NOTE IMDb
5,5/10
18 k
MA NOTE
Norman Bates tombe amoureux d'une religieuse défroquée qui séjourne au Bates Motel, aux côtés d'un vagabond et d'un journaliste particulièrement curieux. Pendant ce temps, « Mother» surveill... Tout lireNorman Bates tombe amoureux d'une religieuse défroquée qui séjourne au Bates Motel, aux côtés d'un vagabond et d'un journaliste particulièrement curieux. Pendant ce temps, « Mother» surveille toujours ce qui se passe.Norman Bates tombe amoureux d'une religieuse défroquée qui séjourne au Bates Motel, aux côtés d'un vagabond et d'un journaliste particulièrement curieux. Pendant ce temps, « Mother» surveille toujours ce qui se passe.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Katt Shea
- Patsy Boyle
- (as Katt Shea Ruben)
Hugo Stanger
- Harvey Leach
- (as Hugo L. Stanger)
Avis à la une
this time around you seem to have more of a slasher type 80's film , meaning that there is a lot of teens, school age kids partying at the motel. with Norman's strict upbringing by his mother, his morals come into play here. Jeff Fahey is playing Norman's assistant in running the motel, a nun who has lost her way stumbles upon the Bates motel, upon seeing her Norman is reminded of Marion Crane, he instantly falls for her. seeing that suitcase with the initials M.C. on it certainly must have brought back memories for poor old Norman. although it is not as good the previous entry, it isn't that bad either, the score is very good, the cinematography is great, i think this one suffered a little on the plot, this one seems more campy the Psycho 2 but it's not bad either.
*** This comment may contain spoilers ***
...read the introduction of Psycho III on TV. I was excited to watch Anthony Perkins's directorial debut, but I must say that this film had so much more potential to be better than it was.
Psycho III in several ways, is better than Psycho II. It reveals much more about Norman as a person, not just a crazy old man with a mental illness. Anthony Perkins once told David Letterman of the Psycho franchise that "They're not really horror movies. They're tragedies." I really felt sympathy for Norman in this sequel above all the others. There is not a better word to describe everything about Norman than tragic.
Psycho III contains a lot of 'familar' scenes. The bell tower scene at the beginning inspired from Vertigo, when Norman's 'girlfriend' Maureen fell down the stairs of the home, done exactly the same way Detective Arbogast fell in the original film; 'floaty' like. After Norman 'saved' Maureen from her attempt at suicide, they have a quick heart-to-heart, in which Norman says "We all go a little mad sometimes," a famous quote from the original. Clearly Perkins wanted to pay homage to the Master of Suspense.
On to his performance - wonderful as always, but I can't help noticing that a lot of the Bates trademark movements and facial expressions were brought back in this sequel, some unnecessarily so. Sometimes it seemed as if Norman was parodying himself. Jeff Fahey as Duke, a musician with a cocky surfer boy personality was an interesting contrast.
Overall, I think Perkins should be given more credit. Sure, it isn't perfect - but I think it has a lot more heart. I think if certain scenes were removed, it would have been a lot better, particularly the end of the film where he brings back the infamous grinning 'stare.' It counteracts with what Norman overcame only a scene ago. But Psycho III doesn't deserve such a low rating. It's definitely worth a look - but don't expect a masterpiece. 6/10.
...read the introduction of Psycho III on TV. I was excited to watch Anthony Perkins's directorial debut, but I must say that this film had so much more potential to be better than it was.
Psycho III in several ways, is better than Psycho II. It reveals much more about Norman as a person, not just a crazy old man with a mental illness. Anthony Perkins once told David Letterman of the Psycho franchise that "They're not really horror movies. They're tragedies." I really felt sympathy for Norman in this sequel above all the others. There is not a better word to describe everything about Norman than tragic.
Psycho III contains a lot of 'familar' scenes. The bell tower scene at the beginning inspired from Vertigo, when Norman's 'girlfriend' Maureen fell down the stairs of the home, done exactly the same way Detective Arbogast fell in the original film; 'floaty' like. After Norman 'saved' Maureen from her attempt at suicide, they have a quick heart-to-heart, in which Norman says "We all go a little mad sometimes," a famous quote from the original. Clearly Perkins wanted to pay homage to the Master of Suspense.
