Une jeune femme a des flashes étranges de souvenirs de son frère en train de commettre un assassinat. Pourtant ses parents lui assure que tout va bien.Une jeune femme a des flashes étranges de souvenirs de son frère en train de commettre un assassinat. Pourtant ses parents lui assure que tout va bien.Une jeune femme a des flashes étranges de souvenirs de son frère en train de commettre un assassinat. Pourtant ses parents lui assure que tout va bien.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
I was expecting more from this movie but all I got was a boring film. This movie has bad actors, slow moving script about a lady that keeps having the same dream about her mothers suicide when she was six. Through most of the movie this dream is the main focus and then she tries to find out who the little boy is that watches his mother kill herself and supposebly edges her into doing it. The answer to that is quite obvious during most of the movie. As I watched this movie I found myself saying "Common, just get to the little boy and get over it!!!" But when the movie was over I found that I had wasted my $1.50. Don't waist yours!!!! Avoid it!!
CASSANDRA is a solid, suspenseful film that all horror fans should see. It has some wonderful, suspenseful moments that are very effective. Its main problem is that it suffers from being boring and muddled at times. I understand that the director couldn't do nonstop action/horror scenes in all places throughout the film, but I just wish that at times I didn't feel like I was watching Daytime TV. I mean, the relationship between the mother and the daughter. And the husband was having an affair. But putting that aside, everything else about this film was very well done and very effective. I was actually introduced to Austrailian Horror by mistake, only because my friends are so big on the MAD MAX series. Anyway, CASSANDRA is not really cliche-ridden, and that is good. It has some effective moments that will make you look over the muddled ones. **1/2out of****Worth at least one or two looks.
Dad is having an affair. Mom and daughter do not get along. And then the daughter begins to have visions of someone in the family killing people. The first half is a fast paced, scary little thriller. However, it runs out of steam by the second half and has way too many twists and suffers from your usual movie cliches. Rated R; Nudity, Violence and Profanity.
This movie was pretty good, I must say. I was attracted to it mainly because of the cover of it but when I watched it, it was better than I had expected. Tessa Humphries played a pretty good part which was both realistic and actually thought out (unlike many other movies' characters). The main problem with this, however, was that the plot had so many twists that it lost me somewhere. That wasn't enough to keep me from enjoying the movie, however, and I hope that I see another like it. Since it lost me midway through, though, I have to rate this one a 6.
Australian charmer about Cassandra, a young woman who wonders about a curious nightmare she keeps having. Her problems soon get much worse, however, as she begins seeing visions of murder from the killer's point of view.
This film is predictable, especially if you've seen one of my favorite slashers, but it's still compelling throughout. This is due in large part to a talented cast and the assured direction of one Colin Eggleston, director of the magnificent Long Weekend. The opening moments of the film are particularly stylish as we see a streak of images through a continually blinking eye, the eyelids evoking the feel of a camera shutter. Another of my favorite scenes comes towards the end, and I'll just say it involves fire. We also get a quality score, at varying times eerie and beautiful. Of the three Eggleston films I've seen (Innocent Prey being the third), this is my least favorite, but that's certainly not a slight against it.
This film is predictable, especially if you've seen one of my favorite slashers, but it's still compelling throughout. This is due in large part to a talented cast and the assured direction of one Colin Eggleston, director of the magnificent Long Weekend. The opening moments of the film are particularly stylish as we see a streak of images through a continually blinking eye, the eyelids evoking the feel of a camera shutter. Another of my favorite scenes comes towards the end, and I'll just say it involves fire. We also get a quality score, at varying times eerie and beautiful. Of the three Eggleston films I've seen (Innocent Prey being the third), this is my least favorite, but that's certainly not a slight against it.
Le saviez-vous
- AnecdotesWas originally intended for Theatrical release but went straight to video instead.
- ConnexionsFeatured in Ozploitation Trailer Explosion (2014)
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