Amanda demande à son fils John de se rende à son laboratoire pour détruire les notes sur ses dernières expériences et ce qui concerne son "frère" qu'il n'a jamais connu. Mais le collaborateu... Tout lireAmanda demande à son fils John de se rende à son laboratoire pour détruire les notes sur ses dernières expériences et ce qui concerne son "frère" qu'il n'a jamais connu. Mais le collaborateur d'Amanda ne l'entend pas de cette oreilleAmanda demande à son fils John de se rende à son laboratoire pour détruire les notes sur ses dernières expériences et ce qui concerne son "frère" qu'il n'a jamais connu. Mais le collaborateur d'Amanda ne l'entend pas de cette oreille
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Bunky Jones
- Nell Valentine
- (as Bunki Z)
Benjamin J. Perry
- Porsche Driver
- (as Ben Perry)
Avis à la une
After learning of his ailing mother's condition, a genetic researcher is tasked with heading to her secret laboratory hideout to retrieve data to finish the experiments ahead of a ruthless rival, but when he and his team discover the mutated results of the experiment must try to get away alive.
This was a fun enough if somewhat flawed genre effort. Among the more likable elements here is the mysterious atmosphere present here that demonstrates the build-up of the research being committed. With the first half focused pretty heavily on demonstrating the importance of the research to the various parties present and their desire to get at it, the series of expeditions out to the house by the parties in play serve this quite well. Getting an idea of the importance of the research and how far they're willing to go to get their hands on it, this provides a great starting point into the importance and need to handle the particular experiment quite well. That all ends up providing a series of enjoyable and generally fun cheesy creature feature attacks. Offering up plenty of fun with the practical effects, the encounters here are quite fun with the early sequence of it stowing away in the backseat of the car and unknowingly causing it to drive off the cliff, the ambush in the farmhouse that brings the creature's full form to light and the full-on fun of the attacks inside the house with the creatures' tentacles offering up some genuine shock tactics bursting out to grab at and ensnare victims. This generates a highly enjoyable and effective finale featuring some decent barricade tactics, practical creatures, and a frantic confrontation that gives this one quite a lot to like. This one does have some issues with it. One of the biggest drawbacks is the generally uninvolved setup that tends to make this one go on for quite a while until it becomes interesting. The focus on the meetings between the various doctors and medical personalities, the strange abduction of the accident victim from the roadside crash by the unknown mercenary, and the intimations that clandestine experiments are going awry waste all sorts of time here. It doesn't help that there's no real connection given for a lot of these storylines for quite a while into the running time meaning this takes a while before things start to make sense which isn't a good look for starting a movie off. The other big drawback to this one is the rather unnecessary and convoluted means through which this one tries to set up a secondary villain in the mod doctor out to steal the creature for himself. Not only is this entire segment written in a highly complicated matter concerning the devious member of the team trying to undermine the trip for him which isn't that creative anyway but also goes to show a generally lame reasoning for undergoing the ruse for the most point. It introduces bodies into the equation in the finale which is an expected side-effect but doesn't really do much else here with it being pretty much non-existent about why its' included which all brings this down somewhat.
Rated R: Graphic Violence and Grapic Language.