On to his performance - wonderful as always, but I can't help noticing that a lot of the Bates trademark movements and facial expressions were brought back in this sequel, some unnecessarily so. Sometimes it seemed as if Norman was parodying himself. Jeff Fahey as Duke, a musician with a cocky surfer boy personality was an interesting contrast.
Overall, I think Perkins should be given more credit. Sure, it isn't perfect - but I think it has a lot more heart. I think if certain scenes were removed, it would have been a lot better, particularly the end of the film where he brings back the infamous grinning 'stare.' It counteracts with what Norman overcame only a scene ago. But Psycho III doesn't deserve such a low rating. It's definitely worth a look - but don't expect a masterpiece. 6/10.
In my view, the first three Psycho films can only be compared to the Godfather trilogy; The first one is amazing, the second one is almost as good, and the third one isn't near as good but still enjoyable. Psycho 3 starts off as a full blown rehash of the first film, but after seeing the ending of Psycho 2, that is not a bad thing at all. Psycho 3 could somewhat be looked at as a rehash of the first film, but it still works out well as a sequel. Of course, Norman Bates is back to the way he was in the first film, which sets up Psycho 3 in a very good way. It really gets inside Norman's psychopathic mind, which is why Psycho 3 has a noticeably darker tone than the other two films. This isn't a terrible aspect by any means. I thought that it added a whole new dimension to the film without being nothing but a repeat of the previous sequels. Psycho 3 also adds plenty of teenage slasher aspects and a very large amount of gore, which also added to the movie in a very good way.
Psycho 3 is directed by Anthony Perkins, who also played as Norman Bates in all 4 original Psycho films (not counting the remake directed by Gus Van Zant). Anthony Perkins gives out many Hitchcock style images that are more of homages than anything. The biggest homage that Anthony Perkins delivered the audience was the scene outside the ice box with the dead body inside. The police officer is reaching for some ice, and suddenly we see that the ice is bloody. This resembles a pure Hitchcock trait, which I really liked to see in a sequel to the master's masterpiece.
I also felt that the performances from the entire cast did an excellent job, especially for the period and genre of the film. Psycho 3 has very solid character chemistry and a very solid cast, which I also thought helped the film out in a great deal. Duane Duke is a character that I really loved to hate. Several other aspects about the cast made me love this film for what it is.
The negative aspects of this film include the loss of power on repeated viewings and the brief moments of cheese. I also felt that the ending didn't deliver spot on as the previous two films did. Whatever the case may be, Psycho 3 is still an excellent watch. It may not by any means be as good as the previous two films, but still a good sequel.
Recommended.
Psycho 3 is directed by Anthony Perkins, who also played as Norman Bates in all 4 original Psycho films (not counting the remake directed by Gus Van Zant). Anthony Perkins gives out many Hitchcock style images that are more of homages than anything. The biggest homage that Anthony Perkins delivered the audience was the scene outside the ice box with the dead body inside. The police officer is reaching for some ice, and suddenly we see that the ice is bloody. This resembles a pure Hitchcock trait, which I really liked to see in a sequel to the master's masterpiece.
I also felt that the performances from the entire cast did an excellent job, especially for the period and genre of the film. Psycho 3 has very solid character chemistry and a very solid cast, which I also thought helped the film out in a great deal. Duane Duke is a character that I really loved to hate. Several other aspects about the cast made me love this film for what it is.
The negative aspects of this film include the loss of power on repeated viewings and the brief moments of cheese. I also felt that the ending didn't deliver spot on as the previous two films did. Whatever the case may be, Psycho 3 is still an excellent watch. It may not by any means be as good as the previous two films, but still a good sequel.
Recommended.
PSYCHO III (1986)
directed by: Anthony Perkins
starring: Anthony Perkins, Diana Scarwid, Jeff Fahey, and Roberta Maxwell
plot: One month after the events of PSYCHO II, Norman (Anthony Perkins) is still running the Bates Motel along with "Mother". Things are going fine until Norman falls in love with a fallen nun (Diana Scarwid), takes in a greedy drifter (Jeff Fahey), a nosy reporter (Roberta Maxwell) sticks her nose where it doesn't belong and a series of murders begins once again.
my thoughts: Although not as great a sequel as PSYCHO II, this is still a good sequel. With Anthony Perkins directing himself, you can expect a good addition to the PSYCHO series.
Now, Norman Bates is dealing with a lot. He's falling in love, a reporter is poking around, and a new employee is close to discovering his secret. The mystery and atmosphere of the first two are still here but it's 1986, the middle of the 80's slasher era. More sex and violence have been added.
