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Mrs. Delafield Wants to Marry

  • Téléfilm
  • 1986
  • Not Rated
  • 1h 35min
NOTE IMDb
6,7/10
291
MA NOTE
Mrs. Delafield Wants to Marry (1986)
ComedyDramaRomance

Ajouter une intrigue dans votre langueKatharine Hepburn as Mrs. Delafield, a widow who falls in love with her Jewish doctor - to her and his children's objection.Katharine Hepburn as Mrs. Delafield, a widow who falls in love with her Jewish doctor - to her and his children's objection.Katharine Hepburn as Mrs. Delafield, a widow who falls in love with her Jewish doctor - to her and his children's objection.

  • Réalisation
    • George Schaefer
  • Scénario
    • James Prideaux
  • Casting principal
    • Katharine Hepburn
    • Harold Gould
    • Bibi Besch
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    291
    MA NOTE
    • Réalisation
      • George Schaefer
    • Scénario
      • James Prideaux
    • Casting principal
      • Katharine Hepburn
      • Harold Gould
      • Bibi Besch
    • 8avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Primetime Emmys
      • 6 nominations au total

    Photos23

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    Rôles principaux27

    Modifier
    Katharine Hepburn
    Katharine Hepburn
    • Margaret Delafield
    Harold Gould
    Harold Gould
    • Dr. Marvin Elias
    Bibi Besch
    Bibi Besch
    • Doreen Delafield
    Denholm Elliott
    Denholm Elliott
    • George Parker
    Brenda Forbes
    Brenda Forbes
    • Gladys Parker
    Charles Frank
    Charles Frank
    • Chipper Delafield
    Suzanne Lederer
    • Shirley Elias
    John Pleshette
    John Pleshette
    • David Elias
    David Ogden Stiers
    David Ogden Stiers
    • Horton Delafield
    Kathryn Walker
    Kathryn Walker
    • Sarah
    Babs Chula
    Babs Chula
    • Frieda
    Daphne Goldrick
    Daphne Goldrick
    • Karen
    Tom Heaton
    Tom Heaton
    • Harrison
    Antony Holland
    Antony Holland
    • Reverend Brooks
    Norma MacMillan
    • Miss Fry
    • (as Norma Macmillan)
    Doreen Ramus
    • Miss Kelly
    Charles Siegel
    • Rabbi
    • (as Charles E. Siegel)
    Ted Stidder
    • Old Billy
    • Réalisation
      • George Schaefer
    • Scénario
      • James Prideaux
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,7291
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    Avis à la une

    9mrcrystal-47234

    MONSTER

    I Believe That Many Dreams Are Possible When Intended Upon Concerning A Marriage Of This Sort.
    7herbqedi

    Great Late Kate

    This made-for-CBS film is a tailor-made TV vehicle for the great Kate. Her chemistry with Harold Gould is warm in a prickly way -- perfect for both leads. Denholm Elliott lends marvelous supporting work -- as per usual -- moving things along nicely. The normally feckless Charles Frank is surprisingly compelling as the lone child more interested in Kate's happiness than improving his own financial situation. The rest of the professional cast, led by Kathryn Walker and David Ogden Stiers, snipe and snicker capably enough but add nothing particularly new to the proceedings.

    But, the opportunity to see Katherine Hepburn in one of her final leading performances as a spunky octogenarian who still considers herself worthy of love is the main reason to watch this audience-pleaser.
    7bkoganbing

    Marvin and Margaret

    If Katharine Hepburn had never gone on to the stage and screen I think she would have been a whole lot like the Connecticut dowager Mrs. Delafield that she portrays here. And being the independent and outspoken woman she was I can see her shocking her Connecticut town with her choice of a second husband. In her still restricted Connecticut WASP enclave, a Jewish doctor.

    A doctor played by Harold Gould who saved her life after a stroke and they find each other pleasant company. Now if they can convince their respective kids and there are seven of them between the two marriages all will be well.

    Remarkably similar are the attitudes of both sets of children. It comes down to religious differences and what will the neighbors think. Gould's children are as prejudiced in their own way as Hepburn's who show that remnant of genteel anti-Semitism where gentleman's agreements still rule in some situations.

    As this was a vehicle created for Katharine Hepburn how can she be less than perfect in it? She gets great support from Gould and the rest of the cast of whom Denholm Elliott must be singled out. He's a male Gladys Kravitz and has some great moments.