This was a fun enough if somewhat flawed genre effort. Among the more likable elements here is the mysterious atmosphere present here that demonstrates the build-up of the research being committed. With the first half focused pretty heavily on demonstrating the importance of the research to the various parties present and their desire to get at it, the series of expeditions out to the house by the parties in play serve this quite well. Getting an idea of the importance of the research and how far they're willing to go to get their hands on it, this provides a great starting point into the importance and need to handle the particular experiment quite well. That all ends up providing a series of enjoyable and generally fun cheesy creature feature attacks. Offering up plenty of fun with the practical effects, the encounters here are quite fun with the early sequence of it stowing away in the backseat of the car and unknowingly causing it to drive off the cliff, the ambush in the farmhouse that brings the creature's full form to light and the full-on fun of the attacks inside the house with the creatures' tentacles offering up some genuine shock tactics bursting out to grab at and ensnare victims. This generates a highly enjoyable and effective finale featuring some decent barricade tactics, practical creatures, and a frantic confrontation that gives this one quite a lot to like. This one does have some issues with it. One of the biggest drawbacks is the generally uninvolved setup that tends to make this one go on for quite a while until it becomes interesting. The focus on the meetings between the various doctors and medical personalities, the strange abduction of the accident victim from the roadside crash by the unknown mercenary, and the intimations that clandestine experiments are going awry waste all sorts of time here. It doesn't help that there's no real connection given for a lot of these storylines for quite a while into the running time meaning this takes a while before things start to make sense which isn't a good look for starting a movie off. The other big drawback to this one is the rather unnecessary and convoluted means through which this one tries to set up a secondary villain in the mod doctor out to steal the creature for himself. Not only is this entire segment written in a highly complicated matter concerning the devious member of the team trying to undermine the trip for him which isn't that creative anyway but also goes to show a generally lame reasoning for undergoing the ruse for the most point. It introduces bodies into the equation in the finale which is an expected side-effect but doesn't really do much else here with it being pretty much non-existent about why its' included which all brings this down somewhat.
Rated R: Graphic Violence and Grapic Language.
The Kindred is just a monster movie-no more, no less. While not being Rod Steiger's finest moment (or wig), it does offer up a slim bit of originality. Steiger plays a mad scientist (what other kind are there?) who is searching for a genetically altered monster, Anthony. Also searching for Anthony are a group of 20-something medical students and one of them could be related him; Hence the title. Then it becomes a formulaic slasher movie with the kids being attacked one by one. It's pretty much downhill from there. The scenes in Steiger's lab are the eeriest and the movie should have spent more time there. The climax stands out and the acting is not bad considering two Academy Award winning "screen legends" were conned into starring in it.
I really enjoyed this movie. It has some really original special effects, i.e. "fish-woman". It has remained one of my favourites. The cast made up of mostly little known actors are all likeable, (even when being obnoxious) and the setting is not your usual sci-fi horror laboratory deal.
If you like a scare, I recommend it and if you do see it and like it you might want to try "From Beyond".
If you like a scare, I recommend it and if you do see it and like it you might want to try "From Beyond".
Dying woman (Kim Hunter) tells her son (David Allen Brooks) to destroy all of her lab work and that he also had a brother. Brooks takes some of his friends, plus a mysterious woman (Amanda Pays) that claims to be a big fan of his mother's work, to mom's house. There they fall victim to a monster that his mom accidently created and that Rod Steiger is trying to capture for research. Scary film with an intense opening sequence and a good cast, especially Steiger and Pays. It also features some good nasty gross out special effects, especially the watermelon scene and the finale. A very underrated horror film.
Rated R; Graphic Violence and Profanity.
Rated R; Graphic Violence and Profanity.
A man who's scientist mother recently died has been told that she created a genetically made baby brother named " Anthony" but it turns out that it's a fully grown mutant monster that murders people, only the man can stop this freak of nature.
Entertaining little flick with good acting and an OK plot, the creature itself looks a little H.R. Giger-esque, recommended if you like " Jurassic Park", " Species", "Resident Evil" and " From Beyond".
5/10.
Entertaining little flick with good acting and an OK plot, the creature itself looks a little H.R. Giger-esque, recommended if you like " Jurassic Park", " Species", "Resident Evil" and " From Beyond".
5/10.
Le saviez-vous
- AnecdotesWhen Rod Steiger reluctantly took direction for a specific scene from young co-director, Stephen Carpenter, he pulled him aside and told Carpenter, "an actor is the only person whose mistakes are photographed." Carpenter went on to say in interviews that he never forgot this moment, and that it changed he and his co-director's (Jeffrey Obrow) approach to directing.
- Citations
Amanda Hollins: Dear God, he's still living, he's still alive!
- Versions alternativesThe US version of the film is cut for an "R" rating. Cut out were a shot of the monster's tentacle going into a woman's nose, and also the monster opening its belly during its death.
- ConnexionsFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 407 024 $US
- Week-end de sortie aux États-Unis et au Canada
- 602 834 $US
- 11 janv. 1987
- Montant brut mondial
- 2 407 024 $US
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