NOTE IMDb
6,0/10
13 k
MA NOTE
Un procureur du district de New York travaille et flirte avec son adversaire et une cliente artiste excentrique, jugée pour un meurtre qu'elle n'a pas commis.Un procureur du district de New York travaille et flirte avec son adversaire et une cliente artiste excentrique, jugée pour un meurtre qu'elle n'a pas commis.Un procureur du district de New York travaille et flirte avec son adversaire et une cliente artiste excentrique, jugée pour un meurtre qu'elle n'a pas commis.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Jennifer Dundas
- Jennifer Logan
- (as Jennie Dundas)
Gary Howard Klar
- Hit Man
- (as Gary Klar)
Avis à la une
Ivan Reitman, fresh off the special effects high of "Ghostbusters" takes on romantic comedy that works in fits and starts in "LEGAL EAGLES".
Robert Redford, with breezy style, is a NYC D.A. who prosecutes at whim. Enter Debra Winger, a scrappy lawyer so desperate, she once chose to put a dog on the stand to make her case. The two fall in love (or about as 80's as it gets - they become partners) in representing an airy client (Daryl Hannah) who may (or may not) have committed a major art fraud/crime.
This is a time-capsule of a film... written by the guys who wrote "Top Gun" and "Dick Tracy", it's a big, over-packaged film that's both romantic comedy, star-vehicle, and glossy, synthetic who-done-it. All the Reitman glitz-and-polish is there (with big setpieces scattered throughout), and the movie is easy on the eyes, especially with Redford's easy, casual performance pulling the viewer along and Reitman's deft comedic touch.
It was also a troubled production to be sure: Bill Murray was once considered for the Winger role, creating a love triangle that would have found Hannah torn between the Sundance Kid and Nick The Lounge Singer - but alas, Murray opted out. In interviews long since the film's release, Winger claims no desire ever to work with Reitman again.
1986's "LEGAL EAGLES" is probably the textbook case of the all-powerful talent agency known as Creative Artists Agency packaging a Real Motion Picture - what industry wags call a "filmed-deal". But is Legal Eagles any good? Sure, I guess. It's competently directed, it makes great use of it's New York City art-world locales, it has a wonderful Elmer Bernstein score, great cinematography by the legendary Laszlo Kovacs and both Winger and Hannah make for delicious eye-candy when pared with Redford. Ultimately, it becomes systematic of what was askew in these "packages": the movie relies solely on the audience goodwill, fine craftsmanship and former successes of its primary players to carry the load. "LEGAL EAGLES" is by no means a failure, but wrapped in such a glossy serving, it's hard to really enjoy anymore than for its quick, empty calories.
I have a soft spot for this film - it's great to see Redford on screen seeming to have such a spirited good time after an absence from movie comedy for a number of years - but after all is said and done, "LEGAL EAGLES" is as enjoyable as a Big Mac, albeit one served on a fine china dinner plate.
PS - the TV version of this film has a curious, bizarre alternate ending which negates the whole court case!
Robert Redford, with breezy style, is a NYC D.A. who prosecutes at whim. Enter Debra Winger, a scrappy lawyer so desperate, she once chose to put a dog on the stand to make her case. The two fall in love (or about as 80's as it gets - they become partners) in representing an airy client (Daryl Hannah) who may (or may not) have committed a major art fraud/crime.
This is a time-capsule of a film... written by the guys who wrote "Top Gun" and "Dick Tracy", it's a big, over-packaged film that's both romantic comedy, star-vehicle, and glossy, synthetic who-done-it. All the Reitman glitz-and-polish is there (with big setpieces scattered throughout), and the movie is easy on the eyes, especially with Redford's easy, casual performance pulling the viewer along and Reitman's deft comedic touch.
It was also a troubled production to be sure: Bill Murray was once considered for the Winger role, creating a love triangle that would have found Hannah torn between the Sundance Kid and Nick The Lounge Singer - but alas, Murray opted out. In interviews long since the film's release, Winger claims no desire ever to work with Reitman again.