    And if I were to get married I'd love to have an ecumenical wedding like Hepburn and Gould do.

    A must for fans of the eternal Kate.
    3holdencopywriting

    Not great; could have been better

    Mrs. Delafield Wants to Marry offers some enjoyable humor. But it's marred by an unbelievable attempt to contrast wealthy WASP characters with Jewish characters. It seems like the director and scriptwriter were not familiar with either side, and were confused as to how best to hammer home their heavy-handed themes of Love Conquers All Even When You're Old and Religious Prejudice is Bad. The Jewish side says L'Chaim several times, makes Manischevitz jokes--there's no depth of characterization here. Mrs. Delafield is rich and upper-class because several characters tell us so--again, there is no depth of characterization here.

    But the film can't quite get it right. Harold Gould's character is supposed to be a successful Jewish doctor and head physician at a major hospital. Yet he and his adult children are given lower to middle middle-class accents, housing, cars, politics, etc. As for Mrs. Delafield, the movie's production values are so low that Mrs. Delafield's home and furnishings are middle-class at best. The film would have been much better if Harold Gould's character was a successful doctor with the home, lifestyle and children to match.

    There are two exceptionally bad moments in the film: At one point, David Ogden Stiers as Hepburn's adult son finally says the word "Jew" out loud as in "Not if you're going to marry a Jew." So Hepburn slaps him across the face. Well, that's the way to teach religious tolerance. It makes me wonder how often she slapped her children when they were young.

    In the same scene, there's an insanely stupid bit near the end when David Ogden Stiers as the stuffy son asks something like "Well, what about the religious differences?" Hepburn says something like "I asked Marvin if he believed in (points up to heaven), and he said yes. He asked me if I believe. I said yes. We have no religious differences." I think that's one of the dumbest moments in television. Of course, they have religious differences--there are HUGE differences in their religious beliefs. If they think they can overcome them or choose not to make a big deal of them, that's great. But let's not minimize the difficulty of blending two different faith beliefs.

    There's nothing worse than a preachy, self-righteous TV movie.
    Jo-77

    Wonderful performance by Kate- tiny spolier!

    It would be easy to say that this film is just one for those who are fans of Kate Hepburn- and certainly Kate's fans will be in for a treat- but it's a lovely film as a whole, topped off by two beautiful performances in Kate Hepburn and Harold Gould.

    To be perfectly honest, the script lacks in parts, and the supporting characters are very cliched, with the acting mostly stereotyped. But then, there's Kate. Kate makes the picture worth seeing. Her performance is simply beautiful- she portrays the helplessness of old age with such tenderness, and fills us with joy at her desire to live out her last years to the best of her ability, and to find some joy late in life. She portrays Margaret Delafield, a woman of a certain age, who, after a near- death experience falls in love with the doctor that brings her back to health. Much to the objections of both their families, they decide to marry anyway, because, as Margaret says, "I won't live in sin!" It's witty and lovely and Kate simply lights up the screen. She manages to lose none of the tough on- screen persona that dominated so many of her great roles, but at the same time, she brings a real tenderness to the performance, a tenderness that sometimes was missing from her earlier movies. In one scene she describes to her neighbour a late- night kiss from her doctor, and her eyes light up as she talks of how wonderful it was- it's a really beautiful moment. For a brief minute, we forget we are watching a 79 year old woman- she could be 15, if we were just judging the pure innocent happiness shining through in her eyes.

    If you're a fan of Kate, then you mustn't miss this. If you don't know much about her, see it anyway- it's just a really lovely performance. And Harold Gould is great, too! But it's all about Kate- it's her film, and she carries it brilliantly.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Was filmed in Vancouver, Canada. The original wedding scene was to be filmed at St. Paul's Anglican Church, but the church was deemed too fancy and filming proceeded at St. Francis-in-the-Wood in West Vancouver.
    • Connexions
      Featured in The 38th Annual Primetime Emmy Awards (1986)

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    Détails

    Modifier
    • Date de sortie
      • 30 mars 1986 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Mrs. Delafield vill gifta sig
    • Lieux de tournage
      • Vancouver, Colombie-Britannique, Canada
    • Sociétés de production
      • Schaefer/Karpf Productions
      • Gaylord Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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    Mrs. Delafield Wants to Marry (1986)
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    By what name was Mrs. Delafield Wants to Marry (1986) officially released in Canada in English?
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