NOTE IMDb
5,7/10
2,9 k
MA NOTE
Amanda demande à son fils John de se rende à son laboratoire pour détruire les notes sur ses dernières expériences et ce qui concerne son "frère" qu'il n'a jamais connu. Mais le collaborateu... Tout lireAmanda demande à son fils John de se rende à son laboratoire pour détruire les notes sur ses dernières expériences et ce qui concerne son "frère" qu'il n'a jamais connu. Mais le collaborateur d'Amanda ne l'entend pas de cette oreilleAmanda demande à son fils John de se rende à son laboratoire pour détruire les notes sur ses dernières expériences et ce qui concerne son "frère" qu'il n'a jamais connu. Mais le collaborateur d'Amanda ne l'entend pas de cette oreille
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Bunky Jones
- Nell Valentine
- (as Bunki Z)
Benjamin J. Perry
- Porsche Driver
- (as Ben Perry)
Avis à la une
A man who's scientist mother recently died has been told that she created a genetically made baby brother named " Anthony" but it turns out that it's a fully grown mutant monster that murders people, only the man can stop this freak of nature.
Entertaining little flick with good acting and an OK plot, the creature itself looks a little H.R. Giger-esque, recommended if you like " Jurassic Park", " Species", "Resident Evil" and " From Beyond".
5/10.
Entertaining little flick with good acting and an OK plot, the creature itself looks a little H.R. Giger-esque, recommended if you like " Jurassic Park", " Species", "Resident Evil" and " From Beyond".
5/10.
I really enjoyed this movie. It has some really original special effects, i.e. "fish-woman". It has remained one of my favourites. The cast made up of mostly little known actors are all likeable, (even when being obnoxious) and the setting is not your usual sci-fi horror laboratory deal.
If you like a scare, I recommend it and if you do see it and like it you might want to try "From Beyond".
If you like a scare, I recommend it and if you do see it and like it you might want to try "From Beyond".
A doctor in Los Angeles (David Allen Brooks) is instructed by his dying mother, a revolutionary geneticist, to destroy her work at the family homestead. So, he leads a team up there, but their stay is interrupted by some... thing.
"The Kindred" (1987) is similar in spirit to "The Boogens" from six years prior and the soon-to-come "Slugs." It mixes HP Lovecraft with horror bits from "Halloween," "Alien" and "Jaws." For instance, there's an aged doctor in the periphery who's reminiscent of Donald Pleasence's Dr. Loomis, just less noble (Rod Steiger). It's okay, but seems off somehow and therefore is the least of these, which explains its obscurity.
The female cast is decent with Talia Balsam (Sharon), Amanda Pays (Melissa) and Julia Montgomery (Cindy), but the director evidently didn't know how to shoot women.
While it won't strike you at first, the movie ends up being a cabin-in-the-woods flick. It delivers the goods just enough if you're in the mood for such a film but, like I said, it's not exactly great or even really good. It needed another rewrite to flush out more entertainment.
It runs 1 hour, 33 minutes, and was shot at Laird International Studio in Culver City, but also nearby Los Angeles (the hospital) and Mentryville (Amanda's house), which is an hour's drive northwest of the city, just west of Santa Clarita.
GRADE: C.
"The Kindred" (1987) is similar in spirit to "The Boogens" from six years prior and the soon-to-come "Slugs." It mixes HP Lovecraft with horror bits from "Halloween," "Alien" and "Jaws." For instance, there's an aged doctor in the periphery who's reminiscent of Donald Pleasence's Dr. Loomis, just less noble (Rod Steiger). It's okay, but seems off somehow and therefore is the least of these, which explains its obscurity.
The female cast is decent with Talia Balsam (Sharon), Amanda Pays (Melissa) and Julia Montgomery (Cindy), but the director evidently didn't know how to shoot women.
While it won't strike you at first, the movie ends up being a cabin-in-the-woods flick. It delivers the goods just enough if you're in the mood for such a film but, like I said, it's not exactly great or even really good. It needed another rewrite to flush out more entertainment.
It runs 1 hour, 33 minutes, and was shot at Laird International Studio in Culver City, but also nearby Los Angeles (the hospital) and Mentryville (Amanda's house), which is an hour's drive northwest of the city, just west of Santa Clarita.
GRADE: C.
Okay, first and foremost, let me take my pants off. Just kidding... No, First and foremost, this film will delight you ONLY if you are a real fan of films described in my summary above. It is ULTRA low budget, but you really have to admire how well they did with what they had. I thought for very low cost creature effects, the creators / directors of the film did an excellent job in making them as believable as possible and actually truly scary at times. You could tell that the directors had a nice natural sense of how to visualize what they wanted; for example, without giving too much away, just the simple scene with the little guy in the jar was really quite good. When compared to MANY other similar scenes in Horror or even Goofy, NOT-Serious Horror (A La 'GREMLINS', for example) where you would use similar effects, I really felt that they made it very believable and lifelike, which went a LONG way in involving and truly immersing you more in the film.
