NOTE IMDb
4,9/10
860
MA NOTE
Ajouter une intrigue dans votre langueCol. Cooper leads a group of American P.O.W.s, battling their way to freedom as Saigon falls to the Viet Cong.Col. Cooper leads a group of American P.O.W.s, battling their way to freedom as Saigon falls to the Viet Cong.Col. Cooper leads a group of American P.O.W.s, battling their way to freedom as Saigon falls to the Viet Cong.
- Réalisation
- Scénario
- Casting principal
Charles Grant
- Sparks
- (as Charles R. Floyd)
Phillip Brock
- Adams
- (as Phil Brock)
Ken Glover
- Teague
- (as Kenneth Weaver)
Avis à la une
Silly cash-grab by Cannon Films to milk their success with Chuck Norris' Vietnam action flick MISSING IN ACTION. Set in the waning days of the Vietnam War, David Carradine plays a Colonel tasked with rescuing a group of P. O. W.s being held at a secret camp. The rescue does not go as planned, and the team finds themselves prisoners, now needing to escape. The great Mako plays the evil commanding officer of the P. O. W. Camp, who goes head-to-head with Carradine. It's all very dumb and is hardly Colonel Nicholson and Saito from THE BRIDGE ON THE RIVER KWAI, but it's breezy and has pretty much non-stop action and explosions once it gets going. P. O. W. THE ESCAPE is not a serious film and nothing to go out of your way to see unless you're a fan of cheesy Cannon Films of this ilk (i.e. AMERICAN NINJA, THE DELTA FORCE, PLATOON LEDER, etc.).
I can't believe this played once in theaters. Everything is bad and especially the direction. Even Steve James, this underrated second-fiddle, can't save this. Hopeless
P. O. W.: THE ESCAPE is one of those low budget American war flicks shot in the Philippines standing in for Vietnam. This one has an autopiloting David Carradine as a soldier who ends up the sole survivor when his escape helicopter is bazooked in front of him. While in prison he meets a Vietcong officer looking to move abroad and agrees to help him in return for the freedom of him and his men, but treachery awaits. There's little plot here, just a series of recycled music and low rent action sequences featuring a ton of explosions and little finesse. Carradine sleepwalks through the role but you get Mako as the baddie and Steve James in support, so it's not all bad.
(1986) P. O. W. The Escape
WAR/ ACTION
Co-written and directed by Gideon Amir directing the David Carradine less than equivalent of version of "Missing in Action" as he plays Colonel James Cooper patriotic duty to save the POW's left behind in Vietnam prison camps resulting him to be captured himself. As the colonel finds out that the Vietcong camp commander, Captain Vinh (Mako) is secretly planning to build himself a new life in America using the gold that he has stole.
The action is not that good, as well as the credibility which all it is is Carradine taking advantage of a genre that has already been tired out.
Co-written and directed by Gideon Amir directing the David Carradine less than equivalent of version of "Missing in Action" as he plays Colonel James Cooper patriotic duty to save the POW's left behind in Vietnam prison camps resulting him to be captured himself. As the colonel finds out that the Vietcong camp commander, Captain Vinh (Mako) is secretly planning to build himself a new life in America using the gold that he has stole.
The action is not that good, as well as the credibility which all it is is Carradine taking advantage of a genre that has already been tired out.
Terrible acting and cliched characters, extremely improbable battle scenes and a war movie trope - Vietnam POWs left behind in-country - that has been done before and much better all combine for a war movie that honestly isn't worth your time. Think of all the great, good and even okay POW rescue movies...and this is right at the bottom of the barrel.
David Carradine as Colonel James "Everybody Goes Home" Cooper is mailing it in. I mean, look up the definition in the dictionary and you see a photo of DC in this movie. He's so wooden you could chop him up for firewood and have one that burns all night. When he is acting, it's Cliche Central, or those long constipated stares that are meant to be threatening - I assume - to his Vietnamese enemies. His gun never runs out of bullets and no matter how many bad guys there are out there, he's impervious to them all. And don't even get me started on the America flag scene during the finale.
I never thought I'd see the day when a film came out that makes Chuck's "Braddock" series look like Oscar winners, but here we are.
Watch "Missing in Action" instead. Much better.
David Carradine as Colonel James "Everybody Goes Home" Cooper is mailing it in. I mean, look up the definition in the dictionary and you see a photo of DC in this movie. He's so wooden you could chop him up for firewood and have one that burns all night. When he is acting, it's Cliche Central, or those long constipated stares that are meant to be threatening - I assume - to his Vietnamese enemies. His gun never runs out of bullets and no matter how many bad guys there are out there, he's impervious to them all. And don't even get me started on the America flag scene during the finale.
I never thought I'd see the day when a film came out that makes Chuck's "Braddock" series look like Oscar winners, but here we are.
Watch "Missing in Action" instead. Much better.
Le saviez-vous
- AnecdotesDespite having a credited composer, the film features almost exclusively recycled scores from other Cannon releases. Most notable The Delta Force.
- GaffesDuring the ambush in the opening sequence one of the Vietnamese soldiers is clearly played by an African-American.
- Citations
[After being hit in the face by Sparks]
Col. James Cooper: I'm getting too old for this shit!
- ConnexionsFeatured in RoboDoc: The Creation of RoboCop: Destination Delta City (2023)
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- How long is P.O.W. the Escape?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 497 233 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 100 691 $US
- 6 avr. 1986
- Montant brut mondial
- 2 497 233 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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