Nuits sanglantes

From a Whisper to a Scream (1987)

*** (out of 4)

After the execution of a serial killer, a reporter goes to a small Tennessee historian (Vincent Price) who tells her four stories dealing with a small town's history.

The first story centers on a man (Clu Culager) who takes care of his severely ill sister but it leads to murder. The second story has a white trash man (Terry Kiser) getting shot and running into the woods where he ends up under the care of an elderly black man (Harry Caesar) who knows voodoo. The third story deals with a carnival side show where the glass eater falls in love with someone outside the troupe, which doesn't sit well with the owner. The fourth and final story is set during the Civil War where an evil Union soldier (Cameron MItchell) ends up in a house of horrors led by children.

This film is also known as THE OFFSPRING but no matter which title you want to call it the film itself is actually pretty darn good. Director Jeff Burr will always be remembered for the disastrous studio tampering of LEATHERFACE: Texas CHAINSAW MASSACRE III. This film here is certainly a real gem among the type of horror films that were being released during this period. It perfectly captures the anthology films of the 1960s but adds a touch of violence and gore that was so popular during the 80s. While none of the four tales are excellent, each of them are at least entertaining and make for a fun movie.

Again, none of the four stories are wonderful and all four are rather predictable but they are fun. The first one has a very weird incest vibe that runs through it but it also offers up some memorable gore as well as a very good performance from Culager. The second story is familiar voodoo material but the two performances are quite good and the final twist is wonderfully sinister. The third story with "going against the circus" is again predictable but the ending is just perfect. Once again the gore effects from Rob Burman really pack a nice little punch. Finally, the Civil War sequence gives us a terrific performance from Mitchell and the story itself is the most original and once again it adds some nice twists.

Of course, one of the biggest draws are the wrap around events that feature Vincent Price. While he basically just sits and talks, it's great fun seeing the actor in good form. You'll also want to look quickly for Laurence Tierney, Martine Beswicke and Angelo Rossitto who some will remember from Al Adamson's Dracula VS FRANKENSTEIN. Director Burr does a nice job with the low-budget and he certainly makes the film look very professional on such a budget. The film really does a nice job at building up the atmosphere of the anthology and all four films really work well together. FROM A WHISPER TO A SCREAM is certainly a good little gem.

Unlike most anthology films which follow the tongue in cheek EC Comics approach, From A Whisper To A Scream dares to go dark and bleak with the material and it's an unforgettable experience for it. Yes, there are several "just desserts" twists at the end of some of these stories that feel right out of the pages of Tales From the Crypt, but its tone feels different and more serious as if it's EC Comics as filtered through Texas Chainsaw Massacre. It has a hell of a great cast, too.

Horror movie set in a small Tennesse town calle Oldfield dealing with four stories of past evils and the teller Vincent Price reveals his hometown can force folks to murder. Welcome to Oldfield, Tennesse, population : deadly!. Stop in for a night of pure terror!

An antology movie in Hammer, Amicus and Tigon style that during the 60s and 70s made a lot of these horrifying kinds of stories . This morbid film with strong yunk factor is formed by four creepy tales with acceptable cast, such as Susan Tyrell, Martine Beswick, Clu Gulager, Rosalind Cash, Terry Kiser, Angelo Rossito, Rosalind Cash, Lawrence Tierney, Cameron Mitchell, among others . And Vincent Price is pretty well, as always. Vincent Price gives a nice but short acting in his usual style, he's considered to be one of the best horror myths including classic terror films as The Fly, The Tingler, Tales of terror, Pit and the pendulum, The Haunted Palace, The Raven, The masque of the Red Death, The tomb of Ligeia, Witchfinder General, The abominable Dr Phibes, Theatre of Blood, Madhouse, The Monster Club, among others . However isn't the usual Price material due to contain cannibalism, dismemberment, excessive gore, and necrophilia. The first tale concerns an elderly man : Clu Gulager falls for a job colleague, but the romance ends in killing, necrophilia and a terrifying revenge. The second one concerns an injured debtor : Terry Kiser mercilessly chased by creditors, on the run he meets a hermit : Harry Caesar who heals him, however Kiser attempts to steal him the secret of eternal life, then a grisly vengeance takes place. The third chapter dealing with a circus attraction, there a glass-eating carny showman pays a definitive price for seeking love outside the claws of a voodoo woman : Rosalind Cash. Final episode regards The Corn Children with a group of soldiers led by Seargent Cameron Mitchell from American Civil War, they are held captive, mistreated, tortured by a household of waifs wth fateful intentions.