1986's "LEGAL EAGLES" is probably the textbook case of the all-powerful talent agency known as Creative Artists Agency packaging a Real Motion Picture - what industry wags call a "filmed-deal". But is Legal Eagles any good? Sure, I guess. It's competently directed, it makes great use of it's New York City art-world locales, it has a wonderful Elmer Bernstein score, great cinematography by the legendary Laszlo Kovacs and both Winger and Hannah make for delicious eye-candy when pared with Redford. Ultimately, it becomes systematic of what was askew in these "packages": the movie relies solely on the audience goodwill, fine craftsmanship and former successes of its primary players to carry the load. "LEGAL EAGLES" is by no means a failure, but wrapped in such a glossy serving, it's hard to really enjoy anymore than for its quick, empty calories.
I have a soft spot for this film - it's great to see Redford on screen seeming to have such a spirited good time after an absence from movie comedy for a number of years - but after all is said and done, "LEGAL EAGLES" is as enjoyable as a Big Mac, albeit one served on a fine china dinner plate.
PS - the TV version of this film has a curious, bizarre alternate ending which negates the whole court case!
It's far from perfect but 'Legal Eagles' is quite nostalgic and entertaining. The story is very contrived especially with so many plot holes and the characters aren't fully fleshed out either but it has a very noire style approach and does keep you in suspense. The humour also works quite well. On the technical side it's a decently made film, nothing too flashy which is good. I also liked the presentation of the art world.
No matter what one says about 'Legal Eagles', for me the highlight is easily Robert Redford and a very cute Debra Winger. Both actors are spellbinding, delivering subtle and charming performances. As performers, they just look so comfortable with each other. Their chemistry is amazing and their scenes, especially their on-screen banter, are a delight to watch.
Daryl Hannah's role is sketchy but she looks sizzling and I enjoyed her sequences with Redford and the scene where she demonstrates her art. Brian Dennehy is wasted. Terence Stamp is adequate.
So yes, it's got its flaws but how can you not enjoy it for Redford and Winger?
No matter what one says about 'Legal Eagles', for me the highlight is easily Robert Redford and a very cute Debra Winger. Both actors are spellbinding, delivering subtle and charming performances. As performers, they just look so comfortable with each other. Their chemistry is amazing and their scenes, especially their on-screen banter, are a delight to watch.
Daryl Hannah's role is sketchy but she looks sizzling and I enjoyed her sequences with Redford and the scene where she demonstrates her art. Brian Dennehy is wasted. Terence Stamp is adequate.
So yes, it's got its flaws but how can you not enjoy it for Redford and Winger?
I really do love Legal Eagles, it's a film that hearkens back to the stuff that William Powell and Myrna Loy did at MGM. I can see a younger Tracy and Hepburn in this film as well.
Robert Redford is the Jack McCoy of the New York County District Attorney's office and wouldn't you know it, Steven Hill plays the New York County DA here. Hill's thinking of hanging it up, but obviously as fans of Law and Order know, he eventually didn't. He's thinking of promoting Redford as his candidate to succeed him come the next election.
But for budding politico Redford, his life gets real complicated when defense attorney Debra Winger and her client Darryl Hannah enter his life. Hannah is the daughter of a famed artist who was killed in a loft fire where she barely escaped from when she was about 6. Since then she's become something of a wild child.
Hannah steals a picture from art dealer Terrence Stamp that she says is really hers. That starts a chain of events in which she's eventually accused of Stamp's murder. That same night Hannah decides she needs a little tender loving care and who better than the assistant district attorney to give it. The police bust her when she and Redford are in flagrato.
After that Redford decides to see how the other half lives working with Debra Winger on Hannah's defense.
What I liked about Legal Eagles is that it glided nicely from comedy to drama with little effort. The climax at Terrence Stamp's gallery was very well staged and Redford is being a most heroic lawyer.
Also in the cast are Roscoe Lee Browne as the judge at Hannah's trial and Brian Dennehy as a most interesting investigator. It's one of Robert Redford's best films and it's got style and substance.
With Redford, style is a given.
Robert Redford is the Jack McCoy of the New York County District Attorney's office and wouldn't you know it, Steven Hill plays the New York County DA here. Hill's thinking of hanging it up, but obviously as fans of Law and Order know, he eventually didn't. He's thinking of promoting Redford as his candidate to succeed him come the next election.
