Mesmerized

The incomparable Jodie Foster, along with John Lithgow, headline this movie about a woman on trial for killing her husband. Foster is a girl raised in a home when Lithgow comes to arrange for her to be his wife.

When they marry it turns out that he is a cruel man, and soon he begins to get sick and then sicker as time goes by. The movie leaves nothing to surprise as you know what happens each step of the way, but frankly both Lithgow and Foster have done so much better work that this one is a one time only viewing.

Odd-ball movie. What could have been a decent story, instead fell victim to some very bad acting ... acting that was almost painful to watch ... it felt like the actors/actresses were totally uninterested in recording this.

Based on a supposedly true story based in 1800's New Zealand with an almost unbelievable plot, the unbelievability of the plot is made even more inevitable by poor acting. Instead of driving home the point of the real-ness of the movie, the acting made it look like a joke.

Watch it and be prepared to scratch your head at the end. You'll say to yourself: "either this was total baloney, or it was true, but the story very poorly told."

While watching this on late-night TV recently, I couldn't help but think back to an Oscar-bedecked offering that was released about seven years later - The Piano. Both set in New Zealand, both about mail-order brides who can't stand their husbands ... etc. Mesmerized doesn't indulge in the florid touches with which Jane Campion pumped up her rather empty opus (chopped off fingers, Harvey Keitel's Maori facial tattoos and frontal nudity, etc.), and this is certainly a serious effort by co-producer Foster, but that doesn't mean it's better filmmaking. In fact, despite the cast, it's flat and unimpressive visually and for the most part boring storywise. So if Campion did any ripping off, it was at least in the interests of high camp.

It's 1880 New Zealand. Victoria (Jodie Foster) is on trial. She recalls her journey to that point. As a baby, she was dropped off at an orphanage. Growing up at the orphanage, she is introduced to merchant Oliver Thompson (John Lithgow) who quickly proposes. She marries the stranger and discovers that he's a controlling, volatile creep. His father is more of the same but his brother George is much more sensitive.

The first half is perfectly fine. It's got the bad husband and brutalized young wife. It builds to a tense climatic moment halfway through. It does struggle to maintain that intensity in the second half. There is some ambiguity to the plot which does not really help. It needs to be tightened. It probably should turn into a trial movie with flashbacks. Although Jodie Foster was still in her early 20s, the character needs to be a teen and the closing text reveals the inspiration to be the trial of a 19 year old wife. Her vulnerability would be heighten with a younger actress. The movie seems to be holding back which prevents it from being better.

I found this film to be disturbing; not in a David Lynch way but more like some odorous menacing person sitting beside you on a bus that you really don't want to look at but do and then regret it. There were no redeeming factors to be found in spite of the fine acting of Foster & Lith