Howard... une nouvelle race de héros

There are certain movies you cannot die happy without having seen them at least once. "Casablanca", "The Wizard of OZ", the "Star Wars" Trilogy...

And, if you are a connoisseur of bad movies as I am, you must add to the above list the one, the only, "Howard the Duck".

Now this is, hands down, one of the stupidest ducking (groan) movies ever made. On the other hand, if you have a soft spot for bad movies, it doesn't get much better than this. It is absolutely insane. And it isn't nearly as bad as "Theodore Rex"!

HOWARD THE DUCK is one of those movies you have to see to believe.

A whopping boondoggle of sheer notoriety that replaced HEAVEN'S GATE as The Most Embarrassing Miscalculation In Hollywood History, this flick immediately humanized George Lucas; it proved that even he could make a bomb. And that's one of the things that makes it so fascinating--you just sit there, wondering what on earth the man was thinking.

I'm not going to write this with any intent of sarcastically ripping it to shreds, though. I'm going to attempt to both be fair and to express my opinion of it at the same time, mainly because I know that there *are* some folks out there who enjoy it for various reasons.

I'll be honest with you, the moment I heard Lucas was doing this film months in advance (and even then I was convinced the guy telling me was kidding until I saw an article for it in the paper), I rolled my eyes with disgust and didn't see it in the theatres. I saw it when a friend later rented it out of curiosity after it was rushed to video.

So what was it that suddenly possessed me to watch it? Well, I found out that my cousin was in it. You see, my cousin's name is Debbie Carrington (a.k.a. Debbie Lee Carrington), who was an Ewok in RETURN OF THE JEDI as well as a slew of other things, including but not limited to MEN IN BLACK, CAPTAIN EO, TOTAL RECALL (where she got to get on a table in a blonde wig and blast people with a machine gun) and on THE DREW CAREY SHOW ("Mini-Mimi"). So, naturally, I wanted to see this one because I learned of her involvement in it after the fact.

Most people loathe this film, but some like it simply because it's *so* weird in its badness while others genuinely love it for whatever reason. And that's okay. Actually, I kind of got a kick out of it and all its silliness the first time I saw it. We tried to watch it a second time, though, and were bored by it half the way through.

I just now saw it again for the first time since then.

One of the most bizarre things about this movie is how cheap it looks. For all the gobs of cash wasted on it (a record sum), HOWARD THE DUCK looks terrible. And no, I'm not talking about just the duck costume; I'm talking about the overall film, which looks exactly like a low-budget special made for television. Seriously, that's exactly how it looks, and I have no clue as to where the budget went to. I once wondered if it was used to desperately convince the stars involved to be in it, but I doubt it.

And meanwhile... speaking of the stars, I've got to hand it to Lea Thompson. Despite all the oddness here and all the stuff she is asked to do, she handles it all like a real trooper. In fact, this may be the bravest performance she's ever done, especially the bed scene. It also apparently didn't kill her career, thank God. Even though her character isn't at all fitting for a Big City Punkette, critics have nevertheless pointed out that she's still appealing here in her role as Beverly, and I agree. Meanwhile, Jeffery Jones gives quite possibly the strangest performance he's ever done, which is also an oddly effective one.

The biggest problem with the film is its mechanically coy, self-conscious script that has commercialized to death all of the original comic's appeal out of the final result (so what ELSE is new, Hollywood? ;) ). The movie can't decide whether it wants to follow the original concept or sweeten it up to supposedly appeal to a wider audience, and it is badly confused as a result. The movie desperately wants to protect its investment, so much so that the life has been choked out of it. Also, it has a *huge* amount of blah, unimaginatively generic lines ("No more Mr. Nice Duck", "You'll never get away with this", etc.).

But these days, it does have a ridiculous kind of flaky charm, partially because it's such an unbelievable anti-achievement and because it's so incredibly Eighties that it serves as a strong time capsule. And for those reasons and more, HOWARD THE DUCK has earned a place in twentieth century culture.

At a time when most of Marvel Comics' characters were stuck in low budget TV and straight-to-video productions, Steve Gerber's relatively obscure Howard the Duck got the big budget treatment with none other than George Lucas as producer. The film was written by Willard Huyck and Gloria Katz, who co-wrote "American Graffiti" and "Indiana Jones and the Temple of Doom", and directed by Huyck, with special effects by ILM. What could go wrong?

A lot, apparently. "Howard" was a critical and financial failure that deep-sixed the careers of Huyck and Katz and led to the cancellation of the duck's magazine. If the film had a moderately priced budget, it might have been forgotten as just another lightweight, trashy 1980s comedy and even turned a profit. Instead, the budget somehow ballooned to a then staggering $37,000,000 (almost as much as the entire "Star Wars" trilogy cost to make). Although other films lost more money and got worse reviews, the name "Howard the Duck" is still synonymous with "expensive turkey".

That said, the movie itself isn't as bad as it's reputation suggests. The plot revolves around the title character (voice by Chip Zien, played by various midgets in animatronic duck suits), a sarcastic talking duck from a planet a lot like Earth, except ducks evolved into the dominant life form. Howard is brought to Cleveland, Ohio when an experimental laser beam opens an interdimensional portal. There he befriends an aspiring rock singer (Leah Thompson) and a kooky lab assistant (Tim Robbins), and comes into conflict with various lowlifes, the police, and an evil demon that has possessed the body of a helpful scientist (Jeffrey Jones), all the while trying to get back home.

