Les enfants du silence

James Leeds (William Hurt) is the new speech therapist at a school for the deaf. He has limited signing skills and is intrigued by Sarah Norman (Marlee Matlin). She was the school's most promising student but she is now the school's janitor. He tries to teach her to speak but she rejects him. She is filled with anger but eventually she allows him into her world.

It's the acting debut for Marlee Matlin and it's the first time I watched deaf acting. It was a revelation because she gives it so much emotions. She's doing acting like the old silent stars. It's amazing how visceral the fights become. It's a relatively simple romance but it's the signing that is so important. It broke down barriers at the time and literally gave cinema a new visual language.

Hollywood is full of overly wrought love stories in which the conflict seems contrived merely to create drama or comedy or both. In Children of a Lesser God the love is so simple, and the conflict so believable, that it feels less like watching a movie, and more like watching friends walk through their own personal story. The attraction between Matlin and Hurt is obvious, but genuine, and is filled with the kind of "touches" that make it feel real. It is also a visually beautiful film. Each shot is set like a still photographer capturing an image. The overwhelming beauty of the New Brunswick coast creates a background for the film that leaves one with the feeling of watching a moving painting. Matlin has unfortunately not since been offered anything near this piece in which to display her amazing talent. It is a shame that a woman who could stand alongside Katherine Hepburn and Jodie Foster as all time great actresses is not having the opportunity to display that talent because of her hearing disability.

There are certain minorities that are not often represented in films, and the deaf is one of these groups. It is fascinating to watch this film, as it provides an insight into working with the deaf, and trying to make it so they can cope in a world full of noises. William Hurt gives off a very naturalistic performance, managing to add eccentricity to his role without overdoing it, and his acting also includes having to sign naturally. Even though it seems like an audience pleaser to have him translate out loud everything that Marlee Matlin is saying, it is still a credible performance. Matlin is also very good, deaf in real life, and she won an Oscar for her role. The film is let down however by the choice of a generic plot structure. The impending character relationships and storyline are very predictable, although the screenplay has some interesting ideas to keep it afloat. A lot of the film is concerned with being able to accept a person for who he or she is, and whether one should adjust one's ways or having others adjust for them. It is a good film, and has careful sound mixing work too. Matlin's constant anger is perhaps not realistic, and it is very easy to see where the film is going, but these points do not stop it from being effective viewing and good film-making in general.

Yes, this is a love story about two unusually attractive people but its power comes from Hurt and Matlin's ability to increasingly convey vulnerability and authenticity as they fight to become completely real to each other. Marlee in particular is remarkable in her expressiveness. There is a scene where she watches Hurt while she's in an indoor swimming pool and you only see her eyes over the edge of the pool -- but the depth and variety of what "just those eyes" express!

Because all of us intuitively know what they are going through as they strip away layer after layer -- who of us hasn't feared exposure of the person we feel the world shouldn't see? -- we are drawn into their revealing their secret selves because we wish we knew who OUR OWN secret self is.

And the film is funny, engaging, touching, crazy and human!

James (William Hurt) is a new speech teacher at a school for the deaf. He falls for Sarah (Marlee Matlin), a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, refusing to read his lips and only using signs. Will her feelings change over time? Every so often a different sort of love story comes along. This is one of those, featuring a deaf woman and a man who wants to be her teacher (and more). It is interesting, and one has to wonder how deaf people react to it. Is this a compassionate and understanding film, or is it exploiting the deaf community? Certainly it seems that the intentions were good.

Marlee Matlin is excellent, and it's nice to see she was honored for her role. I mean, I guess it's not a huge stretch to play a deaf woman, but it was probably an emotional role for her, knowing she was representing a great many people.