La Couleur de l'argent

"Fast Eddie" Felson (Paul Newman) is an aging liquor salesman and retired billiards professional who spots the talent of a cocky young player Vincent (Tom Cruise) and offers to teach him to be an even better player. With his girlfriend Carmen (Mary Elizabeth Mastrantonio), Vincent accepts the offer and the trio begins a long road trip touring many pool halls across the country, with Vincent winning and losing intentionally to create a specific reputation and to hustle more money than he would gain otherwise. Eventually Eddie also finds his long lost knack for the game.

Paul Newman's natural charisma carries the film with ease, but the movie is not without its problems. Tom Cruise's overflowing energy and self-confidence are an intentional part of his character's style, sure, but I feel he is overdoing the cockiness to the point of being just irritating. The third main character Carmen is left more in the background but Mastrantonio looks rather fragile for such a role, as the vibe I was getting from her character was more rough and experienced than the innocent-looking actress could convey. The supporting actors do a good job though, such as Forest Whitaker as an unexpectedly good pool shark Amos and John Turturro as an antagonistic rival to Eddie and Vincent.

Another thing that bothered me about the film was the restless camera-work. There is a lot of movement: turning, zooming, tracking, some quick cuts – something I found distracting. In certain scenes it works fine though, such as during the spinning long take of Vincent's game against Moselle (Bruce A. Young). The other pool playing scenes are mostly well done too, especially during the finale at the big tournament.

The Color of Money may not be Scorsese's best film by a long shot, but it is entertaining alright and contains some exciting billiards scenes, so fans of the game ought to check it out. The drama, namely the development of the relationship between young Vincent and the father figure-like Eddie works well enough too. 'A decent film, but no masterpiece' is my verdict.

People misunderstood "The Color of Money," I think. There are a few things to keep in mind:

1) This was a Martin Scorsese film. Scorsese was fresh off "Taxi Driver," "Raging Bull," and other such successes from less than a decade before. People were expecting a lot.

2) It starred Paul Newman, returning to his character from "The Hustler," in a sequel that was twenty-five years in the making. That's longer than the wait for the "Phantom Menace" prequel.

Perhaps for those two (very strong) reasons alone, when "The Color of Money" opened in 1986, the critics and audiences didn't think much of it. It garnered decent praise from both areas but most critics seemed to agree: it didn't hold a candle to "The Hustler," and anyone other than Scorsese could have easily made the same picture.

After 19 years, I disagree. I think "The Color of Money" is not only an intelligent and amusing character piece, but an excellent continuation of a character we haven't seen for 25 years.

First of all, Scorsese's direction isn't his best, but it's still very good. And he's definitely got the same elements going on as "After Hours" from a few years before -- his cinematography is identical and the dark colors and grainy '80s vibe are present in every frame. Likewise he's using the quick-cuts and zooms and iconic panning shots that he's known for. The thing is, Scorsese's styles just changed a bit during the 1980s (they even carried on into "GoodFellas" -- the night-time shots carry the same foreboding look as "After Hours" and "Color of Money"). I think now, looking back, since we've seen more of Scorsese's films, it's easier to notice that this is indeed a Martin Scorsese film. A man who is constantly changing his directorial approach. (Just look at "The Aviator" for goodness sake!) Newman deserved the Oscar more for "The Hustler," of course, but for what it's worth, Fast Eddie Felson's evolution is handled with care in the script and it's very entertaining (for anyone who's seen the original) to note the change in his behavior. It's also interesting to see the new cocky pool hustler, Vince (Tom Cruise), filling in the shoes of Eddie from a few decades before.

If "The Hustler" was a great insight into the life of a troubled young man, then "The Color of Money" is a terrific insight into the evolution of this man, and the contrast between the young and the old. All adults tell us as children that they were just like us at one time, and we don't believe them. "The Color of Money" follows this principal -- in thirty years, we all know Vince will be just like Fast Eddie: wise and matured. And then he'll probably be coaching a young guy who thinks he's the king of the world. Will they make another sequel based on this continuation of the story? I doubt it. It's unnecessary, because as far as I'm concerned "The Color of Money" has already stressed the point. But you never know...

Overall this isn't a great movie and I won't pretend it is. But I do think it's one of the better films to come out of the 1980s and had a lot more going for it than some of the critics gave it credit for. Film buffs should see it, especially those who loved "The Hustler."

