House

A true product of the 80s, but does that mean its anything less or far more… I don't know but I had trouble not getting caught up in its irresistibly off-kilter charm and patchwork ideas. I truly have a soft spot for it. Yeah it's a mess, a clueless and incoherent one. However it's goofy nature, vivid visual effects and willing performances lend very well to a competent looking production… yeah so what if those Vietnam flashbacks looked hokey and it's origins are cheap. This was the third film under the belt of director Steve Miner, who a couple years earlier brought us the raw, opening sequels 'Friday the 13th' Part 2 and 3'.

Miner is joined by producer Sean S. Cunningham, the man behind the original 'Friday the 13th'. This time it's far from chilling (but it doesn't feel like its trying either… well there are moments, lightly done though), as the angle is focused on the comedy, even if it doesn't have you constantly laughing out loud. It remains amusing nonetheless, while managing to be unpredictable in a way. We've flooded with ideas, artistic lashings and loose writing. William Katt makes for a likable victim, to his worrying state of thinking his going crazy due to the traumatic stress (war experience, missing child and marriage failure) or maybe it's the house and its dark, devious secrets preying upon his fragile mind.

Roger Cobb is a Vietnam VET/ horror novelist that has tragedy on mind after the strange disappearance of his son Jimmy when visiting his aunt's house. His obsessive quest on finding him takes on a huge toll on his marriage, as his wife leaves him and now he wants to write a book about his Vietnam experience despite the growing success of his horror novels. After the death of his aunt, he heads back to the house and decides this is where he would write his new book. However he finds out there's more to this house, and maybe a chance to find his son again.

Sounds like the typical haunted house shenanigans… Well to a point. There are monsters (creative animation/ rubber make-up and the zombie soldier design looks awesome) stemming from portals to other universes through closet doors and bathroom mirrors. In the end I guess there just wasn't enough of it, compared to its boundless sequel 'House II: The Second Story'. The psychological aspect (yes it tries) is muddled and never truly explored; because it lets the daftness and convoluted tone take control of anything of importance through its Vietnam slant. Miner keeps a steady pace, drawing some minor moments of suspense and unhinged weirdness. The direction can feel a little too staged, and planned out in its set-pieces due to its change in shifts. Although the execution comes off better than it probably should have and is fairly presentable, as just look Mac Ahlberg's polished cinematography as the camera seamlessly glides through the set-pieces and Harry Manfredini's score is elastically piercing in its perky arrangement.

Like I mentioned up further, Katt brings along an honest and capable performance. Around him is a down-to-earth turn by George Wendt. Who is good fun as Cobb's interfering neighbour. The stunning Kay Lenz doesn't get a lot to do, but her warm presence doesn't look out of place and Richard Moll is imposing as Cobb's Nam buddy. The beauty of Mary Stavin engulfs the few scenes she's in. Another asset you could say, and just as part of the film's character is the house itself. A formidable setting, but it didn't entirely have the lasting impact like I would've hoped and that's why the atmosphere (quite patchy) across the board didn't always have the same effect.

Loony, spontaneous comedy/horror that doesn't entirely hit the mark, but does plenty to tweak ones interest.

After an old woman is found hung in her creepy old house, her nephew (writer Roger Cobb, played by William Katt) decides to move in for some solitude. But the memories of the house come back to him, as this was where he lost his son and his marriage began to fall apart. And what is up with all the demons hiding in the closet?

The genesis of the film is somewhat interesting. Screenwriter Ethan Wiley was referred to the creators by Fred Dekker, who had developed the original concept. Dekker was too busy developing a Godzilla film for Steve Miner, so he passed the idea to Wiley, who converted it into more of a comedy. Now, the Godzilla film ended up in development hell, but the positive outcome is a superior "House". Dekker's version would have been darker, focused more on PTSD, while Wiley's version is what makes it so enduring.

Although my favorite film in the "House" series is part two, the entire run was respectable. We have some of the better acting for horror films of the time, and an interesting and original plot. The biggest flaw really is the poor makeup effects (especially on Big Ben), but this may have been partially intentional to reinforce that it is less than serious. The Vietnam theme is also played up a bit too much, but that was the kernel of the story, so it would be hard to remove.

Richard Moll (Bull Shannon from "Night Court") appears as Big Ben, a Vietnam soldier captured by the Vietnamese. His role is very important, although the acting comes across as flat. I do not know if he is a poor actor or if the script simply did not give him much room to work, but the entire Ben subplot is a bit lacking.

At the same time, we have George Wendt (Norm from "Cheers") as a friendly neighbor who has no problem inviting himself in for some pizza and beer. Wendt is wonderful and really makes this film fun, just as he would do twenty years later in John Landis' "Family". He also starts the trend of "Cheers" actors in the "House" series (John Ratzenberger appears in part two).

The film is fun, and a good pace. Nothing very scary here, not even the closet that goes straight to what looks like Cthulhu's basement. But sometimes you do not need scares and scantily-clad women. Sometimes you need a little fun, and you will find it here (and even more in "House II"). Watch it. You will like it.

