Ajouter une intrigue dans votre langueLeo Fong plays a private investigator who is in search of a young girl kidnapped by a religious cult. Destined to save her, he teams up with a Vietnam vet, a pro-boxing champ and a former co... Tout lireLeo Fong plays a private investigator who is in search of a young girl kidnapped by a religious cult. Destined to save her, he teams up with a Vietnam vet, a pro-boxing champ and a former cop to save her...Leo Fong plays a private investigator who is in search of a young girl kidnapped by a religious cult. Destined to save her, he teams up with a Vietnam vet, a pro-boxing champ and a former cop to save her...
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My review was written in April 1986 after a screening at UA Twin theater in Manhattan.
In "Low Blow", filmmakers Leo Fong and Frank Harris (who previously teamed on "Killpoint") reduce an action picture to its basic elements: fights, shootouts and simple delivery of expository dialog, with tedious results. This test of an audience's patience was filmed in Stockton, California, under the title "Savage Sunday".
Fong, who also produced and scripted for his Action Communications banner, toplines as private eye Joe Wong, an ex-cop who is hired by rich guy Templeton (Troy Donahue, looking like he's been to a nearsighted barber) to bring his daughter Karma (Akosua Busia).
Fong spends most of the film killing time by staging tough man contests and otherwise recruiting a team to go in and rescue the girl. Script fails to establish the evilness of the cult (other than their hypnotizing and seemingly drugging kids to keep them), but Fong & Co. Go in and kill the cult's guards anyway in ruthless fashion. Karma shoots Yurakunda (bad guy Cameron Mitchell), but her fate is just another loose end.
Sole point of interest in this clunker is the presence of Akosua Busia, actress whose next role after this in "The Color Purple" earned her an Oscar nomination. She is funny, vivacious and ultimately a bit touching in the stock, evil dragon lady role. This film won't appear on her resume, but it's a wild performance nonetheless. Busia's thesping contrasts with that of Fong and the rest of the players, who are strictly monotone. In fact, many of the smaller roles look like they're being filled with pals who work out with Fong at the local gym.
In "Low Blow", filmmakers Leo Fong and Frank Harris (who previously teamed on "Killpoint") reduce an action picture to its basic elements: fights, shootouts and simple delivery of expository dialog, with tedious results. This test of an audience's patience was filmed in Stockton, California, under the title "Savage Sunday".
Fong, who also produced and scripted for his Action Communications banner, toplines as private eye Joe Wong, an ex-cop who is hired by rich guy Templeton (Troy Donahue, looking like he's been to a nearsighted barber) to bring his daughter Karma (Akosua Busia).
Fong spends most of the film killing time by staging tough man contests and otherwise recruiting a team to go in and rescue the girl. Script fails to establish the evilness of the cult (other than their hypnotizing and seemingly drugging kids to keep them), but Fong & Co. Go in and kill the cult's guards anyway in ruthless fashion. Karma shoots Yurakunda (bad guy Cameron Mitchell), but her fate is just another loose end.
Sole point of interest in this clunker is the presence of Akosua Busia, actress whose next role after this in "The Color Purple" earned her an Oscar nomination. She is funny, vivacious and ultimately a bit touching in the stock, evil dragon lady role. This film won't appear on her resume, but it's a wild performance nonetheless. Busia's thesping contrasts with that of Fong and the rest of the players, who are strictly monotone. In fact, many of the smaller roles look like they're being filled with pals who work out with Fong at the local gym.
This movie reeks of 1980s, straight-to-video action: zero budget special effects, "filler" action sequences and some utterly loony acting. It may sound bizarre, but those are also the very reasons why I enjoy this film so much.
In comparison the action movies of today, Low Blow seems positively wholesome. There is not much blood, no sex and the emphasis is more on fist fighting than high-tech weaponry. However, the film is never boring. The action is fairly constant and there are occasional touches of humour along the way.
Leo Fong plays private detective, Joe Wong. Joe is hired to find a missing rich girl, Karen. Karen not only has a very unattractive hairstyle but is also completely moronic, as evidenced by her falling in with one of the most ridiculous cults ever depicted on film - complete with a black sheet wearing blind guru and a crazy woman played by real life Ghanian princess Akosua Busia. Leo Fong's dead-pan delivery and no frills martial arts style suit his character perfectly. A special mention must be given to Akosua who turns in the most ludicrous performance of her career.
After having his butt kicked trying to infiltrate the compound, Joe realises that he needs assistance taking out the wackos and naturally enough, decides to hold a tough man contest to find some extra muscle. The scenes of the contest are some of my favourite in the movie. The fights are brief but varied and amusing. I particularly liked the wrestlers and the bizarre iron lady with the blond mullet. The film then comes to its rather predictable climax with some fun action and a good dose of humour.
In comparison the action movies of today, Low Blow seems positively wholesome. There is not much blood, no sex and the emphasis is more on fist fighting than high-tech weaponry. However, the film is never boring. The action is fairly constant and there are occasional touches of humour along the way.
