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Platoon

  • 1986
  • 12
  • 2h
NOTE IMDb
8,1/10
461 k
MA NOTE
POPULARITÉ
1 150
229
Platoon (1986)
30 second Trailer
Lire trailer0:31
6 Videos
99+ photos
DrameGuerre

Un jeune soldat au Vietnam traverse une crise morale lorsqu'il est confronté aux horreurs de la guerre et à la dualité de l'homme.Un jeune soldat au Vietnam traverse une crise morale lorsqu'il est confronté aux horreurs de la guerre et à la dualité de l'homme.Un jeune soldat au Vietnam traverse une crise morale lorsqu'il est confronté aux horreurs de la guerre et à la dualité de l'homme.

  • Réalisation
    • Oliver Stone
  • Scénario
    • Oliver Stone
  • Casting principal
    • Charlie Sheen
    • Tom Berenger
    • Willem Dafoe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,1/10
    461 k
    MA NOTE
    POPULARITÉ
    1 150
    229
    • Réalisation
      • Oliver Stone
    • Scénario
      • Oliver Stone
    • Casting principal
      • Charlie Sheen
      • Tom Berenger
      • Willem Dafoe
    • 738avis d'utilisateurs
    • 149avis des critiques
    • 92Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 226 parmi les meilleurs
    • Récompensé par 4 Oscars
      • 24 victoires et 16 nominations au total

    Vidéos6

    Platoon: Blu-ray Release
    Trailer 0:31
    Platoon: Blu-ray Release
    Memorable Military Moments in Film
    Clip 1:27
    Memorable Military Moments in Film
    Memorable Military Moments in Film
    Clip 1:27
    Memorable Military Moments in Film
    Platoon: Under Fire
    Clip 1:10
    Platoon: Under Fire
    Platoon: Helicopter Aid
    Clip 1:36
    Platoon: Helicopter Aid
    Platoon: This Is Hell
    Clip 1:21
    Platoon: This Is Hell
    Jeffrey Wright's Top 3 Films on Veterans and Their Military Experience
    Video 2:00
    Jeffrey Wright's Top 3 Films on Veterans and Their Military Experience

    Photos233

    Voir l'affiche
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    + 226
    Voir l'affiche

    Rôles principaux50

    Modifier
    Charlie Sheen
    Charlie Sheen
    • Chris
    Tom Berenger
    Tom Berenger
    • Sgt. Barnes
    Willem Dafoe
    Willem Dafoe
    • Sgt. Elias
    Keith David
    Keith David
    • King
    Forest Whitaker
    Forest Whitaker
    • Big Harold
    Francesco Quinn
    Francesco Quinn
    • Rhah
    Kevin Dillon
    Kevin Dillon
    • Bunny
    John C. McGinley
    John C. McGinley
    • Sgt. O'Neill
    Reggie Johnson
    Reggie Johnson
    • Junior
    Mark Moses
    Mark Moses
    • Lt. Wolfe
    Corey Glover
    Corey Glover
    • Francis
    Johnny Depp
    Johnny Depp
    • Lerner
    Chris Pedersen
    Chris Pedersen
    • Crawford
    Bob Orwig
    Bob Orwig
    • Gardner
    Corkey Ford
    Corkey Ford
    • Manny
    David Neidorf
    David Neidorf
    • Tex
    Richard Edson
    Richard Edson
    • Sal
    Tony Todd
    Tony Todd
    • Warren
    • Réalisation
      • Oliver Stone
    • Scénario
      • Oliver Stone
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs738

    8,1460.5K
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    Résumé

    Reviewers say 'Platoon' is acclaimed for its realistic Vietnam War portrayal, highlighting soldiers' moral and psychological struggles. Oliver Stone's veteran experience enhances authenticity. The film is lauded for its gritty style and strong performances by Willem Dafoe and Tom Berenger. However, some critics argue it oversimplifies moral issues and lacks historical accuracy. Its anti-war message is both praised and criticized for being simplistic and propagandistic. Despite mixed views on artistic merit, 'Platoon' is recognized for its emotional impact and resonance.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    8Agent10

    Excellent look at Vietnam

    This certainly rates as one of the best Vietnam films of all time. What I especially enjoyed was the realistic atmosphere of the film, entrenching the viewer into a world which seems surreal yet believable. Oliver Stone's real-life experience in Vietnam brought a gifted outlook to this film, one drawn by experience, not common Hollywood conventions. While this proved be a lesser film to the equally amazing Full Metal Jacket, it was not by much. The performances by Tom Berenger, Willem Dafoe, Charlie Sheen and John C. McGinley were exceptional, capturing the plight of the tortured soldiers.
    9tomgillespie2002

    Still packs a punch 30 years on

    Ever since Steven Spielberg wowed the cinematic world and changed the aesthetic of the war movie forever with the exceptional opening 25 minutes of 1998's Saving Private Ryan - the film went downhill from there - audiences have come to expect the same grainy camera-work and ultra-realism of Spielberg's breathtaking vision whenever a battle is depicted. Anything else would be 'unrealistic', and many movies dated horribly almost overnight as a result. While Oliver Stone's Platoon, which was once considered difficult to watch due to its unflinching depiction of the insanity of war, may not seem quite as brutal as it used to, it possesses one thing that no war other movie can boast - the guiding hand of a veteran.