"Twenty five years ago, my career ended before it had even really started," Eddie Felson tells Vince, a young pool shark. No longer the cocky man he was in "The Hustler," Eddie (Paul Newman) in 1986 is retired from pool and a successful investor. When he spots hot-shot Vince (Tom Cruise), he decides to invest in him and take him on the road, with the goal of Vince winning a big pool tournament in Atlantic City. Along the way, Eddie confronts what he was and is no more and looks at the dreams he let die. When Vince is too foolish and strong-willed to take his advice, Eddie makes an important decision.

Though not as strong a film as "The Hustler," "The Color of Money" is still an excellent film with a great cast led by Newman, at the peak of his "older man" good looks and the brilliant acting he's always had. And, as usual, he tells you everything you need to know about a character. It's clear that he was content with his life and his attractive girlfriend (Helen Shaver) until he saw Vince. Then the old restlessness and competitiveness came creeping back into his blood.

Seeing Tom Cruise in 1986 is startling since today, the lower half of his face has changed drastically due to plastic surgery. Here he conveys the raw, youthful energy that helped make him a star. Like many successful movie actors, he has a wonderful physical agility. His pompadoured Vince is a short-tempered, jealous, talented ingrate who can't help showing off. Cruise is very effective, as is Mary Elizabeth Mastroantonio as his sultry, beautiful girlfriend in another role she made memorable in the '80s.

Beautifully directed by Scorcese, "The Color of Money" shows that it's never too late to follow your dreams and, with the right actors and the right script, you can do a good sequel even 25 years after the original.

Near excellent sequel to "The Hustler" which returns Paul Newman (finally in an Oscar-winning role) as the old wise former hustler who decides to take young jerk Tom Cruise and his hot, but shady girlfriend (Mary Elizabeth Mastrantonio in her Oscar-nominated role) on the road to take advantage of all pool table challengers. Newman's reprise of his greatest role is truly something to experience. He is at the top of his career in this one, playing a quiet and complicated role of a man who has been tortured by time, loss and missed dreams of total success. Martin Scorsese's subtle and focused direction stays on task throughout and he lets his three outstanding leads do the bulk of the work. Not quite as good as "The Hustler" due to a weaker screenplay and less suspense, but still a very memorable cinematic experience. 4.5 out of 5 stars.

There are two possible reviews that could be written about this film; two kinds, that is. One kind comes from somebody who's never seen "The Hustler" (1961), who's main character, Fast Eddie Felson, played by Paul Newman, is here reprised and replayed by the same actor, after 25 years has gone by, in a new script. I'm curious to read a review of this kind. I've seen "The Hustler" and rank it very high on my list of great films. So I can only write a review of this other kind. If you know the story from "Hustler" (and love it), how can you not be interested in what happens to Fast Eddie later in life? I was immediately aware of the extension of ideas (money, excellence, honor, pride, and deceit) from "The Hustler" and curious to see where Scorsese would take them. I think he's true to the time period: the clothing (and Vince's hair!), the music (very 80's), and the shift of values (as compared to 60s; e.g. cocaine replacing alcohol). Fast Eddie is also true to his age (and former excellence as a hustler). It feels like he's inherited a bit of Bert (from "The Hustler), a festering bitterness and pride, which reemerges when he meets Vince. I actually liked Tom Cruise as the innocent Vince and thought he played him perfectly. I winced to see him lose that innocence, which is probably what the film means to do. Mastroantonio is also pretty fabulous and yet no where near as cognizant and complex as Piper Laurie's character in "The Hustler." In that respect, this film is not as "cool" as "The Hustler." To credit Scorsese, he avoids trying to make a film as cool or similar in look to the original. Also, this movie does not attempt to gloss over Fast Eddie's faults (indeed it focuses on them intensely), and it doesn't mean to have him come to some redemption (although he does return to some of his former glory as a pool player). For me, my interest in the development of the story hinges upon my knowledge of what happened in "The Hustler." There was no way I could separate this fact from my judgement of the movie. I was disappointed only in so far that I wasn't watching "The Hustler" instead; and that's unfair to this movie. So, I don't know how this movie stands on its own. Try to imagine a movie about Rick, reprised by Bogart, from "Casablanca" 25 years later, called "The Taste of Defeat" when he's living in Paris, bloated from drink and lamenting the loss of swing jazz and, alas, his only love,Ilsa, etc etc.