But for budding politico Redford, his life gets real complicated when defense attorney Debra Winger and her client Darryl Hannah enter his life. Hannah is the daughter of a famed artist who was killed in a loft fire where she barely escaped from when she was about 6. Since then she's become something of a wild child.
Hannah steals a picture from art dealer Terrence Stamp that she says is really hers. That starts a chain of events in which she's eventually accused of Stamp's murder. That same night Hannah decides she needs a little tender loving care and who better than the assistant district attorney to give it. The police bust her when she and Redford are in flagrato.
After that Redford decides to see how the other half lives working with Debra Winger on Hannah's defense.
What I liked about Legal Eagles is that it glided nicely from comedy to drama with little effort. The climax at Terrence Stamp's gallery was very well staged and Redford is being a most heroic lawyer.
Also in the cast are Roscoe Lee Browne as the judge at Hannah's trial and Brian Dennehy as a most interesting investigator. It's one of Robert Redford's best films and it's got style and substance.
With Redford, style is a given.
charming is the right word. because it is a nice film, without high ambitions and using old recipes, mixture of crime and romance, with a good performance of Daryll Hannah and same Redford who does a seductive character. a movie who can not be real convincing but who know explore in a smart manner, the common clichés. and that is its great virtue - to not be serious or a parody but a perfect choice for Sunday evening. the secret - maybe, courage to use tricks from old romantic comedies in decent doses. and it works at whole. the vulnerability of characters, the action scenes, the thin artistic stain, all as tools for a charming show who reminds classic films and who can be opportunity for rediscover good actors at duty.
Full of plot holes and expensive excesses, LEGAL EAGLES wouldn't be much without the genuine star power it receives from it's first class cast.
Redford is very charming as the assistant D.A. whose becomes involved with defense lawyer Winger (terrific as always) to solve a case that includes arson, stolen paintings, insurance fraud, and even murder.
The chemistry between Redford and Winger is very much like Spencer and Tracy and is very enjoyable to watch. However, Daryl Hannah steals the show as the slightly off center performance artist who is in the middle of the complex case.
The film's story will not hold up under much thought and the many shots of buildings on fire will only appeal to pyros. Still, this film is fun entertainment and is a must-see if you are a fan of one of the three stars.
I'd rate this a good 6 out of 10.
Redford is very charming as the assistant D.A. whose becomes involved with defense lawyer Winger (terrific as always) to solve a case that includes arson, stolen paintings, insurance fraud, and even murder.
The chemistry between Redford and Winger is very much like Spencer and Tracy and is very enjoyable to watch. However, Daryl Hannah steals the show as the slightly off center performance artist who is in the middle of the complex case.
The film's story will not hold up under much thought and the many shots of buildings on fire will only appeal to pyros. Still, this film is fun entertainment and is a must-see if you are a fan of one of the three stars.
I'd rate this a good 6 out of 10.
Le saviez-vous
- AnecdotesIn the end credits, one can see that one of the works of art used in the film is from the collection of Cary Grant. As Grant would pass away the same year of the film's release, 1986, this would be one of his last screen credits.
- GaffesThe bomb left by Taft in the warehouse has a digital countdown clock, yet it ticks as if it is a mechanical clock.
- Citations
Laura J. Kelly: Don't lose him.
Tom Logan: I'm not going to lose him. Where is he?
- Versions alternativesSPOILER: The syndicated broadcast version offers a considerably changed ending, in which the Daryl Hannah character goes from being innocent of murder to being guilty of one of the murders. (There are also differently edited versions of the Chelsea-is-guilty ending.)
- ConnexionsFeatured in Rod Stewart: Love Touch (1986)
- Bandes originalesLove Touch
Performed by Rod Stewart
Written by Mike Chapman, Holly Knight and Gene Black
Available exclusively on Warner Bros. Records
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- How long is Legal Eagles?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Peligrosamente juntos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 49 851 591 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 043 360 $US
- 22 juin 1986
- Montant brut mondial
- 93 151 591 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was L'affaire Chelsea Deardon (1986) officially released in India in English?
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