Sure, as some others have stated here, there are some pretty Cheeeeeeezy moments, but even compared to MOST of the Horror crap that has come out during that time and even within, say, ten years of this being made, I think this one very much holds it's own in drawing the audience in and creating a decent level of tension. There are also a nice twist or two that adds to the entertainment value of the movie. One transformation scene, which I WON'T go into because I do not want to enter Spoiler territory, was honestly quite effective and well done, despite some of the scornful comments from a couple of other reviewers here.
The acting is nothing to get too excited about; we don't see very much from the veterans here, except the usual Rod Steiger getting worked up to either an orgasm or heart attack, take your choice... I personally liked Brad though; he had a rather entertaining personality. Everyone else was adequate; the British girl was decent, of course the accent (to us easily impressed Americans) always helps.
I'm NOT trying to say that this is by ANY reach of the imagination an 'ALIEN', 'SESSION 9', or 'EVENT HORIZON', believe me; but for the modest intent of the film and for PRECISELY what it is, it comes across surprisingly well. So, like I mentioned before, IF you are indeed a fan of these kinds of films, then you should have a lot of fun watching it...
Sure, as some others have stated here, there are some pretty Cheeeeeeezy moments, but even compared to MOST of the Horror crap that has come out during that time and even within, say, ten years of this being made, I think this one very much holds it's own in drawing the audience in and creating a decent level of tension. There are also a nice twist or two that adds to the entertainment value of the movie. One transformation scene, which I WON'T go into because I do not want to enter Spoiler territory, was honestly quite effective and well done, despite some of the scornful comments from a couple of other reviewers here.
The acting is nothing to get too excited about; we don't see very much from the veterans here, except the usual Rod Steiger getting worked up to either an orgasm or heart attack, take your choice... I personally liked Brad though; he had a rather entertaining personality. Everyone else was adequate; the British girl was decent, of course the accent (to us easily impressed Americans) always helps.
I'm NOT trying to say that this is by ANY reach of the imagination an 'ALIEN', 'SESSION 9', or 'EVENT HORIZON', believe me; but for the modest intent of the film and for PRECISELY what it is, it comes across surprisingly well. So, like I mentioned before, IF you are indeed a fan of these kinds of films, then you should have a lot of fun watching it...
The era of the VHS spawned a lot of flicks that are still not released on DVD or Blu Ray. Synapse announced this one years ago and up to this writing it is still not available on that format. So if you want it, it's still a VHS hunt, go figure that!
Is it worth a hunt? Well, it's made just before the end of the horror era. It doesn't show luckily but it's cheesy as hell. But the effects are on-camera and done with the classic latex as seen in the classics so be happy that those are used and not some stupid CGI from that era.
Low budget as hell is shown if you look sharp, a few times the microphone is seen in shots. But if you like them cheesy and messy and with mediocre acting or even over acting try to find it. Be honest, no good storyline you only watch this for the effects.
It has been a while i've seen a 4:3 format on VHS, a trip down memory lane.
Gore 2/5 Nudity 0/5 Effects 3/5 Story 1,5/5 Comedy 0/5
Is it worth a hunt? Well, it's made just before the end of the horror era. It doesn't show luckily but it's cheesy as hell. But the effects are on-camera and done with the classic latex as seen in the classics so be happy that those are used and not some stupid CGI from that era.
Low budget as hell is shown if you look sharp, a few times the microphone is seen in shots. But if you like them cheesy and messy and with mediocre acting or even over acting try to find it. Be honest, no good storyline you only watch this for the effects.
It has been a while i've seen a 4:3 format on VHS, a trip down memory lane.
Gore 2/5 Nudity 0/5 Effects 3/5 Story 1,5/5 Comedy 0/5
Le saviez-vous
- AnecdotesWhen Rod Steiger reluctantly took direction for a specific scene from young co-director, Stephen Carpenter, he pulled him aside and told Carpenter, "an actor is the only person whose mistakes are photographed." Carpenter went on to say in interviews that he never forgot this moment, and that it changed he and his co-director's (Jeffrey Obrow) approach to directing.
- Citations
Amanda Hollins: Dear God, he's still living, he's still alive!
- Versions alternativesThe US version of the film is cut for an "R" rating. Cut out were a shot of the monster's tentacle going into a woman's nose, and also the monster opening its belly during its death.
- ConnexionsFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 407 024 $US
- Week-end de sortie aux États-Unis et au Canada
- 602 834 $US
- 11 janv. 1987
- Montant brut mondial
- 2 407 024 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was The Kindred (1987) officially released in India in English?
Répondre