In the Shadow of Kilimanjaro

Michele returned to Hollywood for one final appearance after a short hiatus to raise her son as he was a high school student at the time of the films production.

Michele was excited to travel to Kenya for the filming but was disappointed with its final presentation.

Michele officially retired from acting within days of returning to her home in California.

Michele passed away on November 21st, 2018 at the age of 75 having never returned to her acting career.

The basic plot of IN THE SHADOW OF KILIMANJARO (1986) is that an army of crazed, homicidal babboons are killing folks left and right in the middle of nowhere. The thing the filmmakers should of realised is that babboons always look kind of bored. An example comes in one scene where a movie character has a flat tire in the desert. We cut to shots of yawning, pre-occupied looking monkeys watch him from afar. They seem to be saying "Hoo-Hummm, I dunno, should I kill him? I don't know, rather sit here and pick flies off my fur. (Yawn....) Okay. Let me go down and kill 'em." We had a good laugh with this one.

A ridiculous story of a drought in Africa which results in 90,000 baboons deciding to attack humans as their only way of getting food. Yes, that's right, 90,000 red-assed baboons munch their way through the cast during this silly 97 minute horror flick. There's a fair bit of needless gore, which doesn't help, and lots of build ups which peter out without delivering an exciting or frightening pay-off. The only decent thing about this movie is John Rhys-Davies (who was so great in Raiders of the Lost Ark), who injects a bit of interest in a somewhat underwritten role.

My review was written in April 1986 after watching the film at a Times Square screening room.

Filmed over two years ago in Kenya, "In the Shadow of Kilimanjaro" is an old-fashioned adventure thriller in the borderline horror genre of a last-stand-at-the-house against predators, previously essayed in such films as "Kingdom of the Spiders", "Savage Harvest" and "Roar". Box office outlook is weak.

A famine has caused the 90,000 baboons on a Kenya wildlife reservation to begin banding together an preying on humans (film claims on-screen to be base on a true story, but the 1984 date given is impossible). Wildlife ranger John (Jack to his friends) Ringtree -played by Timothy Bottoms, wants to evacuate the area of about 200 people but the government and manager of the local mine Chris Tucker (John Rhys-Davies) view him as an alarmist and oppose his efforts. As usual in corny horror films like this one, the cast (especially female) is given to wandering alone in the bush long after word of animal attacks has been announced, making them easy prey.

Eventually the danger comes close to home and all survivors huddle together in a hotel run by Michele Carey. The last stand against the marauding animals is successful and a convenient rainstorm spells the end of the drought and the problem.

Hokey film benefits from atmospheric location photography, but suffers from sometimes inaudible dialog recorded in direct sound. Rhys-Davies uses a prop-cigar and a new accent in a fun job as a villain, but by the final reels he has become a true-blue good guy, with only the baboons as hissable targets. Bottoms is merely okay as the bland hero, Irene Miracle is extremely glamorous as his "please come home with met to America" nagging wife (in a role reserved decades ago in these films for Elsa Martinelli) and it's fun to see 1960s starlet Michele Carey again, as the friendly neighborhood hotelier. Leonard Trolley is so hammy as an old British colonial type recalling the good old days that one wishes he had been fed to the baboons early on.

Director Raju Patel substitutes gore effects for suspense in an episodic presentation that fails to knit individual scenes together. Unconvincing matte shots are used to show hundreds of baboons storming down from the hills, while more manageable stagings of a dozen or o animals are used to enact the attacks on humans. Situation inevitably conjures up memories of Cy Endfield's minor 1965 classic "Sands of the Kalahari", but instead of that film's genuinely chilling climax of the baboons descending in long shot on the surviving protagonist (which left the horror to one's imagination), we now get severed limbs, half-eaten faces and torsos and other ineffective gimmicks.

Some of the reviews I encountered on "In the Shadow of Kilimanjaro" complain that baboons aren't convincing and not nearly menacing enough to pass for murderous animals. Well, this is a false impression in general. During a recent trip to South Africa I made a couple of excursions and the first thing the tour guides always warn you for are wild baboons. They are extremely aggressive animals and if they spot people with food in their hands, they will relentlessly attack and steal it from them. I'm not familiar with the supposedly true event this movie is based on, but I find it to be quite plausible and – even in case it never happened – it's a terrific plot outline for a mature and intellectual eco-horror movie anyway. The year is 1984 and Kenya, as well as the majority of the African continent, slowly cringes under a severe drought. It hasn't rained in months, the wildlife deteriorates, the animals are dying and a local community of mine workers do whatever they can to survive. They suddenly face an even more overpowering ordeal when all the baboons in the area, approximately 90.000, herd together and launch spontaneous attacks against the humans in their quest for food. "In the Shadow of Kilimanjaro" is a fairly odd and unusual 80's horror movie, since it doesn't aim for mindless shocks or bloody set-pieces, but merely thrives on atmosphere and educational values. The first half hour is really slow and moody, but this is mostly done to illustrate the atmosphere of drought and despair they characters find themselves trapped in. Once the baboons go on their virulent murder sprees, the film becomes more adventurous and horrific (with images of ripped off limbs and half-eaten faces) but still the violence never becomes gratuitous or overly exploitative. The make-up effects are effective and big kudos to the animal trainers, because a lot of footage was filmed using real animals. The mechanical baboons, used during the more complicated attack scenes, are definitely convincing as well. This mainly African-produced film features two international stars delivering more than adequate performances, namely Timothy Bottoms as a park supervisor (and kind of looking like a big ape himself, what with the ferocious beard) and John Rhys-Davies as the demanding mine owner. "In the Shadow of Kilimanjaro" is a good and original film, naturally benefiting the most of the wonderful scenery and exterior filming locations, but also boosting a unique storyline and multiple moments of great suspense.