Leo Fong plays private detective, Joe Wong. Joe is hired to find a missing rich girl, Karen. Karen not only has a very unattractive hairstyle but is also completely moronic, as evidenced by her falling in with one of the most ridiculous cults ever depicted on film - complete with a black sheet wearing blind guru and a crazy woman played by real life Ghanian princess Akosua Busia. Leo Fong's dead-pan delivery and no frills martial arts style suit his character perfectly. A special mention must be given to Akosua who turns in the most ludicrous performance of her career.
After having his butt kicked trying to infiltrate the compound, Joe realises that he needs assistance taking out the wackos and naturally enough, decides to hold a tough man contest to find some extra muscle. The scenes of the contest are some of my favourite in the movie. The fights are brief but varied and amusing. I particularly liked the wrestlers and the bizarre iron lady with the blond mullet. The film then comes to its rather predictable climax with some fun action and a good dose of humour.
I wouldn't be surprised if this movie was made on a $500 budget with its bad acting an ultra poor sound quality. I bought the DVD for $3.00, and after watching it I felt like I had payed $2.95 too much.
The DVD cover displays a steroid freak (main character), a huge truck and a group of 80's punk rockers with M16 machine guns. Well, in the actual movie, there was no truck, no 80's punks and the main character was far from a steroid freak.
The most enjoyable thing about this movie was the main character's bomb car and his mad parking techniques, but other than that it's a complete waste of time. Although this movie is a great cure for insomnia, my advice would be to avoid it.
The DVD cover displays a steroid freak (main character), a huge truck and a group of 80's punk rockers with M16 machine guns. Well, in the actual movie, there was no truck, no 80's punks and the main character was far from a steroid freak.
The most enjoyable thing about this movie was the main character's bomb car and his mad parking techniques, but other than that it's a complete waste of time. Although this movie is a great cure for insomnia, my advice would be to avoid it.
The bootless trio from the annoyingly haired 'Killpoint' is back : director Frank Harris, and 'stars' Leo Fong and Cameron Mitchell. A triumvirate of terrible. Harris in particular, should be ashamed of himself.
'Low Blow' isn't as sick, racist or downright nasty as 'Killpoint' - and that's it. It's just as amateur, vacant, irritating and soul-destroying in every other regard. Fong, despite slightly improved hair, drudges through this all-out dog's breakfast like a stop-motion clog.
A ridiculous, dozy cult led by Mitchell in a hood and sunglasses; and - the film's only plus-point - dishy but demented disciple, Akosua Busia, have kidnapped some girl and are brainwashing her on a farm. It's up to somnambulant Fong and a few bumpy grunts to rescue her.
All Fong films' selling point is chiefly the fact he knew Bruce Lee, but so did a lot of other people. I met Sir Michael Hordern once, but I don't go around doing Lear at the Old Vic.
You may ask - justifiably - why even watch this turnip ?
Good question.
'Low Blow' isn't as sick, racist or downright nasty as 'Killpoint' - and that's it. It's just as amateur, vacant, irritating and soul-destroying in every other regard. Fong, despite slightly improved hair, drudges through this all-out dog's breakfast like a stop-motion clog.
A ridiculous, dozy cult led by Mitchell in a hood and sunglasses; and - the film's only plus-point - dishy but demented disciple, Akosua Busia, have kidnapped some girl and are brainwashing her on a farm. It's up to somnambulant Fong and a few bumpy grunts to rescue her.
All Fong films' selling point is chiefly the fact he knew Bruce Lee, but so did a lot of other people. I met Sir Michael Hordern once, but I don't go around doing Lear at the Old Vic.
You may ask - justifiably - why even watch this turnip ?
Good question.
like others here, i bought this movie for $3. And yes, the acting is awful, it is low budget, the case has nothing to do with the movie, and the soundtrack appears to consist of one song. However, it is one of the funniest movies i have ever seen. Does the fact that it is not intentionally funny cancel that out? Does hilariously bad choreography equate to a bad movie? or story lines that don't make sense - such as yanakunda calling Karma "my daughter, my wife". This movie gets funnier every time i watch it. The script at times is ridiculous - and that makes it very quotable. its also a great movie to watch when you are drunk. So, in terms of film making, this movie is right down there with the worst, so i could easily give this a poor score like others before me have. But i watch movies to be entertained. and if this movie is so bad that its entertaining for every minute that it lasts, then it is a good movie. If it gets better every time i see it, then it is a great movie. and this movie has proved to be far more entertaining than most of the "best" movies ever made, so i give it a 10.
some scenes to watch for: all driving scenes, the pointless church scene (he drove to a church and crashed his car just to say 2 words to a guy), the car and chainsaw scene, the puppy scene (totally random and unexplained), i could go on forever
some scenes to watch for: all driving scenes, the pointless church scene (he drove to a church and crashed his car just to say 2 words to a guy), the car and chainsaw scene, the puppy scene (totally random and unexplained), i could go on forever
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- AnecdotesDiscussed on The Best of the Worst series by Red Letter Media.
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- How long is Low Blow?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 63 860 $US
- Week-end de sortie aux États-Unis et au Canada
- 63 860 $US
- 27 avr. 1986
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