Gerber's original comic book series and a subsequent adult-oriented magazine weren't kids' stuff. They juxtaposed a funny animal character with bizarre villains and action more typical of Marvel's super-hero books, usually parodying comics, politics, and popular culture in the process. A sexual relationship between Howard and his human girlfriend Beverly was more than just implied. The "Howard the Duck" movie could have either toned down the more adult situations to create a family-friendly action-comedy, or gone straight for ribald satire and gotten an "R" rating. Instead, the filmmakers sought an uncomfortable middle ground that pleases no one. The script is not witty enough for adults and it is too sleazy and scary for young children. The endless duck puns become tiresome. There are, however, a few truly funny moments, such as Howard's shock at being served eggs, or his observation that "If God intended ducks to fly, he wouldn't have taken away our wings."

The direction is uneven. The reaction of several characters to meeting a talking alien duck seems muted given the circumstances. The special effects are also hit and miss. The animatronic duck suit cost millions, but the actors inside it add little personality. They could have at least waddled when they walked. The demonic Dark Lords of the Universe at the end of the film are portrayed with stop motion animation that is jerky and unrealistic even for the time (perhaps this was intentional, though, to provide a B-movie feel). However, while a bad movie all around, "Howard the Duck" at least stands out for its unique premise. Amidst a sea of formulaic mediocrity, an original idea, even if it's poorly developed, counts for something.

** out ****

Though I knew of its infamy, I'd never actually sat down and watched "Howard The Duck" before, so noticing that it's currently available on Sky Movies, and with a spare evening, I thought now was the opportune time.

Howard (Jordan Prentice & Chip Zien (primarily)) from a planet where the duck, rather than monkey, was the dominate species, is transported across the Galaxy, to Earth, where, despite his appearance he connects with Beverly (Lea Thompson) a struggling rock singer. Their attempts to find a way for Howard to return to his own planet are assisted by Beverly's friend Phil (Tim Robbins), who brings in Dr. Jenning (Jeffrey Jones) but their research only results is something much worse being brought to Earth.

So, no. It's not good. Not good at all. Particularly for the first half. Tonally it's all over the place, with duck playboy magazine and the visit to the brothel feeling at odds with the PG Certificate. The plot takes an age to get going and the set pieces are dull or incomprehensible. The acting is terrible, from some pretty big names too - what is Tim Robbins doing? It's also not helped that time hasn't been kind to the very 80's sensibilities, from the awful band, to the massive hair, to the outfits that everyone wears to the weird Rock club, to the generic 80's street thugs.

But is its reputation as one of the worst films of all time actually warranted? Not really, of course it was a financial failure and essentially ended up costing Lucas Pixar, but those consequences shouldn't really be considered when appraising the movie. Does "The Shawshank Redemptions" initial financial failure affect people's opinions of that film? The second half of the movie is alright, when the plot finally starts. I actually quite like the effects for the evil overlords race, I'm a bit of a sucker for stop motion animation.

Whilst never approaching a level you would describe as "good" the film is, never the less, rather unfairly grouped in during the "worst of all time" conversations and Howard himself is overdue his full MCU reboot.

Howard the Duck is literally one of the first movies ever released about a Marvel character. And for that it really needs to be remembered. It's also a terrible movie and showed that maybe George Lucas was a little over rated but at the same time it can be rather entertaining if you stop and look at it a bit more closely.

This is based off the Marvel comics character called Howard who starred in his own comic book "Howard the Duck". The story goes that he's an anthropomorphic duck from a parallel universe where ducks are the dominant species who's transported to Earth against his will. Here he meets up with Beverly who eventually becomes his love interest and they go on lots of weird adventures together. The comic itself was a social satire employing parodies of genre fiction as well as using a bit of metanarrative to advance the story. So in other words he was meta before Deadpool took over that role.

And that's the problem. If you look carefully at the movie itself you can see that they were trying to recreate that world on the silver screen. The problem is movies of that type need to be a little more obvious because otherwise they get taken literally and that spells the death of the movie. Which is what happened here. A lot of things happen in the background and no attention is brought to them as they should. For example in the restaurant scene where Howard almost gets killed and grilled by the crazy cook. If you read the sign it was a place that specialized in Cajun and Sushi. Two foods that were considered very trendy in the 80's except they're being served together. It's a strange pairing and in the theme of the comic book it makes sense. Here? Most people miss it and the joke is lost.

That doesn't excuse it's many glaring faults however. The biggest of which is the costume. This was originally supposed to be an animated feature, at least that's what I've been able to dig up. And yet for some reason they just put a little person in a suit. Sure a case could be made that it gives Howard a true outsider aspect as nobody else looks like he does. But it doesn't excuse the fact that everytime I see him I just see a guy in a duck costume.

There are decent scenes, some good actors trying to put some life into this pile of whatsit and let's face it Lea Thompson looks great here. So while it's not a great movie by any stretch of the imagination it's not as bad as people make it out to be.