The motion picture was shot in medium budget and professionally made by Jeff Burr, though it has some flaws and failures. He is an expert on terror movies and sequels, such as Night of the Scarecrow, Pupkinhead 2 wing blood , Puppet master 5 the final chapter , Puppet master 4, Stefather 2 make room for daddy , Leatherface 3 The Texas Chainsaw Massacre , and this Offspring, among others. Rating : 6/10. The film will appeal to horror fans and Vincent Price completists

1986's "From a Whisper to a Scream" (theatrically issued as "The Offspring" before returning to its original moniker) was an ambitious anthology for young filmmakers with more talent than money, director Jeff Burr carving out a niche in horror sequels over the following years. Shooting lasted 24 days in Burr's hometown of Dalton, Georgia, representing the Tennessee town of Oldfield, home of executed murderess Katherine White (Martine Beswick), whose uncle Julian (Vincent Price) receives a visit from reporter Beth Chandler (Susan Tyrrell), curious about how his niece could have begun her murder spree while still a child. Julian shows her records about several past incidents to prove that Oldfield itself has been a harbinger of evil since its inception during the Civil War. "Stanley," played by Clu Gulager, is by all appearances a harmless old coot, taking care of a chronically ill sister (played by his real life wife, Miriam Byrd-Nethery) who displays incestuous feelings for her brother and talks of nothing but the old days with their long dead father. Stanley's obsessive longing for a coworker (Megan McFarland) finds him sending her flowers from a 'secret admirer,' and she incredibly agrees to a date just to pacify the nerd. When she rebuffs his advances he strangles her and leaves the corpse to be found in the road, feigning innocence when the murder is revealed the next day. After breaking into the funeral home to molest the corpse, the killer spends the next 9 months enjoying the fruits of an unsolved crime, finally tiring of the ice water baths required to cool down his sister to strangle her as well, only to receive his just desserts from a most unexpected visitor. "On the Run" centers on lowlife Jesse Hardwick (Terry Kiser), badly wounded after an encounter with two hoodlums, stumbling into the swamp where he is found by an old man, Felder Evans (Harry Caesar), who nurses him back to health. Seemingly pleased to have some company in his isolated shack, Felder is unaware of his new tenant's overly inquisitive nature and murderous demeanor, uncovering evidence that his benefactor may be over 100 years old. His nightly voodoo chants help to produce an elixir that may be responsible for his longevity, agreeing to share it with Jesse if he works hard enough, but the ingrate turns on Felder to his everlasting regret. "Lovecraft's Traveling Amusements" is a carnival sideshow owned by the mysterious Snakewoman (Rosalind Cash), all the performers slaves to her will, especially the handsome glass eater, Steven Arden (Ron Brooks), whose forbidden love for local girl Amarillis (Didi Lanier) may prove to be his undoing. "Four Soldiers" headlines Cameron Mitchell as Sgt. Gallen, leader of a quartet of deserting Union soldiers who delight in their continued reign of terror over the Confederates even after learning the Civil War is over. A field covered in landmines quickly puts them out of commission to allow easy capture by a band of crippled and mutilated children, all orphaned during battle, keeping the spirits of their fallen parents alive by torturing any soldiers they find. One is stabbed in the crotch, another has an eye gouged out, while Gallen callously murders a little girl who freed him because he looked like her father; his fate is preordained no matter how he tries to escape. Julian's chronicles do not convince his unmoved visitor, who soon reveals her own past history with Oldfield much to the old man's horror. The four segments had already been completed when Jeff Burr called at the home of Vincent Price, script in hand (and a bottle of wine), to offer him the lead role, and to his unabashed delight, the actor accepted as a final farewell to the genre he loved. Cameron Mitchell stands out as the despicable sergeant, and Bela Lugosi costar Angelo Rossitto enjoys a fine role as a sympathetic sideshow barker. During the decade of "Creepshow" this omnibus rarely received its just due, but in tackling taboo subjects like dismemberment, necrophilia, and incest certainly didn't shirk on its ability to shock.

Of the many horror films I used to alleviate childhood boredom, this one was indelibly etched into my brain and probably will be forever. A cinematic achievement of unparalleled depravity, this Vincent Price vehicle (filmed in the Autumn of his life) contains incest, rape, child molestation, necrophilia, voodoo, glass-eating, slavery, mutilations, dismemberment, vengeance and allusions to cannibalism. By genre standards, the scripting, filming and performances were, for the most part, excellent and the work contains enough scatology to hold the interest of even the most reluctant horror/exploitation filmgoer. View this work if you would like to see an exaggerated depiction of humanity at it most malignant neatly condensed into four vignettes.