    Stone did a tour in Vietnam which ended in 1968, changing the future writer/director forever. Starting out life as a screenplay focusing on a soldier's experiences both before and during the war which had Jim Morrison touted for the lead, it evolved into a movie focused solely on a young volunteer's time spent in the sweaty, eternally damp jungle. Charlie Sheen's Chris Taylor is an obvious stand-in for Stone, and he arrives fresh-faced and eager to fight for his country. By the end, he is dazed and confused, and angry at the country who would send such "bottom of the barrel" men - invisible in society - into a world of such horror and meaningless bloodshed. It's an experience that moulded Stone into the one of the most outspoken voices in cinema.

    The casting of the two sergeants vying for Chris' soul is a stroke of genius. The platoon is made up of two main groups - the 'juicers', a collection of beer-swilling meat-heads seemingly intent on violence at every opportunity, and the 'heads', a more laid-back and weary bunch who are happiest when getting high and having a singalong. At the head of the juicers is Sgt. Barnes, played by Tom Berenger, an actor known for his heart-throb leading-man roles but here cast as a dead-eyed, heavily scarred brute. While Willem Dafoe, who was and still is known for his crazy-eyed villainous roles, plays the wiser, gentler leader of the heads, an all-round good guy battling his own demons. By toying with expectations, Stone adds layers to their characters, and they both received Best Actor nominations for their efforts.

    Yet what makes Platoon truly stand out 30 years after its release is the way Stone manages to transport the audience to that terrible place. It's teeming with dangers at every turn, be it the ants, the snakes or the Viet Cong better equipped for the harsh surroundings, the most frightening moment is when they fall asleep. And even when they awake, there's something moving in the shadows. The film never allows you to ever be at ease, despite the fun to be had with spotting the many famous faces dotted throughout the supporting cast. There are flaws, especially with some overacting from some of the supporting cast - in particular John C. McGinley - and Chris' unnecessary, rambling narration, but the movie packs such a punch that it's easy to forget these quibbles. It's a true insight into the mind of a grunt and how combat can have a lasting, eye-opening effect on those on the ground, and undoubtedly one of the most important war pictures ever to come out of the US.
    9red_core

    within Vietnam and beyond

    Platoon is generally regarded as one of the strongest anti-war films of all time. While this is certainly true, what's often overlooked -- at least after only one run through the film -- is that it's chiefly a tale of God vs. Satan, and the war is there to set a perilous backdrop. No doubt, Platoon shows the Vietnam War was a big mistake, but being a fictional documentary on Vietnam is far from its purpose.

    The story is told from the point of view of Chris Taylor (solidly played by Charlie Sheen), a middle class kid who goes to Vietnam to do what he thinks is his patriotic duty. In the first ten minutes, Chris is shown in the uncomfortable jungle, struggling just to survive in the natural environment, let alone do any actual damage to the enemy. Quickly we're introduced to the well-known facets of the Vietnam War: The lack of sense of purpose, the wraith-like enemies, the obvious prevalence of the uneducated and poor among the fighting grunts -- and, soon, we see how these factors combine to cause widespread low morale and some actions of more than questionable ethical value.

    Chris sees his platoon fragmented into two halves, each aligned with one of two men -- Sgt. Elias (Willem Dafoe) and Sgt. Barnes (Tom Berenger). These two really are the driving force behind the film. They both have nominally the same enemy (the Viet Cong), but, really, it doesn't take long to realize that Elias is Good, and Barnes is Evil (the "enemy" does not enter into the moral equation of this film, at all -- it's an outside threat, same as malaria-carrying mosquitoes or even friendly fire). I won't deny it is a very black-vesus-white relationship, but this polarity does not feel contrived. Elias feels the futility of the war and has respect for life; Barnes fights the war doggedly and has no compassion, period. Both are efficient soldiers fighting the same enemy, but really -- as is at one point aptly put by Chris Taylor himself -- they are fighting for the souls of the platoon members, as the outcome of the war is never really in doubt.

    Elias/Barnes' hold on the platoon, and the viewer, is developed through several war sequences. A chilling scene takes place in a village, where our soldiers find no VC, but they do find a cache of VC weapons. The inhumanity of certain soldiers, including of Sgt. Barnes, is unflinchingly shown here. It leaves the viewer with an empty feeling that is hard to shake, reminding of the similarly empty look on a woman's face after she sees her son killed in front her.

    Elias doesn't take kindly to this kind of behavior. Elias and Barnes come closer and closer to open conflict, as Taylor becomes a veteran, obviously siding with Elias. Meanwhile, the fate of the platoon comes closer and closer to them, culminating in an explosively shot action conclusion. The end is dark, but morally satisfying.

    Don't watch this movie for the action. That's not to say it's not well shot, or unrealistic. On the contrary. It's quite convincing. But it doesn't show war as a fun sport, and it's never a question of good guys versus bad guys. There will be no cheering for the "good guys" or anyone else in this one. Stone succeeds brilliantly at putting the viewer into the middle of it all, and it's not a pretty sigh (and definitely not for the squeamish, either).

