Plaisirs pervers

Cecilia (Blanca Marsillach) is in love with the sax player Gaetano (Stefano Madia) who has an accident with his motorbike. Later, Doctor Guido Domenici (Brett Halsey) supervises the operation, but he makes a fatal mistake because he doesn't pay attention. He has problems with his wife Carole (Corinne Clery) who wants a divorce. Understandably, Cecilia doesn't care about the doctor's personal problems - she only knows he is responsible for the death of Gaetano and wants revenge. She phones him, threatens him, then abducts him, tortures him and says she will finally kill him. However, as they spend a lot of time together, a strange relationship begins to form... (Note: the names of the characters are different in the original Italian version compared to the English version.) Although this may have similarities with "9 1/2 Weeks" on the surface, "Il miele del diavolo" reminds me more of the deeper, obsessive films of Andrzej Zulawski or even Luis Bunuel. Stylistically, this is quite experimental, as Cecilia sees her dead boyfriend walking around and has flashbacks like visions. Beyond the obvious bits of exploitation, this is an ambitious and interesting work by Fulci (who briefly appears as a talisman seller).

Lucio Fulci's name has become synonymous with gore; and that is unfortunate, as there's so much more to the great Italian director than just splatter flicks. The four pre-Zombi 2 Giallo films that Fulci made prove this, and there's enough other gems dotted throughout the man's filmography that go a long way towards proving it further; The Devil's Honey being one of them. This is a surprisingly restrained film considering the more famous Fulci flicks, although the lack of gore is somewhat made up for in nudity; as this film is certainly not short on that front. The first twenty minutes aren't a far cry away from being a porn film, and it's not until the first plot point that we realise Fulci does have actually have a story to tell. The plot follows a young man who has an accident (which is completely his own fault) and ends up on the operating table of Doctor Simpson, a man tormented by his nagging wife and questionable manhood. After the young man dies, poor old Doctor Simpson begins receiving irritating phone calls from a woman repeatedly asking why he let the man die. Before long, he finds himself the captive of the vindictive female.

It has to be said that the story plays out well, and while it's not exactly plot heavy; Fulci does a good job of keeping the sexual tension high, and that is highly beneficial since it's the main point of the movie. The film is bound to appeal to sadists and feminists alike, as much of the movie features the young women exacting her revenge on the man she blames for the death of her lover. The main intrigue comes from the relationship between the two leads, as although their acquaintance is based on hatred; they soon develop a perverse love for one another. Perhaps the most surprising thing about this film is the fact that the love doesn't come across as contrived! Fulci sets up the characters so well that it's easy to see how and why this relationship transpires as it does. The only real problem with the film is that Fulci spends a little too much time with flashbacks between the girl and her dead lover, and this takes the focus away from the girl and the doctor, which should always be kept at the forefront of the film. However, The Devil's Honey works well in spite of that and overall this little thriller is well worth seeking out! I'd also like to give a quick mention to the poem that the movie takes its title from, as like the rest of the film - it's rather good!

Il miele del diavolo, also known as The Devil's Honey, is a tantalizing yet flawed treat from the master of gore, Lucio Fulci. This 1986 erotic psychodrama is a departure from Fulci's horror roots, offering a heady mix of sex, obsession, and supernatural elements that will leave viewers both intrigued and frustrated.

The story centers on Jessica a young woman who enters into a strange relationship. As the film progresses, Jessica 's world becomes increasingly blurred as she experiences visions of her dead boyfriend and flashbacks that cloud her perception of reality.

One of the film's strengths is its stylistic experimentation. The supernatural elements give the film a surreal, dreamlike quality, enhancing the sense of obsession and desire that permeates the story. The use of flashbacks and visions adds a layer of complexity to Cecilia's character, as we witness her struggle to differentiate between her fantasies and reality.

However, the film's pacing is often sluggish, with the plot meandering at times. While the slow burn approach can build tension in some films, here it feels like a missed opportunity to delve deeper into the psychological aspects of the story. The characters' motivations can feel murky, and the relationship at the center of the film fails to ignite with the intensity that the plot demands.

That being said, the film has a certain irresistible allure. The eroticism is tastefully done and integral to the story, enhancing the sense of obsession and desire. The acting is also commendable, with Blanca Marsillach portraying Jessica's descent into confusion and obsession convincingly.

In terms of visuals, Fulci delivers some stunning imagery, showcasing his talent for creating atmospheric, otherworldly scenes. The use of lighting and shadow adds to the film's dreamlike quality, and there are some beautifully composed shots that showcase Fulci's eye for detail.

However, the film's impact is lessened by its failure to fully explore the intriguing themes it presents. The relationship between Jessica and her love interest lacks the depth to make their obsession truly compelling, and the film's conclusion feels rushed and unsatisfying.

Overall, Il miele del diavolo is an intriguing yet imperfect film. While it offers a unique and atmospheric take on erotic thriller tropes, it fails to fully capitalize on its potential, leaving viewers with a sense of unfulfilled promise.

Despite its shortcomings, this devilishly sweet tale will undoubtedly find an audience among Fulci fans and those seeking a surreal, sensual cinematic experience. Just be prepared for a slow burn that doesn't quite ignite as expected.

I've seen overall 30 Lucio Fulci's movies, horror and non-horror, and have to admit that Devil's honey did surprise me. Many people doesn't like this one, because it's so different than Fulci's better known splatter-movies, but I have to disagree with that. Even though movie differs very much maestro's earlier works like for example Zombie flesh-eaters, Beyond, City of the living dead or even notorious New York ripper, doesn't make it bad. Sure there's different kind of elements involved this time, but movie is still worth to watch.

Basically Devil's honey, as it is titled in most English language countries, is a story of a love and disappointment, which leads eventually to a kidnapping and a torture. It's a story of a disappointed young woman, who kidnaps a doctor who failed to save her boyfriend and who tortures the doctor to the limits to get her satisfactional punishment. There's some sadomasochistic elements involved too, because doctor falls in love with his torturer and starts to enjoy his punishment. Many people see this as a main thing in this movie, but it isn't. Although the story behind the torturing is very simple and little twisted (like many other Fulci movies too), sadomasochism isn't playing the leading role here.

I'll give Devil's honey 8/10 just because it's nice to see that Fulci can handle this kind of erotic thriller as well as his earlier horror flicks. recommended.

Lucio Fulci's films are not known for their great scripts, and indeed the storytelling in "Devil's Honey" is often sloppy and the ending is weak. They are known for their gore (almost completely absent here), and their directorial flair (some of which is present here). Of course this is a rather atypical outing for Fulci (his answer to "9 ½ Weeks", perhaps?), and it works mostly thanks to Blanca Marsillach's surprisingly good performance: she's a beautiful young woman with a perfect body who walks around in the nude a lot, but beyond her looks she gives more depth than you'd expect to her character, making her innocent and curious (and easily aroused!) at first, sadistic and vengeful in the second half (I loved those little smirks that showed how much pleasure she got from her power over her male captive), but always very human underneath. Although she is 3rd-billed, make no mistake: she is the star of this film (2nd-billed Corinne Clery has a relatively small part, but she DOES get fully nude as well!). This is why this erotic thriller is so much more "erotic" than "thriller": who wouldn't want to be captured by a woman like Blanca and become her plaything? **1/2 out of 4.