NOTE IMDb
4,7/10
1,8 k
MA NOTE
Ajouter une intrigue dans votre langueAn actor and a chef fathom a plot to fix a horse race and attempt at capitalizing it, while striving to tackle two of the hitmen responsible for the scheme.An actor and a chef fathom a plot to fix a horse race and attempt at capitalizing it, while striving to tackle two of the hitmen responsible for the scheme.An actor and a chef fathom a plot to fix a horse race and attempt at capitalizing it, while striving to tackle two of the hitmen responsible for the scheme.
- Réalisation
- Scénario
- Casting principal
Teddy Wilson
- Covington
- (as Theodore Wilson)
Avis à la une
I suppose I shouldn't be surprised at the number of viewers whose comments generally trashed this picture, but I must admit that I'm astonished at the snobbery of some people when it comes to comedy.
Not every movie has to have an intricate plot, Oscar caliber performances, and a perfect script to be a noteworthy movie. We have movies like Citizen Kane, The Killing Fields, A Dry White Season, Rain Man ect... for that. The most important aspect of a comedy is whether or not it is genuinely funny, and there's no way one can say that this flick is not.
Just about every scene in the film is funny, physical as well as dialogue. Howie Mandel cracked me up constantly with the strange voices he used. It's vulgar in parts, and sure, the plot is weak. So what. It does it's job. Blake Edwards is a master at comedy. He never leaves me disappointed.
If you're looking for a movie that will leave you with a sore ribcage at the end, this one will do the trick. As comedies go, I'd give it an 8/10.
Not every movie has to have an intricate plot, Oscar caliber performances, and a perfect script to be a noteworthy movie. We have movies like Citizen Kane, The Killing Fields, A Dry White Season, Rain Man ect... for that. The most important aspect of a comedy is whether or not it is genuinely funny, and there's no way one can say that this flick is not.
Just about every scene in the film is funny, physical as well as dialogue. Howie Mandel cracked me up constantly with the strange voices he used. It's vulgar in parts, and sure, the plot is weak. So what. It does it's job. Blake Edwards is a master at comedy. He never leaves me disappointed.
If you're looking for a movie that will leave you with a sore ribcage at the end, this one will do the trick. As comedies go, I'd give it an 8/10.
A definite "check your brain at the door" comedy, one of the most plot less films ever, but manages some good characters and situations. Danson, pigeon-holed as his "Cheers" character Sam Malone, plays another womanizer here, this time an actor. While shooting a film at a racetrack, he overhears the doping of a philly, and though seen, decides to bet the horse the next day. Two movie-type hit men dingbats spend the next twenty minutes chasing him by foot and car all over the place. Along for the ride is Danson's buddy Mandel, who gets swept up in the madness. There's also an auctioneer, a Mob wife, her grumbling husband, two cops on the trail, and a disgruntled brother in law. Edwards attempt at an all-out comedy comes off here and there, but the film has no real direction. A bunch of gags are clustered along the business of Danson and Mandel avoiding a bullet from the two hitguys. But for whatever reason, I let it slide and just enjoyed what was given. Danson at about 40 and Mandel in his 20s, though never explained how they know each other, had a great chemistry. Seemed like they had been buddies a while, and clicked on-screen. Throw in some Mandel bits like voices or eating soap, and you can't help but laugh. Especially his moment in an Indian restaurant where he disregards the diners and lets loose after eating....something. Danson milks being slapped in the face and chasing women, and an odd boon to the film is the up-beat soundtrack. From the Temptations to Mr. Mister, it came off energetic. In fact, I don't recall any scenes of score used in the film. It all culminates in a chaotic finish involving a piano and another chase, so it may be worth a shot if you're into stretching your funnybone.