    On the other hand, if you want great acting, it's here. Dafoe and Berenger do incredibly well, with the incredibly good (and seemingly authentically sounding) script. Barnes is horrific as he challenges three men to kill him, drinking hard liquor out of the bottle. They don't make a move, and neither will you, though you'll hate him just as much as them. Dafoe is a ray of light in the dark as Elias. The cast is rounded out with many characters, all well played, and adding another dimension to the film.

    The technical aspects of the film are superb, though one never thinks about them much, as the movie is completely engrossing. The production values seem quite good, as well. The most stunning peripheral aspect of this film, however, is the music. It's emotional and draining, and used to great effect -- listen for the main theme as you watch the village burn.

    Watch this one a few times, and you'll likely be quite moved each time. I'll be surprised if you give it less than what I gave it: 9/10
    9Theo Robertson

    One Of The Best Movies Of The 1980s

    The 1980s in general and the mid 1980s in particular aren't highly regarded where pop culture is concerned , this is most especially true in cinema where films seemed to be written around their soundtrack in much the same way as Hollywood movies nowadays seem to be written around their special effects . PLATOON is one of the very few films from that period that has an emotional impact , an impact that it still retains while watching it in 2003.

    Everyone else seems to have mentioned what makes PLATOON a classic anti-war ( Note it's anti-war , not anti American or anti soldier ) movie along with being a classic movie , so I won't go over old ground except to say THAT death scene is up there with all the other tear jerking scenes from 20th century cinema , don't be ashamed to say you cried

    If PLATOON has a flaw it's in its duality , there's the good Sarge/bad Sarge , good officer/bad officer , good white guy/bad white guy , good black guy/bad black boy etc which is maybe a bit clichéd and possibly leads me to believe Stone is making an excuse/reason that the Americans lost in Vietnam because that spent so much fighting each other rather than the VC ( Though I do concede I'm possibly misinterpreting that as an excuse or even a reason since no one will confuse the politics of Stone with the politics of John Wayne ) while Taylor's character comes across as being more of a literary device rather than a real human being , but these are minor flaws

    It's a shame to see war films from the last few years devoid of scathing anti-war sentiments like the ones seen here . PLATOON screams at you " War is hell and whatever the rights and wrongs of conflict you need a bloody good reason to wage war . Vietnam wasn't a good enough reason to sacrifice human lives "
    9SnoopyStyle

    The quintessential Vietnam war movie

    It's September 1967, and Chris (Charlie Sheen) has just arrived in Vietnam. He is sheltered and his father and grandfather fought in the military. As the new guy, nobody cares to be his friend. Lt. Wolfe (Mark Moses) is a weak ineffective leader. His men are divided in two. Some are followers of the cruel Sgt. Barnes (Tom Berenger). Others are followers of the humane Sgt. Elias (Willem Dafoe). In the end, Barnes and Elias are in a struggle for Chris' soul.

    This is the quintessential Vietnam war movie. Oliver Stone has recreated the jungle combat and placed a morality tale in the middle of it. It is possibly Charlie Sheen's greatest performance. His innocence at the beginning evolves into a grizzled veteran fighter. The combat is so realistic, and the story is so compelling. It is a must see for all movie goers.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to Oliver Stone, he intentionally cast Tom Berenger and Willem Dafoe against type. Berenger was mostly famous for playing good guys, while Dafoe had primarily played villains up until then. Both men received Oscar nominations for their work.
    • Gaffes
      When the men are playing cards, one of the men is looking at a Playboy from March 1971, despite the film taking place in 1967.
    • Citations

      [Refering to Vietnam]

      Chris Taylor: Somebody once wrote, "Hell is the impossibility of reason." That's what this place feels like. Hell. I hate it already, and it's only been a week. Some goddamn week.

    • Versions alternatives
      TV version has much of its dialogue redubbed and shots refilmed, replacing such lines as "He thinks he's Jesus F---in' Christ!" with "He thinks he's George Freakin' Washington!"
    • Connexions
      Edited into A Tour of the Inferno: Revisiting 'Platoon' (2001)
    • Bandes originales
      Adagio for Strings
      Written by Samuel Barber

      Arranged and Conducted by Georges Delerue

      Used by arrangement with G. Schirmer, Inc.

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    FAQ29

    • How long is Platoon?Alimenté par Alexa
    • Would this movie be considered "un-American?"
    • Why is the helmet placed upside down in the poster?
    • Where did the soldiers get weed from?

    Détails

    Modifier
    • Date de sortie
      • 25 mars 1987 (France)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
    • Site officiel
      • Official Facebook
    • Langues
      • Anglais
      • Vietnamien
    • Aussi connu sous le nom de
      • Pelotón
    • Lieux de tournage
      • Philippines
    • Sociétés de production
      • Hemdale
      • Cinema '84
      • Cinema 86
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 138 530 565 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 241 080 $US
      • 21 déc. 1986
    • Montant brut mondial
      • 138 546 255 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h(120 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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