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6,6/10
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Un groupe de scientifiques a développé le Resonator, une machine qui permet de voir au-delà de la réalité normale perceptible. Mais lorsque l'expérience réussit, ils sont attaqués par de ter... Tout lireUn groupe de scientifiques a développé le Resonator, une machine qui permet de voir au-delà de la réalité normale perceptible. Mais lorsque l'expérience réussit, ils sont attaqués par de terribles formes de vie.Un groupe de scientifiques a développé le Resonator, une machine qui permet de voir au-delà de la réalité normale perceptible. Mais lorsque l'expérience réussit, ils sont attaqués par de terribles formes de vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 4 nominations au total
Andrew Lord Miller
- Patient - Strait Jacket
- (as Andy Miller)
Albert Band
- Drunk
- (non crédité)
Sergio Silveri
- Asylum Orderly
- (non crédité)
Avis à la une
The cast and crew of the horror hit RE-ANIMATOR team up again for this stomach-churning ride through (literally) the human mind. Once again using Lovecraft as source material, Gordon and friends take the original story and add their own gruesome elements to the stew. Much overlooked alongside its more popular and altogether more famous brother RE-ANIMATOR, FROM BEYOND, while lacking some of the frenetic pace and macabre gags which made that film so good, still stands alone as a deliriously gory horror film, full of slime, blood, and body bits.
The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.
The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.
The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.
The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.
The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.
The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.
Its been a while since I saw this, but I fondly remember it as being one of the wildest and most entertaining horror films of the 80s. I liked it even more than Re-Animator, partly because there is something more intriguing about parallel dimensions and the connection to schizophrenia, than Re-Animators simple (though still entertaining ) "dead come back to life"-scenario. Some of the outlandish effects seem to be influenced by Dali, bodies in a constant state transformation and re-evaluation. It is mind-boggling that it is still so hard to get a hold of on DVD, I only watched a British VHS copy years ago which had some cuts and I still long to see the original unrated version. The score, by Richard Band, is also impressively aggressive and atmospheric. Would somebody please just release it on DVD! They just don't make them like this anymore.
Based on a Lovecraft story, this shows the danger of seeing and knowing too much. Campy horror director Stuart Gordon has Jeff Combs working on a machine (the Resonator !) that can help us to "see" other dimensions. When they turn on the machine, it brings monsters into this dimension. when the Doctor Pretorious is killed by his own experiment, Crawfod is locked up as a nut job. Barbara Crampton is Dr. McMichaels, trying to get to the bottom of his case. and of course Gordon puts his own wife Carolyn in here as another doctor. So they take Crawford back to the scene, and for some unknown reason, they think turning it back on is a good idea. Keep the kids away. Language, violence and nudity. S&M. a little something for everyone. and the weird thing is, they keep talking about the pineal gland, which really does control our sleep rhythms by controlling our melatonin level. and on some web pages, there are the discussions of flouride in our water supply. This "results" in the blocking of our ability to see the alternate planes. which is what this whole film is about! actually slightly based on "shakey science". who knew? it's all silly and campy and cheap and cheesy. but you'll have a fun time watching. not for the weak of heart.
Stuart Gordon's debut 'Re-Animator' is a horror classic, and 'From Beyond' is an attempt to get lightning to strike twice. Once again Gordon and producer/co-writer Brian Yuzna make a gory horror/black comedy loosely inspired by a H.P. Lovecraft story, and get cult hero Jeffrey Combs and scream queen Barbara Crampton to star. And you know what? It's actually as great in its own way as 'Re-Animator'. They really pulled it off! Combs isn't quite as outrageous this time round, but he's still excellent, and Crampton has a more important role, which includes her memorably dressing up in bondage gear. Another 'Re-Animator' actor Carolyn Purdy-Gordon also appears in the supporting cast, as does Ken Foree, one of the stars of Romero's zombie classic 'Dawn Of The Dead', and Ted Sorel plays Dr. Pretorious (a deliberate reference to 'Bride Of Frankenstein'), in a role one could almost imagine was written specifically for the late David Gale ('Re-Animator's Dr. Hill). The story is original and unpredictable, the humour dark and surprisingly subtle, and the special effects are excellent and very effective. For me this movie is extremely underrated and gets better with each subsequent viewing. If you enjoyed 'Re-Animator' you'll love 'From Beyond'. Gordon and Yuzna's subsequent careers, both separately and together, have been extremely uneven, but give credit where credit is due, this one's a winner! Highly recommended.
There's Jeffrey Combs doing his bit! "The Resonator, it's working! We know that, 'cos weird worms pop out of the air and try to eat your face! Love a doctor called Pretorius complete with mad laugh! Acting dialled up to 11 - "I want to see more than any man has ever seen!" Lovely makeup and gore effects - only Gordon does Lovecraft like this and has so much fun doing it - but it just gets silly as they totally lose it at the end!
Le saviez-vous
- AnecdotesBarbara Crampton sold the leather dominatrix outfit she wore in this film at a yard sale.
- GaffesIn the opening scene the windows of the first floor in Dr. Pretorious' house are shattered. A little later in the movie, when the team arrives again at the "crime scene", it is clearly visible, that the window classes are still unbroken.
- Citations
Crawford Tillinghast: It ate him... bit off his head... like a gingerbread man!
- Versions alternativesThe original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius.
- ConnexionsFeatured in Stephen King's World of Horror (1986)
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Détails
Box-office
- Budget
- 4 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 261 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 514 417 $US
- 26 oct. 1986
- Montant brut mondial
- 1 261 000 $US
- Durée
- 1h 25min(85 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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