Arrow Video has released the definitive "House" set (either two films or more depending on your region). For the first film, we not only get an extremely informative audio commentary from Steve Miner, Sean Cunningham, William Katt and Ethan Wiley, but we have a brand new making-of documentary which has all of those names plus George Wendt, Fred Dekker, Harry Manfredini and more. This is the last word on "House".

'House' stars William Katt as Roger Cobb, an accomplished novelist who moves into his creepy aunt's house after her suicide. In bits and pieces, the audience discovers that Roger once lived in the house, as well, along with the aunt, Roger's wife, and their now-missing son, Jimmy. Roger believes that Jimmy is trapped somewhere in this mysterious house, which just happens to be some sort of portal between past and present dimensions...I think? Anyway, the audience becomes involved, well, at least myself and the rest of my company became involved, and you start to feel for this poor guy who has really sorry luck...in all areas. Roger, our tattered hero, has the pretty neighbor Tanya, who likes to come and swim in his pool, and who ALWAYS catches him at the worst times. Then he has the nosy neighbor Harold, played by George Wendt, who might be out to exploit him or may just be generally concerned. I don't know. Then there is the neighborhood dog who likes to dig up Roger's "saplings"....

Overall, I find this to be a fairly underrated little horror movie. It's definitely one of Steve Miner's more innovative attempts, and the music, reminiscent of the F13 music and performed by the same man, Harry Manfredini, is thoroughly haunting. Also, most importantly, the acting is believable. Major points for that. None of this movie is hokey. It could have been...but it wasn't. 7/10 is my vote.

House is an inventive, original eighties horror comedy that has built its foundations on a thin line between laughs and scares. And I love every minute of it. The Friday the 13th team (Steve Miner, Sean S. Cunningham, and Harry Manfredini) strikes again. Even Kane Hodder (Jason) does some stuntwork. The story and the script are both great thanks to Fred Dekker (The Monster Squad) and Ethan Wiley (House II). Steve Miner succeeds in creating the atmosphere of an old house and in finding a likable cast as well. The cast includes William Katt (Carrie) as the unlucky lead Roger Cobb, George Wendt (Normie from Cheers), and Richard Moll (Bull from Night Court). My favorite cast member is probably the house itself. It's perfect, I think they made it just for this movie. The effects and makeup are great for the eighties. Skeleton Big Ben is awesome. One standout scene is Roger and the mini-demons playing tug-a-war with the little boy Robert (Miner's own kid). The score, by Manfredini, is highly similar to that of Friday the 13th, but I love still love it. House is a well put together, underrated horror movie. If you're going to buy a house this year, make it this one.

I don't know when I first saw this movie. I know I was young, ten or eleven maybe. I remember being scared, and probably had some trouble turning off the light that night, but it never traumatized me. I've picked it up every so often ever since and always enjoyed it. It was one of the first R rated horror movies I saw, and now I'm hooked on the genre.

This is a great film when introducing children to "harder" horror. For those ready to move on from Scooby-Doo but not ready for Night of the Living Dead or The Exorcist. It's scary and suspenseful but never terrifying. Tension builds and there are plenty of jump scares, but the frights never last for long. Take the closet monster for instance. Tension builds as Roger goes to the door and there's a big scare when it comes out. But afterwards it becomes almost silly. Same with the fish and witch. It's a lot like Evil Dead 2 in that it's never too scary to not be funny and never too funny to not be scary.

There's also a good story to go along with it. It follows Roger Cobb who grew up with his aunt in a haunted house. He went to war and saw horrible things. His son disappeared at the haunted house and he's separated from his wife. Obviously, all this ties together in some way when the aunt dies and he moves back into the house. None of it ever becomes hokey or clichéd. The film allows time to get to know Roger before the haunting begins so we like him and understand his plight. There's also an interesting aspect regarding whether all the hauntings are real or just caused by the stress of his life.

George Wendt from Cheers plays the lovable neighbor that Roger befriends and helps. He isn't that much different than Norm but provides lots of humorous moments. The only thing I wish they did better is to make the supermodel neighbor more interesting. She's fine for some T&A and the house does something with her (which I still can never get whether that was really her or if it was just the witch), but she never really serves the story well. It's little more than a cameo just to have a model in the movie.

Each of the actors do well in their parts. All are great, though Richard Moll hams it up just a little too much in his Vietnam scenes. It features William Katt, who genre fans would know as the prom date from Carrie. This film certainly shows some range for him. The film is made by the crew who did Friday the 13th, Parts 2 and 3 and has the same visual style.

The special effects work very well for the story. The "ghosts" are practical effects using puppets, like Star Wars, which looks a lot better than stop motion. As I said before, they look scary at first but grow silly the more they're seen. The walking hand is equally disturbing and funny.

The movie may not be a classic of the genre, but it's well worth checking out. It's a descent ghost story with plenty of suspense. As I said before, this is a good movie to test children before showing them something like The Shining or Nightmare on Elm Street. Those used to more terrifying horror should know that this isn't the scariest thing on store shelves. It's a good, solid B-movie that won't really disappoint.

Regarding the sequel, I say skip it. As light as this movie is, House II is much lighter and far campier. In fact, it's more like Weekend at Bernie's than Evil Dead. It's more of a fantasy-western than horror and never scary. If you're watching this movie and want more, go with the Bruce Campbell trilogy.