We have gorier kills and even Juliette Cummins (FRIDAY THE 13TH PART V: A NEW BEGINNING, SLUMBER PARTY MASSACRE II) playing a slut who is picked up at a bar by Duke (Jeff Fahey), kicked out of his room, and then murdered in the actually pretty cool payphone scene.
These 80's elements do not add much to the film, but certainly do not take away.
Perkins also does a fine job directing, and adds a lot of dark humor to the film.
Definitely check this sequel out, it's not as good as the first two but certainly better than the fourth installment and the remake.
directed by: Anthony Perkins
starring: Anthony Perkins, Diana Scarwid, Jeff Fahey, and Roberta Maxwell
plot: One month after the events of PSYCHO II, Norman (Anthony Perkins) is still running the Bates Motel along with "Mother". Things are going fine until Norman falls in love with a fallen nun (Diana Scarwid), takes in a greedy drifter (Jeff Fahey), a nosy reporter (Roberta Maxwell) sticks her nose where it doesn't belong and a series of murders begins once again.
my thoughts: Although not as great a sequel as PSYCHO II, this is still a good sequel. With Anthony Perkins directing himself, you can expect a good addition to the PSYCHO series.
Now, Norman Bates is dealing with a lot. He's falling in love, a reporter is poking around, and a new employee is close to discovering his secret. The mystery and atmosphere of the first two are still here but it's 1986, the middle of the 80's slasher era. More sex and violence have been added.
We have gorier kills and even Juliette Cummins (FRIDAY THE 13TH PART V: A NEW BEGINNING, SLUMBER PARTY MASSACRE II) playing a slut who is picked up at a bar by Duke (Jeff Fahey), kicked out of his room, and then murdered in the actually pretty cool payphone scene.
These 80's elements do not add much to the film, but certainly do not take away.
Perkins also does a fine job directing, and adds a lot of dark humor to the film.
Definitely check this sequel out, it's not as good as the first two but certainly better than the fourth installment and the remake.
Psycho 3 is better than the sequel, which I liked very much, but still suffers in comparisons to the original masterpiece. Now, this sequel is much more close in spirit to the original, which is a great thing. It takes elements from the first film and fashions an almost "copycat" story, but then surprises you when you see where it goes.
Anthony Perkins also improves his performance from part two, but still nothing beats his legendary performance from the original. I hate to be comparing it so much to the first two, but with sequels it's hard not to. Perkins is gripping here with much more to work with than he was given in the sequel.
Perkins also directed the film. He does a fantastic job. This is definitely the scariest of the three, but then again the most up-to-date, too. Maybe that's why it feels spiritually guided by the original; 7.5
Anthony Perkins also improves his performance from part two, but still nothing beats his legendary performance from the original. I hate to be comparing it so much to the first two, but with sequels it's hard not to. Perkins is gripping here with much more to work with than he was given in the sequel.
Perkins also directed the film. He does a fantastic job. This is definitely the scariest of the three, but then again the most up-to-date, too. Maybe that's why it feels spiritually guided by the original; 7.5
Le saviez-vous
- AnecdotesIn an interview with American Movie Classics just before his death, Anthony Perkins admitted he was not up to the task of directing this film, feeling his technical knowledge to be too limited.
- GaffesWhen the reporter Tracy is shown Mrs. Spool's apartment, the manager tells her that the police have already paraded through the apartment. Yet there is mail and a notepad by the phone and magazines with many phone numbers on the covers. It is inconceivable that the police did not take these items in order to get answers to Mrs. Spool's disappearance, especially since one of the phone numbers was for Bates Motel, obviously linking Norman to her.
- Citations
Duane Duke: [to Maureen] Stupid bitch! You could have been comin' instead of goin'!
- Versions alternativesIn the initial Ontario theatrical and video release, the throat slitting was censored both in its initial depiction and the flashback. The cuts were waived for the 2005 DVD edition and the classification was reduced from R to 14A.
- ConnexionsEdited from Psychose II (1983)
- Bandes originalesThe Scream Of Love
Music by Carter Burwell
Written by Steve Bray & David Sanborn
Performed by Carter Burwell, Steve Bray, & David Sanborn
MCA Records
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- How long is Psycho III?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Psicosis III
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 14 481 606 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 238 400 $US
- 6 juil. 1986
- Montant brut mondial
- 14 481 606 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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