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Ajouter une intrigue dans votre langueA woman narrowly escapes assault but loses her purse. Fearing retaliation, she seeks help. When her attacker returns, she manages to trap him. Now she faces a moral quandary: free him, repor... Tout lireA woman narrowly escapes assault but loses her purse. Fearing retaliation, she seeks help. When her attacker returns, she manages to trap him. Now she faces a moral quandary: free him, report him, or take matters into her own hands.A woman narrowly escapes assault but loses her purse. Fearing retaliation, she seeks help. When her attacker returns, she manages to trap him. Now she faces a moral quandary: free him, report him, or take matters into her own hands.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
Marjorie, a young woman who works in a museum and lives with two female roommates, Pat and Terry.One night she gets in her car and is attacked by masked man with a knife.His plan is to rape her, but she manages to escape.The man has her purse.The police can't help her, since the actual rape didn't happen.Then one day, when Marjorie's roommates are at work, her assailant comes there.His name is Joe.A long battle begins against this man.But then she manages to spray his eyes and mouth with insect repellent, stuff that will kill him if he won't get help soon.She ties him up and makes Joe the subject of the same kind of physical and mental assaults he used on her earlier.The Extremities (1986) is directed by Robert M. Young.It's based on the controversial off-Broadway play from 1982 by William Mastrosimone.Farrah Fawcett, who sadly lost her battle with cancer last year, is terrific as Marjorie.James Russo, who played the attacker also in the play, is convincing as Joe.Alfre Woodard and Diana Scarwid are great as Pat and Terry.James Avery is seen as Security Guard.She got a Golden Globe nomination.This is not a movie that is supposed to entertain you.It asks a question is revenge justified.This is not a perfect movie, but I recommend it.
Here's a film, I'll always remember seeing that late Farrah for who died a day apart from Michael Jackson. Ironically they were good friends, and one thing that Farrah could do instead of Michael, and that was act. She scorches up the screen here, a raging queen of revenge on her attacker, who has come to attack her, for the second time, invading her home. She scarcely escapes the first attack, a car jacking, where they end up in a discreet parking spot. She manages to get away, leaving her car and wallet behind. With not much help from authorities (der, we've seen it so many times before in rape films) it now becomes a game of waiting, with Farrah, quite on edge, and rightfully so. She does share house with two other women. Diana Scarwid, very good as a wild impulsive sort, and Alfre Woodard, as a more wiser black woman, the only one partially sympathetic to the rapist after the tables are turned, and turned they are. Farrah becomes caught in conflict with her mates who return to find Joe, the battered faced rapist chained up in the fireplace. She wants to kill Joe, on the too probable count, that if tried, and he gets off, he will come at her again. This is a real life situation scenario here, Woodard of course, dead set against the idea. For rape victims, this movie is not for you. It's an intense grueling flick about the rape process, where the consequences for a criminal's acts here are extreme (hence the title) for low class sort, Joe (a wonderful Russo) But it's Farrah who engrosses us, where Extremities is an engrossing and with a wonderfully claustrophobic atmosphere, where indeed it's well shot, where most of the movie is set in Farrah's pad. For some viewers it'll be tough to watch. Too, what's shocking is Russo's admittance, and his intentions, when untied and falling to the floor, where then Scarwid surprisingly becomes sympathetic. Although I really didn't like it's ending Extremities is powerful movie making and far from escapist fare for viewers, wanting to leave reality behind. I would also like to see the play one day, but for now, I'll stick to the movie.
This was some strong movie. Very powerful, very different. Yet strangely, I didn't warm to it as much as I should have. That does not diminish the movie's power. This just proved very difficult to watch.
I can certainly appreciate the theme of having one's dignity stolen and the need to take back one's power. The movie itself was wonderfully acted and directed. And obviously it was SUPPOSED to be hard to watch. I just wish I had warmed to it enough to give it a 10 like "The Accused". I think part of the problem was the limited focus of the camera,these 2 people starring almost by themselves, the story mainly going back and forth between Farra's Character and her rapist.After awhile it gets to you.
All in all this was an edgy film that's certainly thought provoking and worth watching. I doubt I'd see it again but the film as a whole is very well done.
