Sept étudiantes passent le week-end dans un domaine élégant qui commence comme une aventure amusante, mais se termine par un cauchemar de terreur déchirante.Sept étudiantes passent le week-end dans un domaine élégant qui commence comme une aventure amusante, mais se termine par un cauchemar de terreur déchirante.Sept étudiantes passent le week-end dans un domaine élégant qui commence comme une aventure amusante, mais se termine par un cauchemar de terreur déchirante.
- Réalisation
- Scénario
- Casting principal
Peter Cosimano
- Paul
- (as Peter C. Cosimano)
Avis à la une
7 girls from the local Catholic school are chosen to go inventory the Wells estate, which has been left to their school by one Tyler Welles. It sounds like a fun weekend (I guess) until the girls hold a séance to try and contact Jennifer Wells, a 20-year-old who died mysteriously on the grounds in 1939. Their weekend gets even stranger when it is revealed one of the girls, Jackie (Mollie O'Mara), is a dead ringer for the deceased. This Troma pick up (originally called PORTRAIT) is something you could see Roberta Findlay making, except for the lack of any blood or nudity. Debuting director-producer-writer John P. Finnegan seems to forget he is making a cheap exploitation movie, so there is very little appeal here. There is a tacked on opening that looks as if it was added later to push up the monster factor. Finnegan scored better as writer-producer with the JAWS-inspired comedy BLADES (1989), which is also released by Troma.
This Troma release is bad --- but not in the good way the Toxic Avenger, Tromeo & Juliet, and The Killer Condom were. Instead it is a just mediocre 80s slasher meets the co-eds' film. This time 7 students of an all-girl college go to the mansion of a recently deceased millionaire. This fellow has left his valuable art collection to the school and it is up to these brave girls to catalogue it. But these students are not the all-work and no-play type; they fill their evenings with dope-smoking, Bud drinking, boyfriend smuggling, and seances. Unfortunately the benefactors' sorted past eventually makes their stay in the house miserable Scooby-Doo style. The major problem with this movie is over and over again characters make extremely far fetched decisions (even for campy 80s slasher films). My favorite was when the boyfriend decided to check out the local newspaper's back issues because he was curious about the owner. What?? Who does that?? For those who care: the gore and nudity quotient is very low. The one saving aspect of this film is the performance of the Old Nun that accompanies the girls. She achieves a kind of excellence in this film that nearly matches the likes of horror legend Don Barret's work in Slaughterhouse. Skeeter does love his schlocky horror and gives Girls' School Screamers 6 for 10!
Beautiful girls alone in a haunted mansion try raising the spirit of a girl who lived there 40 years ago. Good story filled with average actors. Definitely worth a look.
This movie looked like something that I wouldn't ever want to see but after being faced with a tough choice, I chose this one. I'm glad I did. The acting wasn't the best and the plot (though original) could've been honed but there were some surprises which left me with my jaw hanging open. It was pretty good so I gave it a 5 out of 10.
The wealthy owner of a large country estate leaves his house and its contents to a nearby all-girls Catholic college. Seven of the senior girls accompany one of the Sisters to the house to spend four days there cataloguing all the items. However, the house has a dark, tragic past and is rumoured to be haunted by the ghost of a woman who died there forty years ago in mysterious circumstances. Before long one-by-one the girls start to disappear.
This was a Troma release, but apparently one they picked-up rather than produced. Originally made as a straightforward ghost story called The Portrait, Troma decided to do some reshoots once they acquired it and make it a supernatural slasher. The result is pretty underwhelming; the kills are lacklustre, there's no tension, the performances from everyone are poor, there's zero nudity (c'mon, it's an 80s slasher), and the finale is confusing. An opening scene with a kid who's entered the mansion on a dare encountering the ghost is pretty effective, but it's downhill all the way after that. No surprise that this is the only film John P. Finnegan ever directed. 4/10.
This was a Troma release, but apparently one they picked-up rather than produced. Originally made as a straightforward ghost story called The Portrait, Troma decided to do some reshoots once they acquired it and make it a supernatural slasher. The result is pretty underwhelming; the kills are lacklustre, there's no tension, the performances from everyone are poor, there's zero nudity (c'mon, it's an 80s slasher), and the finale is confusing. An opening scene with a kid who's entered the mansion on a dare encountering the ghost is pretty effective, but it's downhill all the way after that. No surprise that this is the only film John P. Finnegan ever directed. 4/10.
Le saviez-vous
- AnecdotesAll of the gore inserts were shot in 1986 by Troma with doubles. Only actress Monica Antonucci was brought back for a shot which was also inserted under the title card.
- ConnexionsFeatured in Slice and Dice: The Slasher Film Forever (2012)
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- How long is Girls School Screamers?Alimenté par Alexa
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