"A Fine Mess" is a sloppy comedy from Blake Edwards, director of "Micki + Maude", "Victor/Victoria", "10", and the "Pink Panther" films. I first saw "A Fine Mess" at the theater with my best friend when it first came out. I was only 15 years old at the time, and we laughed our heads off. You would think that today I would find this film to be incredibly stupid. Well, I just watched it again recently, and I still laughed at this movie. That makes "A Fine Mess" a huge guilty pleasure of mine. It's about Ted Danson and Howie Mandel getting mixed up in a fixed horse race, and spend parts of the movie running from two clumsy gangsters (Richard Mulligan and Stuart Margolin) who are responsible for creating this fixed horse race on orders from their mob boss (Paul Sorvino). In the midst of this fine mess they fall in love with beauties Maria Conchita Alonso and Jennifer Edwards (Blake's daughter). This movie was no doubt an embarrassment to Edwards, Danson, Mandel, Sorvino, and especially Mulligan and Margolin. They all make total fools of themselves. But I laughed anyway. It's notable for an appearence by a pre-"NYPD Blue" Dennis Franz and a bit part by a pre-"Babe" James Cromwell. But one thing I'll always remember about "A Fine Mess" is film critic Rex Reed's thrashing of the movie on the movie review show "At the Movies" when he and co-host Bill Harris (taking over for Siskel and Ebert) were reviewing their choices for the worst movies of 1986. Reed started saying quote "Well at least part of the title is accurate. "A Fine Mess". Well it's worse than a mess. It was an all out disaster, and there's nothing fine about it." It was quite obvious that Reed gave "A Fine Mess" no stars. But I give it three stars. I know I shouldn't, but I can't help it. This movie does make me laugh. If you decide to watch this, remember to check your brain at the door.
*** (out of four)
*** (out of four)
My heart sinks when I see a 3.8 User Rating for this hilarious comedy. You got Danson and Mandel in their prime and Edwards behind the camera. OK, it should have been better, but there's still some of Blake's trademark slapstick we all know and love from classics like A Shot in the Dark and The Party. Richard Mulligan is a standout as a dopey hood who places his shotgun in front of his crotch before firing. The plot, if you want to call it that, has more holes than a swiss cheese convention but I was laughing so hard I didn't care.
I just saw this movie tonight, actually the last twenty minutes, and according to IMDb, it says that Dennis Franz is non credited, but as the credits rolled, he was in them...
It was an OK movie, and I enjoyed what I did see, and looking at the actors before they were household names was funny too.
It is a good movie for those of you who wish to just sit back and laugh at good old slapstick, and mindless entertainment.
Ted Danson is always hilarious, and found it quite funny seeing him make himself comfortable behind the bar in the mansion. His character was hilarious as the skirt chasing fool, just as his future character, Sam Malone would be in Cheers!
Cheers to all the actors who have gone on to make better and bigger movies, and shows!
It was an OK movie, and I enjoyed what I did see, and looking at the actors before they were household names was funny too.
It is a good movie for those of you who wish to just sit back and laugh at good old slapstick, and mindless entertainment.
Ted Danson is always hilarious, and found it quite funny seeing him make himself comfortable behind the bar in the mansion. His character was hilarious as the skirt chasing fool, just as his future character, Sam Malone would be in Cheers!
Cheers to all the actors who have gone on to make better and bigger movies, and shows!
Le saviez-vous
- AnecdotesLocation manager Ron [Ronald M. Quigley] scoured Los Angeles for the right kind of drive-in, only to find that nowhere in the megalopolis was one to be found. The solution was to locate a suitable parking lot and build the eatery to the specifications of the script. On a Brentwood corner lot, production designer Rodger Maus and his art and construction departments built a working drive-in dressed both inside and out with neon and jukeboxes, counter and kitchen. As soon as the building took shape, the local office personnel and residential neighbors began dropping by asking when it would open. They were very disappointed to learn that it wouldn't.
- GaffesWhen the thugs chase Spence and Dennis away from the racetrack in their car, they wind up crashing into a vending table full of stuffed toys with the collision seen in an interior shot. In the exterior shot that follows, the camera can be seen in the car's back seat.
- Citations
Dennis Powell: We're gonna die, Spence! We're gonna die!
Spence Holden: No we're not...
Dennis Powell: I still have orders!
- ConnexionsFeatured in The Temptations: A Fine Mess (1986)
- Bandes originalesA Fine Mess
Written by Henry Mancini and Dennis Lambert
Produced by Peter Bunetta and Rick Chudacoff for Ripe Productions
Performed by The Temptations
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- How long is A Fine Mess?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- A Fine Mess
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 029 824 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 620 657 $US
- 10 août 1986
- Montant brut mondial
- 6 029 824 $US
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By what name was Un sacré bordel! (1986) officially released in Canada in English?
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