I can certainly appreciate the theme of having one's dignity stolen and the need to take back one's power. The movie itself was wonderfully acted and directed. And obviously it was SUPPOSED to be hard to watch. I just wish I had warmed to it enough to give it a 10 like "The Accused". I think part of the problem was the limited focus of the camera,these 2 people starring almost by themselves, the story mainly going back and forth between Farra's Character and her rapist.After awhile it gets to you.
All in all this was an edgy film that's certainly thought provoking and worth watching. I doubt I'd see it again but the film as a whole is very well done.
EXTREMITIES is the disturbing, yet riveting screen version of a play by William Mastriosimone (who adapted his own play for the screen) about a woman who is attacked in her car one night by a would-be rapist on her way home and is terrified when she realizes the man got her purse and knows where she lives. After her roommates leave for work the next day, the guy shows up at her home and attempts to rape her. The story takes a surprising twist when, at one point, the woman turns the tables on the man and is able to overpower him; but when she realizes there is no way that attempted rape can be proved and if the man is arrested, he will just get off, she decides to keep him prisoner in the house until she can get a confession out of him. Far-fetched? Maybe. Disturbing? Definitely, but there's a wonderfully claustrophobic feel about this film, especially the middle with just the woman and her attacker, that you can't help but feel completely a part of what's going on. I did not see the play on Broadway, but I would imagine a piece like this works better onstage, but that doesn't make this film any less riveting an experience. Farrah Fawcett, one of the last actresses to do the role on Broadway, was awarded the role of Marjorie in the film version and delivers a taut and deeply moving performance as the victim who refuses to be a victim. Many critics found Fawcett's performance to be one-note, but for me, Marjorie is a woman completely numbed by what she has been through and the performance works for me. James Russo, in the performance of his career, is slimy and menacing as the would-be rapist who finds Marjorie to be much more of a challenge than he assumed. Alfre Woodard and Diana Scarwid co-star as Marjorie's roommates, who come home after Marjorie has overpowered the guy and has him tied up and stuffed in their fireplace upon their arrival. And it's the arrival of the roommates that take the story to an unexpected level because they didn't see what we saw Marjorie go through and therefore, think she should call the police and let them handle the guy. Not for the faint of heart, but if you can stand it, a gripping film experience anchored by a lead performance that will surprise you.
Kudos to Fawcett to taking on roles that, at the time were considered controversial. To my recollection, rape was still a taboo subject in the 1980's, and women's rights and emotions were rarely so deeply examined during that time.
Fawcett is simply a woman who is followed, then stalked by actor James Russo. He is adequate as the obsessed psychopath, but at times a bit transparent.
Diana Scarwid has a bit role, as does Alfre Woodard as the house mate. Woodard worries about the legal consequences when Fawcett, the rape victim, takes revenge on the culprit. The scene where she throws a frying pan of hot oil at Russo is classic, and as the rapist he deserves it. She then keeps him in bondage, and the consequences must be faced.
A very real story reflecting the emotions and rage of rape victims who have been violated, physically, and mentally. Highly recommended. 8/10.
Fawcett is simply a woman who is followed, then stalked by actor James Russo. He is adequate as the obsessed psychopath, but at times a bit transparent.
Diana Scarwid has a bit role, as does Alfre Woodard as the house mate. Woodard worries about the legal consequences when Fawcett, the rape victim, takes revenge on the culprit. The scene where she throws a frying pan of hot oil at Russo is classic, and as the rapist he deserves it. She then keeps him in bondage, and the consequences must be faced.
A very real story reflecting the emotions and rage of rape victims who have been violated, physically, and mentally. Highly recommended. 8/10.
Le saviez-vous
- AnecdotesInterviews with Farrah Fawcett stated that during filming they really slapped each other just like they did on stage to simulate reality. Also, in the source off-Broadway stage production, they had to have guards on hand because the violence would be so real audience members would try to jump up on stage and help Fawcett.
- GaffesJust after Marjorie attacks Joe, she splashes boiling water in his face from a whistling tea kettle on the stove. When she and Joe were just in the kitchen two scenes before, she never filled the kettle or put in on a burner. It sat to the side, empty.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 1986 (1987)
- Bandes originalesStand Up to the Night
Music by J.A.C. Redford, Richard Kerr
Lyrics by Will Jennings
Performed by Bonnie Raitt
Produced by Steve Tyrell
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- How long is Extremities?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 13 418 091 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 429 075 $US
- 24 août 1986
- Montant brut mondial
- 13 418 091 $US
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