for whom the job is just something to fall back on after they failed at their life's pursuit. All looking to get out ASAP.
Some messengers may have gotten into it after failing at something else. But most get into it for the money, excitement and the daily rush of adrenaline.
I wish the movie had shown more adrenaline junkies and fewer losers.
Okay movie, undeserved of the harsh criticism is getting. Could achieve more if less muddled though.
The "Premium Rush" of the 1980's is a source of good entertainment, raises some relevant questions, but it never achieves the magnitude of being too memorable or spectacularly interesting as the 2012 movie was. "Quicksilver" aims at many different directions - social drama, romantic story and some thrills in between - but it isn't fulfilling in any of those, just halfway there while "Premium Rush" which could also be all of those (and incredibly more relevant after 2008's economical crisis), deliver in all those aspects but no, instead is a helluva of entertainment flick which is so much fun to see and tolerate rather than the depressive overtones carried by the picture made during the Reaganomics.
In it, Kevin Bacon plays a successful trader who after losing everything on a bad business (never quite explained what really happened) joins a team of bike messengers, gladly working with them, gaining very little but finding true joy. It all happens in a finger snapping, just like that. The problem comes when he testifies one of his colleagues (Laurence Fishburne) being murdered by a drug dealer who uses their services as messenger to transport merchandising. And wouldn't be a successful 80's movie without a little romance between co-workers Bacon and Jami Gertz, and the main character's chance of redemption and rise back from where he started.
The bike scenes offer a great deal of excitement (specially the race between Fishburne and Bacon), cool to watch, there's good comic relief with Paul Rodriguez character but most of the dramatic subplots are annoying and should be reduced if not cut from the film at all costs; if focused only on the thriller it might be better but the villain is quite obnoxious, not because of the character is more because of a bad performance from the actor. The driven force of "Quicksilver" - and I don't know if this was intentional or not - is that is practically showing how people can be creative in troubled times, finding useful solutions for their problems. Such clichéd positivism was quite alright, if only they didn't took a lot of time after a slow and very depressive beginning that is more inclined to make you turn off the movie than to watch it.
Enjoyable for the majority of moments and because of the soundtrack - specially the Peter Frampton theme played at the opening scene. 7/10
In it, Kevin Bacon plays a successful trader who after losing everything on a bad business (never quite explained what really happened) joins a team of bike messengers, gladly working with them, gaining very little but finding true joy. It all happens in a finger snapping, just like that. The problem comes when he testifies one of his colleagues (Laurence Fishburne) being murdered by a drug dealer who uses their services as messenger to transport merchandising. And wouldn't be a successful 80's movie without a little romance between co-workers Bacon and Jami Gertz, and the main character's chance of redemption and rise back from where he started.
The bike scenes offer a great deal of excitement (specially the race between Fishburne and Bacon), cool to watch, there's good comic relief with Paul Rodriguez character but most of the dramatic subplots are annoying and should be reduced if not cut from the film at all costs; if focused only on the thriller it might be better but the villain is quite obnoxious, not because of the character is more because of a bad performance from the actor. The driven force of "Quicksilver" - and I don't know if this was intentional or not - is that is practically showing how people can be creative in troubled times, finding useful solutions for their problems. Such clichéd positivism was quite alright, if only they didn't took a lot of time after a slow and very depressive beginning that is more inclined to make you turn off the movie than to watch it.
Enjoyable for the majority of moments and because of the soundtrack - specially the Peter Frampton theme played at the opening scene. 7/10
Anyone who has a 6 digit salary would agree that the only thing better than have a great income is not having one...which is exactly what Kevin Bacon decides to do in Quicksilver. Bacon is a stockbroker, the best there is, but somehow manages to lose all his and his parents money. What happens next is that he decides that being a bike messenger is the only life he can have now. He learns all the bike tricks and can even do jumps. This may not be suitable for children since he rides around without a helmet or reflectors. Things to remember when you go on your next bike ride. A. Check you tires, make sure you haven't caught any debris in them. B. Make sure you have a nice hairdo so old ladies aren't offended by your appearance. c. Don't talk to dogs you don't know, stray dogs may bite you.
I enjoyed Quicksilver. Most movies with the theme of renegades I will like. I'm glad Jack turned his back on the stock exchange and found something that made him feel alive. The worlds of messenger and stock broker were vastly different, but ironically similar in some aspects.
The reality of the seedy, urban element that abuses parcel deliverers gave Quicksilver a gutty feel. In other words, the movie was not just doing stunts on a fixed-gear bike or barreling down one way streets the wrong way. The character of Hector gave some good context to the movie, and Jack showed his good side by helping him in whatever way he could.
What I don't understand about Quicksilver are a couple of scenes where Jack seemed downright mean. One was when the female messenger Terri, played by Jami Gertz, showed up at his door, asking to stay the night because of necessity. Why did Jack have to act like such a @#$%? What was his point?
The other scene was when Jack was eating dinner with his mother and father and he brought up the subject of seeing his father cry. He didn't have to say that. He was the one who lost all his father's money, and then insults him for crying about it?
The messenger's hat that Jack picked up off the street at the beginning of the movie I expected him to return to its owner. Isn't that just poetic justice? Nothing ever comes of it.
While Quicksilver is a little uneven at times and I was a little annoyed by the raucus and dangerous style of cycle riding displayed, this movie gives us a rare glimpse into the individualistic, rebellious, fleeting, demanding and carnival nature of urban bicycle messengers (and their dispatchers). I was convinced that a vital change had taken place in Jack's world view.., a change that would assist him no matter what he did for work in the future.
Le saviez-vous
- AnecdotesKevin Bacon met several bike messengers himself. Bacon said: "You can make your own schedule, and you can work hard and make more money, or work less and make less money. You're really your own boss. Most messengers are on their way to some place else. Some of them are college kids, and some are actors. Some of them are serious cyclists who want to race and they figure this is the best kind of work they can get because they're constantly training, but others are doing it because it's what they do for a living. Even though the guys may be eclectic, there is a strong sense of commitment". Producer Daniel Melnick said: "The actual bike messengers have one thing in common: problems with authority. They gravitate to this job because they can be their own bosses. No one is dependent on them but themselves". Director Thomas Michael Donnelly said of Bacon's character that Jack Casey "is a survivor on a very basic level. He returns to a more primitive tribal world to regain his spirit. Only then will he be able, if he wants, to return to a more mechanized, intellectual world". All these three key production personnel of Bacon, Melnick, and Donnelly, all had a strong sense of the origin of the film's story and character.
- GaffesAs Jack enters the trading floor he takes a stack of trading slips from Chip's hands. A few moments later, his hands are empty and Chip hands him some trading slips again.
- Citations
Jack Casey: Sometimes things don't happen the way you planned, sometimes you could end up lower than you started.
- ConnexionsFeatured in Ray Parker Jr. Feat. Helen Terry: One Sunny Day/Dueling Bikes (1986)
- Bandes originalesQuicksilver Lightning
Written by Giorgio Moroder and Dean Pitchford
Produced by Giorgio Moroder and Alan Shacklock
Performed by Roger Daltrey
Courtesy of Atlantic Records & Virgin Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Quicksilver?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El placer de ganar
- Lieux de tournage
- 4th Street Bridge, Los Angeles, Californie, États-Unis(Voodoo and Jack race on streets. Concludes with Voodoo getting hit by car under tunnel.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 634 909 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 170 215 $US
- 17 févr. 1986
- Montant brut mondial
- 7 634 909 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant